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The Art of Teaching Music takes up important aspects of the art of music teaching ranging from organization to serving as conductor to dealing with the disconnect between the ideal of university teaching and the reality in the classroom. Writing for both established teachers and instructors on the rise, Estelle R. Jorgensen opens a conversation about the life and work of the music teacher. The author regards music teaching as interrelated with the rest of lived life, and her themes encompass pedagogical skills as well as matters of character, disposition, value, personality, and musicality. She reflects on musicianship and practical aspects of teaching while drawing on a broad base of theory, research, and personal experience. Although grounded in the practical realities of music teaching, Jorgensen urges music teachers to think and act artfully, imaginatively, hopefully, and courageously toward creating a better world.
Beyond the Hyphen
The nine essays in Asian North American Identities explore how Asian North Americans are no longer caught between worlds of the old and the new, the east and the west, and the south and the north. Moving beyond national and diasporic models of ethnic identity to focus on the individual feelings and experiences of those who are not part of a dominant white majority, the essays collected here draw from a wide range of sources, including novels, art, photography, poetry, cinema, theatre, and popular culture. The book illustrates how Asian North Americans are developing new ways of seeing and thinking about themselves by eluding imposed identities and creating spaces that offer alternative sites from which to speak and imagine.
Contributors are Jeanne Yu-Mei Chiu, Patricia Chu, Rocio G. Davis, Donald C. Goellnicht, Karlyn Koh, Josephine Lee, Leilani Nishime, Caroline Rody, Jeffrey J. Santa Ana, Malini Johar Schueller, and Eleanor Ty.
The Making of an Activist
This book is a memoir and a history of Berkeley in the early Sixties. As a young undergraduate, Jo Freeman was a key participant in the growth of social activism at the University of California, Berkeley. The story is told with the "you are there" immediacy of Freeman the undergraduate but is put into historical and political context by Freeman the scholar, 35 years later. It draws heavily on documents created at the time -- letters, reports, interviews, memos, newspaper stories, FBI files -- but is fleshed out with retrospective analysis. As events unfold, the campus conflicts of the Sixties take on a completely different cast, one that may surprise many readers.
As anyone who has read his legendary WWII reporting knows, Ernie Pyle had an uncanny ability to connect with his readers, seeking out stories about the common people with whom he felt a special bond. A master of word painting, Pyle honed the skills that would win him a 1944 Pulitzer Prize for his battlefront reporting by traveling across America, writing columns about the people and places he encountered. At Home with Ernie Pyle celebrates Pyle’s Indiana roots, gathering for the first time his writings about the state and its people. These stories preserve a vivid cultural memory of his time. In them, we discover the Ernie Pyle who was able to find a piece of home wherever he wandered. By focusing on his family and the lives of people in and from the Hoosier state, Pyle was able to create a multifaceted picture of the state as it slowly transformed from a mostly rural, agrarian society to a modern, industrial one. Here is the record of a special time and place created by a master craftsman, whose work remains vividly alive three quarters of a century later.
Contemplations by a Survivor on Auschwitz and Its Realities
"These are pages that one reads with almost physical pain...all the way to its stoic conclusion." —Primo Levi
"The testimony of a profoundly serious man.... In its every turn and crease, it bears the marks of the true." —Irving Howe, New Republic
"This remarkable memoir...is the autobiography of an extraordinarily acute conscience. With the ear of a poet and the eye of a novelist, Amery vividly communicates the wonder of a philosopher—a wonder here aroused by the ‘dark riddle’ of the Nazi regime and its systematic sadism." —Jim Miller, Newsweek
"Whoever has succumbed to torture can no longer feel at home in the world. The shame of destruction cannot be erased. Trust in the world, which already collapsed in part at the first blow, but in the end, under torture, fully, will not be regained. That one’s fellow man was experienced as the antiman remains in the tortured person as accumulated horror. It blocks the view into a world in which the principle of hope rules. One who was martyred is a defenseless prisoner of fear. It is fear that henceforth reigns over him." —Jean Amery
At the Mind’s Limits is the story of one man’s incredible struggle to understand the reality of horror. In five autobiographical essays, Amery describes his survival—mental, moral, and physical—through the enormity of the Holocaust. Above all, this masterful record of introspection tells of a young Viennese intellectual’s fervent vision of human nature and the betrayal of that vision.
