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Ernest Hemingway’s enlistment with the American Red Cross during World War I was one of the most formative experiences of his life, and it provided much of the source material for A Farewell to Arms and his writings about Italy and the Great War. As significant as it was, Hemingway’s service has never been sufficiently understood. By looking at previously unexamined documents, including the letters and diary of Hemingway’s commanding officer, Robert W. Bates, official reports of the ambulance and canteen services, and section newspapers published by volunteers, author Steven Florczyk provides crucial insights into Hemingway’s service.
The book opens by sharing tales of the volunteer ambulance units from the Western Front, which also led to the involvement of the American Red Cross in Italy. This was where Hemingway came to know many of the experienced drivers from France. In the spring of 1918 the young writer enlisted, serving first with an ambulance unit in Schio and then as a canteen worker at the Piave River until he was wounded. After the war when the volunteer outfits disbanded, Hemingway returned home where he took up his plan to earn a living as a writer.
Hemingway’s Red Cross experience was a major influence on his development as a writer and a thinker. Through the power of words, Hemingway’s journalism, short stories, and novels exposed the falsehoods of World War I propaganda. His involvement with the Red Cross led to some of the finest American literature on the Great War.
Daniel Carter’s Here Both Sweeter is a book in which you “have a seedling in each pocket,” a “body bodies,” and words are something you “carve out” so as to make a home. The poems are stories, are seeds, are secret messages cast and sent across the natural world to a reader, where they blossom in the imagination. The plot is “scatter-wild,” the lyrics “all willful and fallow.” Carter’s language serves as a garden, rich and strange, full of acorns and ink and ash, and in it the green world (of nature, of the heart and body, of words and ideas) is overturned, recycled, and remade.
Radical History and the Early Republic
A new perspective on the cultural politics of Charles Brockden Brown
The novels of Charles Brockden Brown, the most accomplished literary figure in early America, redefined the gothic genre and helped shape some of America’s greatest writers, including Herman Melville, Edgar Allan Poe, and Nathaniel Hawthorne. However, little has been said about the latter years of Brown’s career. While his early novels are celebrated for their innovative and experimental style, Brown’s later historical narratives are often dismissed as uninteresting, and Brown himself has been accused of having become “a stodgy conservative.”
Through a re-examination of these neglected historical writings, Mark L. Kamrath takes a fresh look at Brown’s later career and his role in the cultural politics of the early national period. This interdisciplinary study uses transatlantic historical contexts and recent narrative discourse to unveil Brown’s philosophic inquires into the filiopietistic tradition of historiography and increasingly imperialistic notion of American exceptionalism. It recovers a forgotten debate—and radical position—about the nature of historical truth and representation and opens up for contemporary discussion what it means to write about the past.
A Critical Biography of Ruth Pitter
An important addition to the literature on modern English poets and poetry
A significant poet in her own right, Ruth Pitter has long deserved this biography, which thoughtfully assesses her place in the British poetic landscape. Popular in the United Kingdom from the early 1930s until her death in 1992, Pitter won the Hawthornden Prize for Literature in 1937 for A Trophy of Arms and was the first woman to win the Queen’s Gold Medal for poetry in 1955. A working artisan from Chelsea, she lived through World War I and World War II and appeared often on BBC radio and television. Pitter had close relationships with C. S. Lewis, Owen Barfield, Lord David Cecil, and other Inklings. Author Don W. King’s exploration of these notable friendships brings a critical perspective to Pitter’s remarkable life and work.
Once she found her poetic voice, Pitter created work that is profound, amusing, and beautiful. The lyricism and accessibility of her poems reflect her personality—humorous, independent, brave, kind, stern, proud, and humble. King draws on Pitter’s personal journals and letters to present this overview of her life and also offers a close, critical reading of Pitter’s poetry, tracing her development as a poet.
Hunting the Unicorn is the first treatment to discuss the entire body of Pitter’s verse. It will appeal to scholars and general readers as it places Pitter into the overall context of twentieth-century British poetry and portrays a rather modest, hardworking woman who also “witnessed” the world through the lens of a gifted poet.
