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A Life in Politics
Born to poor tenant farmers in a log cabin in Graves County, Kentucky, Alben Barkley (1877--1956) rose to achieve a national political stature equaled by few of his contemporaries. His memorable public career ranged from the Progressive era to the early years of the Cold War, and he witnessed or influenced many of the key events of the twentieth century. Eventually elected vice president of the United States on the ticket with Harry S. Truman in 1949, Barkley possessed a candid demeanor and social skills that helped him become one of the most popular politicians of his day.
In Alben Barkley: A Life in Politics, James K. Libbey offers the first full-length biography of this larger-than-life personality, following Barkley in his transition from local politician to congressman, then senator, senate majority leader, vice president, and senator once again. A loyal Democrat, Barkley was instrumental in guiding Franklin D. Roosevelt's New Deal programs through Congress. He later took on a key role in managing domestic policy as the president became more and more immersed in World War II.
Libbey also reveals Barkley's human side, from his extremely humble beginnings to his dramatic and chilling final speech at Washington and Lee University in 1956, when he said, "I would rather be a servant in the house of the Lord than to sit in the seats of the mighty," delivering the legendary quote moments before succumbing to a massive heart attack. A significant contribution to American history, this definitive biography offers a long overdue look at the "Iron Man" of politics.
Pioneer of the Silent Screen
In recent years, technology has given films of the silent era and their creators a second life as new processes have eased their restoration and distribution. Among the films benefitting from these developments are the works of director Albert Capellani (1874--1931), whose oeuvre was instrumental in the development of cinema in the early 1900s and whose contributions rival those of D. W. Griffith.
For the first time in English, Christine Leteux's essential biography of Capellani offers a detailed assessment of the groundbreaking director. Capellani began his career in France at what was, at the time, the biggest film company in the world: Pathé. There, he directed the first multireel version of Les Miserables in 1912 as well as his masterpiece, Germinal (1913). After immigrating to the United States, Capellani worked at a number of production houses, including Metro Pictures Corporation, where he produced his two best-known films, The House of Mirth (1918) and The Red Lantern (1919). He was well known for making stage actors into movie stars, and Mistinguett, Stacia Napierkowska, and Alla Nazimova all rose to prominence under his direction.
The ups and downs of Capellani's career paralleled the evolution of the film industry and demonstrated the fickle nature of success. His technical and aesthetic achievements, however, paved the way for future filmmakers. Featuring a foreword by Academy Award--winning film historian Kevin Brownlow, Leteux's intimate biography paints a fascinating portrait of one of the leading pioneers of early cinema and provides a new window into the origins of the moving picture.
The name Albert Kirwan is inextricably bound with the University of Kentucky -- in sports, scholarship, and administration. His skills and interests were so many and varied that his accomplishments in one area could not long satisfy his restless nature; he captained and later coached the U.K. Wildcats, took degrees in law and history, wrote or edited six books, taught a full load of classes, became dean of students, graduate dean, and finally, was unanimously installed as seventh president of the University.
Under his guidance, the UK graduate program was improved and strengthened; he presented the University's case before the National Collegiate Athletic Association council concerning the 1948--49 basketball gambling scandals; he helped to see the University through its first tense period of integration; and he was able to handle student activism in the 1960s with both courage and understanding.
Beyond this, he was a gentle, devoted family man. His wife, Betty, his sons, and his sister have shared their memories of Albert Kirwan, providing much of the material included in the biographical section of this book; and Kirwan himself left a tape, "Some Memories of My Life," recorded in 1971, which Frank Mathias has blended with information culled from letters, files, and interviews.
During his lifetime, Albert Kirwan was often invited to speak before historical associations, at commencement exercises, athletic assemblies, on television, and on radio. Records of these speeches document his far-ranging thoughts on history, education, athletics, politics, the South, the Civil War, and civil rights, revealing him as a responsible and responsive liberal Kentucky gentleman. He was a man of many moods, and had a wry, tongue-in-cheek humor that enlivened his lectures and talks. The second section of the book is a selection of his speeches, letters, and excerpts from his articles and books, including a chapter from John ]. Crittenden: The Struggle for the Union, which won the Sydnor award. Reproduced here are Kirwan's analysis of the Kentucky court struggle of the 1820s and his statement before the Southeastern Conference on the penalty assessed against Kentucky's basketball team; and, here too are the more casual banquet speeches, the bantering affection of a warm, sensitive man among friends.
"Here is a man who has given his whole life to [the University of Kentucky]," Happy Chandler said of him, "... surely he must love it as perhaps no other person could."
The life of Albert Shaw (1857-1947) reflected in microcosm the changes that American society was undergoing through a critical period. This first full-length study focuses on two themes: Shaw's career as editor and publisher of the Review of Reviews, an influential monthly journal in the early years of the twentieth century, and Shaw's career as a public figure.
Shaw was a member of the Progressive movement from its inception, but his concern and interests were wide-ranging, centering to a large degree on the question of what the industrialization of America meant. Lloyd J. Graybar shows incisively the ways in which Shaw's professional concerns interacted with his attitude toward public issues.
Soldier of Three Republics
" With a new foreword by Gary W. Gallagher Selected as one of the best one hundred books ever written on the Civil War by Civil War Times Illustrated and by Civil War: The Magazine of the Civil War Society A new, revised edition of the only full-scale biography of the Confederacy's top-ranking field general during the opening campaigns of the Civil War.