The Late Cretaceous of Southern Utah
The Grand Staircase-Escalante National Monument in Utah is the location of one of the best-known terrestrial records for the late Cretaceous. A major effort in the new century has documented over 2,000 new vertebrate fossil sites, provided new radiometric dates, and identified five new genera of ceratopsids, two new species of hadrosaur, a probable new genus of hypsilophodontid, new pachycephalosaurs and ankylosaurs, several kinds of theropods (including a new genus of oviraptor and a new tyrannosaur), plus the most complete specimen of a Late Cretaceous therizinosaur ever collected from North America, and much more. At the Top of the Grand Staircase: The Late Cretaceous of Southern Utah documents this major stepping stone toward a synthesis of the ecology and evolution of the Late Cretaceous ecosystems of western North America.
Confessions and Circumfession
At the heart of the current surge of interest in religion among contemporary Continental philosophers stands Augustine's Confessions. With Derrida's Circumfession constantly in the background, this volume takes up the provocative readings of Augustine by Heidegger, Lyotard, Arendt, and Ricoeur. Derrida himself presides over and comments on essays by major Continental philosophers and internationally recognized Augustine scholars. While studies on and about Augustine as a philosopher abound, none approach his work from such a uniquely postmodern point of view, showing both the continuing relevance of Augustine and the religious resonances within postmodernism. Posed at the intersection of philosophy, theology, and religious studies, this book will be of interest to scholars and students of Augustine as well as those interested in the invigorating discussion between philosophy, religion, and postmodernism.
Contributors include Geoffrey Bennington, Philippe Capelle, John D. Caputo, Elizabeth A. Clark, Hent de Vries, Jacques Derrida, Jean Bethke Elshtain, Richard Kearney, Catherine Malabou, James O'Donnell, Michael J. Scanlon, and Mark Vessey.
Indiana Series in the Philosophy of Religion -- Merold Westphal, general editor
A Ledger of Hope in Modern India
Ayya’s Accounts explores the life of an ordinary man—orphan, refugee, shopkeeper, and grandfather—during a century of tremendous hope and upheaval. Born in colonial India into a despised caste of former tree climbers, Ayya lost his mother as a child and came of age in a small town in lowland Burma. Forced to flee at the outbreak of World War II, he made a treacherous 1,700-mile journey by foot, boat, bullock cart, and rail back to southern India. Becoming a successful fruit merchant, Ayya educated and eventually settled many of his descendants in the United States. Luck, nerve, subterfuge, and sorrow all have their place along the precarious route of his advancement. Emerging out of tales told to his American grandson, Ayya’s Accounts embodies a simple faith—that the story of a place as large and complex as modern India can be told through the life of a single individual.
Bisexuality in Contemporary Film and Television
Often disguised in public discourse by terms like "gay," "homoerotic," "homosocial," or "queer," bisexuality is strangely absent from queer studies and virtually untreated in film and media criticism. Maria San Filippo aims to explore the central role bisexuality plays in contemporary screen culture, establishing its importance in representation, marketing, and spectatorship. By examining a variety of media genres including art cinema, sexploitation cinema and vampire films, "bromances," and series television, San Filippo discovers "missed moments" where bisexual readings of these texts reveal a more malleable notion of subjectivity and eroticism. San Filippo's work moves beyond the subject of heteronormativity and responds to "compulsory monosexuality," where it's not necessarily a couple's gender that is at issue, but rather that an individual chooses one or the other. The B Word transcends dominant relational formation (gay, straight, or otherwise) and brings a discursive voice to the field of queer and film studies.
Analyses and Explorations
J. S. Bach’s Suites for Unaccompanied Cello are among the most cherished and frequently played works in the entire literature of music, and yet they have never been the subject of a full-length music analytical study. The musical examples herein include every note of all movements (so one needs no separate copy of the music while reading the book), and undertakes both basic analyses—harmonic reduction, functional harmonic analysis, step progression analysis, form analysis, and syntagmatic and paradigmatic melodic analysis—and specialized analyses for some of the individual movements. Allen Winold presents a comprehensive study intended not only for cellists, but also for other performers, music theorists, music educators, and informed general readers.