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Indiana University Press

Indiana University Press

Website: http://www.iupress.indiana.edu/

Indiana University Press was founded in 1950 and is recognized internationally as a leading academic publisher of books and journals. The Press specializes in the humanities and social sciences. Major subject areas include African, African American, Asian, classical and ancient, cultural, Jewish, Middle East, Russian and East European, and women's and gender studies; anthropology, film, folklore, history, bioethics, music, paleontology, philanthropy, philosophy, and religion.

Indiana University Press also features an extensive regional publishing program.


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Indiana University Press

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Al Capone and His American Boys

Memoirs of a Mobster's Wife

William J. Helmer. With Georgette Winkeler's one-of-a-kind record of her life with the Chicago mob

When her husband was murdered on the orders of Chicago mobster Frank Nitti, Georgette Winkeler -- wife of one of Al Capone's "American Boys" -- set out to expose the Chicago Syndicate. After an attempt to publish her story was squelched by the mob, she offered it to the FBI in the mistaken belief that they had the authority to strike at the racketeers who had killed her husband Gus. Discovered 60 years later in FBI files, the manuscript describes the couple's life on the run, the St. Valentine's Day Massacre (Gus was one of the shooters), and other headline crimes of that period. Prepared for publication by mob expert William J. Helmer, Al Capone and His American Boys is a compelling contemporary account of the heyday of Chicago crime by a woman who found herself married to the mob.

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Aleph: Historical Studies in Science and Judaism

Vol. 1 (2001) through current issue

Aleph is devoted to the exploration of the interface between Judaism and science in history. We welcome contributions on any chapter in the history of science in which Judaism played a significant role, or on any chapter in the history of Judaism in which science played a significant role. Science is conceived very broadly, including the social sciences and the humanities. History of science is also broadly construed within its social and cultural dimensions.

Aleph is a semi-annual, published jointly by the Sidney M. Edelstein Center for the History and Philosophy of Science, Technology and Medicine at The Hebrew University of Jerusalem and by Indiana University Press, Bloomington, Indiana, USA.

Please address all editorial correspondence to the editor, Dr. Gad Freudenthal: aleph.historical.studies@gmail.com.

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Algeria in France

Transpolitics, Race, and Nation

Paul A. Silverstein

Algerian migration to France began at the end of the 19th century, but in recent years France's Algerian community has been the focus of a shifting public debate encompassing issues of unemployment, multiculturalism, Islam, and terrorism. In this finely crafted historical and anthropological study, Paul A. Silverstein examines a wide range of social and cultural forms -- from immigration policy, colonial governance, and urban planning to corporate advertising, sports, literary narratives, and songs -- for what they reveal about postcolonial Algerian subjectivities. Investigating the connection between anti-immigrant racism and the rise of Islamist and Berberist ideologies among the "second generation" ("Beurs"), he argues that the appropriation of these cultural-political projects by Algerians in France represents a critique of notions of European or Mediterranean unity and elucidates the mechanisms by which the Algerian civil war has been transferred onto French soil.

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All Things Are Possible

The Healing and Charismatic Revivals in Modern America

David Edwin Harrell, Jr.

"... a book about healing revivalists that takes them seriously and treats them fairly." —Journal of Southern History

"... will be a definitive work for some years to come." —Reviews in American History

"Harrell has obviously attended countless rallies, read sheafs of literature, and personally interviewed many of the principals. He... tell[s] the story in a largely biographical format. This makes for lively reading." —Harvey G. Cox, New York Times Book Review

"... will attract readers interested in the reasons behind the various fat and lean periods among revivalists." —Publishers Weekly

"All Things Are Possible is the first book to tell the story of the enterprisers who have personal followings. The narrative is full of surprises: of seriousness and scandal strangely blended. Professor Harrell has done a staggering amount of research in hard to discover sources; his scholarship is impressive and he is eminently fair-minded. Here is a missing link in the chain of American religious movements." —Martin E. Marty, The University of Chicago Divinity School

"Harrell’s book will doubtless be the definitive work on the subject for a long while—who else will wade through Healing Waters and Miracle Magazine with such fastidious care?" —The Kirkus Reviews

This is the first objective history of the great revivals that swept the country after World War II. It tells the story of the victories and defeats of such giants of the revival as William Branham, Oral Roberts, Jack Coe, T. L. Osborn, A. A. Allen. It also tells of the powerful present day evangelists who are carrying on the revival, including Robert Schambach and Morris Cerullo. The book includes pictures of Schambach, Allen, Cerullo, Branham, Roberts, Osborn, Coe and many others. Those who lived through the great revival of the 1950’s and 1960’s will be thrilled to read about those exciting days. Those who do not remember those days need to read this book to see what has led us up to this present moment in time.