Born in Russia in 1887, Alexander Gumberg immigrated to the United States in 1903. He returned to Russia in 1917 as an American businessman sympathetic to the progress of Russia's Revolution. After the Bolshevik seizure of power on November 7, Gumberg became a secretary, translator, and adviser to the American Red Cross Commission and the Committee on Public Information. Through him a Soviet-American dialogue formed despite the lack of official relations. Gumberg advised congressmen who hoped to establish diplomatic ties between the two countries. He helped American publicists, publications, and institutions which sought to present a favorable, or at least balanced, picture of Soviet Russia. Gumberg did not seek to start a revolution to change the world, or to alter the morality of man. He did contribute quietly to a better understanding between the future superpowers when their normal ties had been broken.
The Legacy of Victorianism
This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Cohen considers a sampling of Hitchcock's best films -- Shadow of a Doubt, Rear Window, Vertigo, Psycho -- as well as some of his more uneven ones -- Rope, The Wrong Man, Topaz -- and makes connections between his evolution as a filmmaker and trends in the larger society.
Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian-style gentleman who evolved into one of the leading masters of the modern medium of film. Cohen sees Hitchcock's films as developing, in part, as a masculine response to the domestic, psychological novels that had appealed primarily to women during the Victorian era. His career, she argues, can be seen as an attempt to balance "the two faces of Victorianism": the masculine legacy of law and hierarchy and the feminine legacy of feeling and imagination.
Also central to her thesis is the Victorian model of the nuclear family and its permutations, especially the father-daughter dyad. She postulates a fundamental dynamic in Hitchcock's films, what she calls a "daughter's effect," and relates it to the social role of the family as an institution and to Hitchcock's own relationship with his daughter, Patricia, who appeared in three of his films.
Cohen argues that Hitchcock's films reflect his Victorian legacy and serve as a map for ideological trends. She charts his development from his British period through his classic Hollywood years into his later phase, tracing a conceptual evolution that corresponds to an evolution in cultural identity -- one that builds on a Victorian inheritance and ultimately discards it.
Southern Baptist Missions and Race, 1945-1970
Southern Baptists had long considered themselves a missionary people, but when, after World War II, they embarked on a dramatic expansion of missionary efforts, they confronted headlong the problem of racism. Believing that racism hindered their evangelical efforts, the Convention's full-time missionaries and mission board leaders attacked racism as unchristian, thus finding themselves at odds with the pervasive racist and segregationist ideologies that dominated the South. This progressive view of race stressed the biblical unity of humanity, encompassing all races and transcending specific ethnic divisions. In All According to God's Plan, Alan Scot Willis explores these beliefs and the chasm they created within the Convention. He shows how, in the post-World War II era, the most respected members of the Southern Baptists Convention publicly challenged the most dearly held ideologies of the white South.
Sports in Film and History
Sports films are popular forms of entertainment around the world, but beyond simply amusing audiences, they also reveal much about class, race, gender, sexuality, and national identity. In All-Stars and Movie Stars, Ron Briley, Michael K. Schoenecke, and Deborah A. Carmichael explore the interplay between sports films and critical aspects of our culture, examining them as both historical artifacts and building blocks of ideologies, values, and stereotypes.
The book covers not only Hollywood hits such as Field of Dreams and Miracle but also documentaries such as The Journey of the African American Athlete and international cinema, such as the German film The Miracle of Bern. The book also explores television coverage of sports, commenting on the relationship of media to golf and offering a new perspective on the culture and politics behind the depictions of the world's most popular pastimes.
The first part of the book addresses how sports films represent the cultural events, patterns, and movements of the times in which they were set, as well as the effect of the media and athletic industry on the athletes themselves. Latham Hunter examines how the baseball classic The Natural reflects traditional ideas about gender, heroism, and nation, and Harper Cossar addresses how the production methods used in televised golf affect viewers. The second section deals with issues such as the growth of women's involvement in athletics, sexual preference in the sports world, and the ever-present question of race by looking at sports classics such as Rocky, Hoosiers, and A League of Their Own.
Finally, the authors address the historical and present-day role sports play in the international and political arena by examining such films as Visions of Eight and The Loneliness of the Long Distance Runner. This important and unique collection illuminates the prominent role that sports play in society and how that role is reflected in film. Analysis of the depiction of sports in film and television provides a deeper understanding of the appeal that sports hold for people worldwide and of the forces behind the historic and cultural traditions linked to sports.
U.S. Nurses Imprisoned by the Japanese
""Even though women were not supposed to be on the front lines, on the front lines we were. Women were not supposed to be interned either, but it happened to us. People should know what we endured. People should know what we can endure.""—Lt. Col. Madeline Ullom More than one hundred U.S. Army and Navy nurses were stationed in Guam and the Philippines at the beginning of World War II. After the Japanese attack on Pearl Harbor in December 1941, five navy nurses on Guam became the first American military women of World War II to be taken prisoner by the Japanese. More than seventy army nurses survived five months of combat conditions in the jungles of Bataan and Corregidor before being captured, only to endure more than three years in prison camps. When freedom came, the U.S. military ordered the nurses to sign agreements with the government not to discuss their horrific experiences. Evelyn Monahan and Rosemary Neidel-Greenlee have conducted numerous interviews with survivors and scoured archives for letters, diaries, and journals to uncover the heroism and sacrifices of these brave women.