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The Art of Loving Krishna

Ornamentation and Devotion

Cynthia Packert

Since ancient times, Hindus have expressed their love and devotion to their deities through beautiful ornamentation -- dressing and decorating the deities with elaborate clothing, jewelry, and flowers. In this pioneering study of temples in Vrindaban and Jaipur, India, Cynthia Packert takes readers across temple thresholds and into the god Krishna's sacred domain. She describes what devotees see when they behold gorgeously attired representations of the god and why these images look the way they do. She discusses new media as well as global forms of devotion popular in India and abroad. The Art of Loving Krishna opens a universe of meaning in which art, religious action, and devotion are dynamically intertwined.

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The Art of Teaching Music

Estelle R. Jorgensen

The Art of Teaching Music takes up important aspects of the art of music teaching ranging from organization to serving as conductor to dealing with the disconnect between the ideal of university teaching and the reality in the classroom. Writing for both established teachers and instructors on the rise, Estelle R. Jorgensen opens a conversation about the life and work of the music teacher. The author regards music teaching as interrelated with the rest of lived life, and her themes encompass pedagogical skills as well as matters of character, disposition, value, personality, and musicality. She reflects on musicianship and practical aspects of teaching while drawing on a broad base of theory, research, and personal experience. Although grounded in the practical realities of music teaching, Jorgensen urges music teachers to think and act artfully, imaginatively, hopefully, and courageously toward creating a better world.

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Art Themes

Choices in Art Learning and Making

Marjorie Cohee Manifold

Flexible in approach and full of colorful examples, this textbook provides a basic introduction to what art is and can be in the lives of people who do not necessarily think of themselves as "artists." You will be taught about a variety of art themes, genres, materials, and processes that appeal to novice art makers. The lessons are organized by themes of general subject matter or media. Options are available for work in mixed media, crafts, photography and digital media, as well as in traditional drawing or painting media. After picking a theme of particular interest to you, look next at the four strands of lessons presented in that thematic unit. Moving from left to right, select one lesson from each consecutive strand and complete that lesson. Because each lesson builds upon previously presented knowledge and developed skill, as you progress through four lessons, one from each strand, you should grow in your understanding of art concepts, meanings, and processes, while also improving your art making skills. Completing this course will help you develop a new appreciation for the power and possibilities of art learning, by understanding better the art others create, as well as making it yourself.

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Art World City

The Creative Economy of Artists and Urban Life in Dakar

Joanna Grabski

Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city’s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based artists participate in a platform that has a global reach. They extend Dakar’s creative economy and the city’s urban vibe into an "art world city."

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Arts of Being Yoruba

Divination, Allegory, Tragedy, Proverb, Panegyric

Adélékè Adéèkó

There is a culturally significant way of being Yorùbá that is expressed through dress, greetings, and celebrations—no matter where in the world they take place. Adélékè Adék documents Yorùbá patterns of behavior and articulates a philosophy of how to be Yorùbá in this innovative study. As he focuses on historical writings, Ifá divination practices, the use of proverbs in contemporary speech, photography, gendered ideas of dressing well, and the formalities of ceremony and speech at celebratory occasions, Adéékó contends that being Yorùbá is indeed an art and Yorùbá-ness is a dynamic phenomenon that responds to cultural shifts as Yorùbá people inhabit an increasingly globalized world.

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Asian North American Identities

Beyond the Hyphen

Eleanor Ty and Donald C. Goellnicht, eds.

The nine essays in Asian North American Identities explore how Asian North Americans are no longer caught between worlds of the old and the new, the east and the west, and the south and the north. Moving beyond national and diasporic models of ethnic identity to focus on the individual feelings and experiences of those who are not part of a dominant white majority, the essays collected here draw from a wide range of sources, including novels, art, photography, poetry, cinema, theatre, and popular culture. The book illustrates how Asian North Americans are developing new ways of seeing and thinking about themselves by eluding imposed identities and creating spaces that offer alternative sites from which to speak and imagine.