David Edwin Harrell, Jr. is a professor of history at the University of Alabama in Birmingham. He has tried to write this book in an objective way, although you may not agree with all that he says. Dr. Harrell has visited Schambach revivals.

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Almost Worthy

The Poor, Paupers, and the Science of Charity in America, 1877-1917

Brent Ruswick

In the 1880s, social reform leaders warned that the "unworthy" poor were taking charitable relief intended for the truly deserving. Armed with statistics and confused notions of evolution, these "scientific charity" reformers founded organizations intent on limiting access to relief by the most morally, biologically, and economically unfit. Brent Ruswick examines a prominent national organization for scientific social reform and poor relief in Indianapolis in order to understand how these new theories of poverty gave birth to new programs to assist the poor.

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Alternative Projections

Experimental Film in Los Angeles, 1945-1980

Edited by David E. James and Adam Hyman

Alternative Projections: Experimental Film in Los Angeles, 1945-1980 is a groundbreaking anthology that features papers from a conference and series of film screenings on postwar avant-garde filmmaking in Los Angeles sponsored by Filmforum, the Getty Foundation, and the University of Southern California’s School of Cinematic Arts, together with newly-commissioned essays, an account of the screening series, reprints of historical documents by and about experimental filmmakers in the region, and other rare photographs and ephemera. The resulting diverse and multi-voiced collection is of great importance, not simply for its relevance to Los Angeles, but also for its general discoveries and projections about alternative cinemas.

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Alva Vanderbilt Belmont

Unlikely Champion of Women's Rights

Sylvia D. Hoffert

A New York socialite and feminist, Alva Vanderbilt Belmont was known to be domineering, temperamental, and opinionated. Her resolve to get her own way regardless of the consequences stood her in good stead when she joined the American woman suffrage movement in 1909. Thereafter, she used her wealth, her administrative expertise, and her social celebrity to help convince Congress to pass the 19th Amendment and then to persuade the exhausted leaders of the National Woman's Party to initiate a world wide equal rights campaign. Sylvia D. Hoffert argues that Belmont was a feminist visionary and that her financial support was crucial to the success of the suffrage and equal rights movements. She also shows how Belmont's activism, and the money she used to support it, enriches our understanding of the personal dynamics of the American woman's rights movement. Her analysis of Belmont's memoirs illustrates how Belmont went about the complex and collaborative process of creating her public self.

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America's Poor and the Great Recession

Kristin S. Seefeldt and John D. Graham. Foreword by Tavis Smiley

Millions have entered poverty as a result of the Great Recession's terrible toll of long-term unemployment. Kristin Seefeldt and John D. Graham examine recent trends in poverty and assess the performance of America’s "safety net" programs. They consider likely scenarios for future developments and conclude that the well-being of low-income Americans, particularly the working poor, the near poor, and the new poor, is at substantial risk despite economic recovery.

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America's War in Vietnam

A Short Narrative History

Larry H. Addington

"This book has been long needed: a concise, complete and dispassionate survey of the Vietnam War.... Best of all, the no-nonsense approach answers questions as soon as they arise in the reader's mind." —Kliatt

"If there is such a thing as an objective account [of the Vietnam War], this is it.... If you want to read one book about Vietnam, read this one." —New York Review of Books

A short, narrative history of the origins, course, and outcome of America's military involvement in Vietnam by an experienced guide to the causes and conduct of war, Larry H. Addington. He begins with a history of Vietnam before and after French occupation, the Cold War origins of American involvement, the domestic impact of American policies on public support, and the reasons for the ultimate failure of U.S. policy.

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American Cinematographers in the Great War, 1914-1918

Edited by James W. Castellan, Ron van Dopperen, and Cooper C. Graham

At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodaks and Graflexes of still photography, had to lug cumbersome equipment into the trenches. Facing dangerous conditions on the front, they also risked summary execution as supposed spies while navigating military red tape, censorship, and the business interests of the film and newspaper companies they represented. Based on extensive research in European and American archives, American Cinematographers in the Great War, 1914–1918 follows the adventures of these cameramen as they managed to document and film the atrocities around them in spite of enormous difficulties.

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