“In the old story of love and loss, Lisa Ampleman’s I’ve Been Collecting This to Tell You cuts to the core of the matter with concision and subtlety. Hearts are laid bare, dissected, even grown anew. Masterfully structured and alert to the most vital details, this collection has lots to tell us—and a voice at once authentic and lyrical with which to do it.” —Don Bogen
“In these poems, the beloved is a space the speaker moves through—at first with trepidation, then with gathering force—emerging finally into a hard-won world ravishing in its clarity under a brutally beautiful ‘sky pinking up/like a newly healed limb.’ The poems of Lisa Ampleman’s collection don’t flinch, and the reward of their acute seeing is a song that’s sustenance itself.” —Kerri Webster
“Lisa Ampleman’s subtle and beautifully wrought poems make way for the possibility that all is not ‘frenzy’ in this ‘agitated world.’ Although we might be ‘the walking wounded,’ and ‘like Thomas/need scars to believe,’ the poems assure us that we heal, that wholeness and grace await us.” —Eric Pankey
“A prairie is plain, they say—those who have not stood in one. And so, too, is an ordinary heartbreak, until Lisa Ampleman begins to unfold it in these closely observed and quietly surprising poems. Salvation doesn’t live here, but there’s plenty to salvage in the wry, self-effacing metaphors by which she harvests what wisdom experience yields.” —Susan Tichy,
The Turn-of-the-Century First Lady through War, Assassination, and Secret Disability
This is the first full-length biography of Ida Saxton McKinley (1847– 1907), the wife of William McKinley, president of the United States from 1897 to his assassination in 1901. Long demeaned by history because she suffered from epilepsy—which the society of her era mistakenly believed to border on mental illness—Ida McKinley was an exceptional woman who exerted a strong influence on her hus-band's political decisions.
Born in Canton, Ohio, Ida Saxton was the eldest of three children. Throughout her youth, Ida was remarkably independent and energetic. She was interested in art, architecture, and current events, and she was sensitive to the plight of working women. In 1871 she married lawyer and Civil War veteran William McKinley. Following the deaths of their two daughters and her mother, Ida's physical condition deteriorated. During the years her husband served as a U.S. congressman and as Ohio governor, her health fluctuated.
Throughout William's 1896 presidential campaign, delegations came to the McKinley home in Canton to hear the candidate speak from the front porch. Occasionally, Ida was healthy enough to speak with and meet political figures; sometimes she simply sat to hear his speeches; at other times she was entirely absent. Her husband's devotion to her in her state became an attribute of the campaign. Author Carl Sferrazza Anthony shows that despite her frail health, Ida was determined to fulfill as much of her role as First Lady as she could. She made keen and accurate political observations—particularly in assessing the motives of those ambitious for appointments—and her unrelenting lobbying on behalf of Methodist missionary efforts factored into the president's decision to retain the Philippine Islands for the United States.
This fascinating biography is essential reading for anyone interested in the life and times of an extraordinary First Lady.
Published in cooperation with The National First Ladies Library
Anthony Burns and the Landscape of Race in Antebellum America
Gripping re-examination of the rendition of Anthony Burns
"This well-researched and clearly written study gets a new series off to a promising start. The chapter on antislavery life in St. Catharines, Ontario, is especially valuable."
Cleveland'd Torso Murders, Authoritative Edition, Revised and Expanded
In 2001 The Kent State University Press published James Jessen Badal’s In the Wake of the Butcher: Cleveland’s Torso Murders—the first book to examine the horrific series of unsolved dismemberment murders that terrorized the Kingsbury Run neighborhood from 1934 to 1938. Through his access to a wealth of previously unavailable material, Badal was able to present a far more detailed and accurate picture of the battle between Cleveland safety director Eliot Ness and the unidentified killer who avoided both detection and apprehension.
In his groundbreaking historical study, Badal established beyond any doubt the truth of the legend that Ness had a secret suspect whom he had subjected to a series of interrogation sessions, complete with lie detector tests, in a secluded room in a downtown hotel. Badal also disclosed recently unearthed evidence that identified exactly who that mysterious suspect was. But was he the infamous Mad Butcher of Kingsbury Run? Badal presented all the evidence available at the time and invited readers to draw their own conclusions.
Now, armed with conclusive new information, Badal returns to the absorbing tale of those terrible murders in an expanded edition of In the Wake of the Butcher. For the very first time in the history of research into the Kingsbury Run murders, he presents compelling evidence that establishes exactly where the killer incapacitated his victims, as well as the location of the long-fabled “secret laboratory” where he committed murder and performed both dismemberment and decapitation.
Was Eliot Ness’s secret suspect the Mad Butcher? Thanks to this new information, Badal is finally able to answer that question with certainty. This new, authoritative edition also includes an appendix by geographical profiler Luke G. Moussa.
Winner of the 2008 Stan and Tom Wick Poetry Prize
“[Edward Micus’s The Infirmary is] a rarity: a mature debut, a first book of poems with time-tested virtues. . . . Unlike many of the Vietnam poems written at the time of the war or shortly thereafter—poems of anger or protest—Edward Micus’s poems are composed, in every sense of that word. They delineate and measure their subjects; they do not advocate or hector; they do not sentimentalize. Many of them, like ‘Ambush Moon’ and ‘So We Shot,’ will take their places among the very best war poems. . . . The Infirmary is a book that keeps deepening its concerns. For all its early charm, it pretties up nothing. Yet it’s not without humor, and its prose interludes are written with the same care that the poems themselves exhibit.”<br /> —from the foreword by Stephen Dunn, <br /> Judge of the 2008 Stan and Tom Wick Poetry Prize