Contributors are Jeanne Yu-Mei Chiu, Patricia Chu, Rocio G. Davis, Donald C. Goellnicht, Karlyn Koh, Josephine Lee, Leilani Nishime, Caroline Rody, Jeffrey J. Santa Ana, Malini Johar Schueller, and Eleanor Ty.

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At Berkeley in the Sixties

The Making of an Activist

Jo J. Freeman

This book is a memoir and a history of Berkeley in the early Sixties. As a young undergraduate, Jo Freeman was a key participant in the growth of social activism at the University of California, Berkeley. The story is told with the "you are there" immediacy of Freeman the undergraduate but is put into historical and political context by Freeman the scholar, 35 years later. It draws heavily on documents created at the time -- letters, reports, interviews, memos, newspaper stories, FBI files -- but is fleshed out with retrospective analysis. As events unfold, the campus conflicts of the Sixties take on a completely different cast, one that may surprise many readers.

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At Home with Ernie Pyle

Edited and with an Introduction by Owen V. Johnson. Ernie Pyle

As anyone who has read his legendary WWII reporting knows, Ernie Pyle had an uncanny ability to connect with his readers, seeking out stories about the common people with whom he felt a special bond. A master of word painting, Pyle honed the skills that would win him a 1944 Pulitzer Prize for his battlefront reporting by traveling across America, writing columns about the people and places he encountered. At Home with Ernie Pyle celebrates Pyle’s Indiana roots, gathering for the first time his writings about the state and its people. These stories preserve a vivid cultural memory of his time. In them, we discover the Ernie Pyle who was able to find a piece of home wherever he wandered. By focusing on his family and the lives of people in and from the Hoosier state, Pyle was able to create a multifaceted picture of the state as it slowly transformed from a mostly rural, agrarian society to a modern, industrial one. Here is the record of a special time and place created by a master craftsman, whose work remains vividly alive three quarters of a century later.

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At the Mind’s Limits

Contemplations by a Survivor on Auschwitz and Its Realities

Translated by Sidney Rosenfeld and Stella P. Rosenfeld. Jean Améry

"These are pages that one reads with almost physical pain...all the way to its stoic conclusion." —Primo Levi

"The testimony of a profoundly serious man.... In its every turn and crease, it bears the marks of the true." —Irving Howe, New Republic

"This remarkable memoir...is the autobiography of an extraordinarily acute conscience. With the ear of a poet and the eye of a novelist, Amery vividly communicates the wonder of a philosopher—a wonder here aroused by the ‘dark riddle’ of the Nazi regime and its systematic sadism." —Jim Miller, Newsweek

"Whoever has succumbed to torture can no longer feel at home in the world. The shame of destruction cannot be erased. Trust in the world, which already collapsed in part at the first blow, but in the end, under torture, fully, will not be regained. That one’s fellow man was experienced as the antiman remains in the tortured person as accumulated horror. It blocks the view into a world in which the principle of hope rules. One who was martyred is a defenseless prisoner of fear. It is fear that henceforth reigns over him." —Jean Amery

At the Mind’s Limits is the story of one man’s incredible struggle to understand the reality of horror. In five autobiographical essays, Amery describes his survival—mental, moral, and physical—through the enormity of the Holocaust. Above all, this masterful record of introspection tells of a young Viennese intellectual’s fervent vision of human nature and the betrayal of that vision.

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At the Top of the Grand Staircase

The Late Cretaceous of Southern Utah

Edited by Alan L. Titus and Mark A. Loewen

The Grand Staircase-Escalante National Monument in Utah is the location of one of the best-known terrestrial records for the late Cretaceous. A major effort in the new century has documented over 2,000 new vertebrate fossil sites, provided new radiometric dates, and identified five new genera of ceratopsids, two new species of hadrosaur, a probable new genus of hypsilophodontid, new pachycephalosaurs and ankylosaurs, several kinds of theropods (including a new genus of oviraptor and a new tyrannosaur), plus the most complete specimen of a Late Cretaceous therizinosaur ever collected from North America, and much more. At the Top of the Grand Staircase: The Late Cretaceous of Southern Utah documents this major stepping stone toward a synthesis of the ecology and evolution of the Late Cretaceous ecosystems of western North America.

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