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University of Illinois Press

Website: http://www.press.uillinois.edu

Founded in 1918, the University of Illinois Press ranks as one of the country's larger and most distinguished university presses. The Press publishes more than 120 new books and 30 scholarly journals each year in an array of subjects including American history, labor history, sports history, folklore, food, film, American music, American religion, African American studies, women's studies, and Abraham Lincoln. The Press is a founding member of the Association of American University Presses as well as the History Cooperative, an online collection of more than 20 history journals.


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University of Illinois Press

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Cheating the Spread Cover

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Cheating the Spread

Gamblers, Point Shavers, and Game Fixers in College Football and Basketball

Albert J. Figone

Delving into the history of gambling and corruption in intercollegiate sports, Cheating the Spread recounts all of the major gambling scandals in college football and basketball. Digging through court records, newspapers, government documents, and university archives and conducting private interviews, Albert J. Figone finds that game rigging has been pervasive and nationwide throughout most of the sports' history._x000B__x000B_Naming the players, coaches, gamblers, and go-betweens involved, Figone discusses numerous college basketball and football games reported to have been fixed and describes the various methods used to gain unfair advantage, inside information, or undue profit. His survey of college football includes early years of gambling on games between established schools such as Yale, Princeton, and Harvard; Notre Dame's All-American halfback and skilled gambler George Gipp; and the 1962 allegations of insider information between Alabama coach Paul "Bear" Bryant and former Georgia coach James Wallace "Wally" Butts; and many other recent incidents. Notable events in basketball include the 1951 scandal involving City College of New York and six other schools throughout the East Coast and the Midwest; the 1961 point-shaving incident that put a permanent end to the Dixie Classic tournament; the 1994-95 Northwestern scandal in which players bet against their own team; and other recent examples of compromised gameplay and gambling. _x000B_

Chicago in the Age of Capital Cover

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Chicago in the Age of Capital

Class, Politics, and Democracy during the Civil War and Reconstruction

John B. Jentz

In this sweeping interpretive history of mid-nineteenth-century Chicago, historians John B. Jentz and Richard Schneirov boldly trace the evolution of a modern social order. Combining a mastery of historical and political detail with a sophisticated theoretical frame, Jentz and Schneirov examine the dramatic capitalist transition in Chicago during the critical decades from the 1850s through the 1870s, a period that saw the rise of a permanent wage worker class and the formation of an industrial upper class._x000B__x000B_Jentz and Schneirov demonstrate how a new political economy, based on wage labor and capital accumulation in manufacturing, superseded an older mercantile economy that relied on speculative trading and artisan production. The new social movements that arose in this era--labor, socialism, urban populism, businessmen's municipal reform, Protestant revivalism, and women's activism--constituted the substance of a new post-bellum democratic politics that took shape in the 1860s and '70s. When the Depression of 1873 brought increased crime and financial panic, Chicago's new upper class developed municipal reform in an attempt to reassert its leadership. Setting local detail against a national canvas of partisan ideology and the seismic structural shifts of Reconstruction, Chicago in the Age of Capital vividly depicts the upheavals integral to building capitalism.

Chicago Skyscrapers, 1871-1934 Cover

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Chicago Skyscrapers, 1871-1934

Thomas Leslie

For more than a century, Chicago's skyline has included some of the world's most distinctive and inspiring buildings. This history of the Windy City's skyscrapers begins in the key period of reconstruction after the Great Fire of 1871 and concludes in 1934 with the onset of the Great Depression, which brought architectural progress to a standstill. During this time, such iconic landmarks as the Chicago Tribune Tower, the Wrigley Building, the Marshall Field and Company Building, the Chicago Stock Exchange, the Palmolive Building, and many others rose to impressive new heights, thanks to innovations in building methods and materials. Solid, earthbound edifices of iron, brick, and stone made way for towers of steel and plate glass, imparting a striking new look to Chicago's growing urban landscape. Thomas Leslie reveals the daily struggles, technical breakthroughs, and negotiations that produced these magnificent buildings. The book includes detailed analyses of how foundation materials, framing structures, and electric lighting developed throughout the years, showing how the skeletal frames of the Rookery, Ludington, and Leiter Buildings led to the braced frames of the Masonic Temple and Schiller Building and eventually to the concealed frames of the City Opera, Merchandise Mart, and other Chicago landmarks. Leslie also considers how the city's infamous political climate contributed to its architecture, as building and zoning codes were often disputed by shifting networks of rivals, labor unions, professional organizations, and municipal bodies. Featuring more than a hundred photographs and illustrations of the city's physically impressive and beautifully diverse architecture, Chicago Skyscrapers, 1871 - 1934 shows how during these decades, Chicago's architects, engineers, and builders learned from one another's successes and failures to create an exceptionally dynamic, energetic period of architectural progress.

Chicanas of 18th Street Cover

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Chicanas of 18th Street

Narratives of a Movement from Latino Chicago

Leonard G, Ramirez

Overflowing with powerful testimonies of six female community activists who have lived and worked in the Pilsen neighborhood of Chicago, Chicanas of 18th Street reveals the convictions and approaches of those organizing for social reform. In chronicling a pivotal moment in the history of community activism in Chicago, the women discuss how education, immigration, religion, identity, and acculturation affected the Chicano movement. Chicanas of 18th Street underscores the hierarchies of race, gender, and class while stressing the interplay of individual and collective values in the development of community reform._x000B__x000B_Highlighting the women's motivations, initiatives, and experiences in politics during the 1960s and 1970s, these rich personal accounts reveal the complexity of the Chicano movement, conflicts within the movement, and the importance of teatro and cultural expressions to the movement. Also detailed are vital interactions between members of the Chicano movement with leftist and nationalist community members and the influence of other activist groups such as African Americans and Marxists.

Child Care in Black and White Cover

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Child Care in Black and White

Working Parents and the History of Orphanages

Jessie B. Ramey

This innovative study examines the development of institutional child care from 1878 to 1929, based on a comparison of two "sister" orphanages in Pittsburgh: the all-white United Presbyterian Orphan's Home and the all-black Home for Colored Children. Drawing on quantitative analysis of the records of more than 1,500 children living at the two orphanages, as well as census data, city logs, and contemporary social science surveys, this study raises new questions about the role of child care in constructing and perpetrating social inequality in the United States.

Choosing Revolution Cover

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Choosing Revolution

Chinese Women Soldiers on the Long March

Some two thousand women participated in the Long March, but their experience of this seminal event in the history of Communist China is rarely represented. In Choosing Revolution, Helen Praeger Young presents her interviews with twenty-two veterans of the Red Army's legendary 6,000-mile "retreat to victory" before the advancing Nationalist Army. _x000B__x000B_Enormously rich in detail, Young's Choosing Revolution reveals the complex interplay between women's experiences and the official, almost mythic version of the Long March. In addition to their riveting stories of the march itself, Young's subjects reveal much about what it meant in China to grow up female and, in many cases, poor during the first decades of the twentieth century. In speaking about the work they did and how they adapted to the demands of being a soldier, these women--both educated individuals who were well-known leaders and illiterate peasants--reveal the Long March as only one of many segments of the revolutionary paths they chose._x000B__x000B_Against a background of diverse perspectives on the Long March, Young presents the experiences of four women in detail: one who brought her infant daughter with her on the Long March, one who gave birth during the march, one who was a child participant, and one who attended medical school during the march. Young also includes the stories of three women who did not finish the Long March. Her unique record of ordinary women in revolutionary circumstances reveals the tenacity and resilience that led these individuals far beyond the limits of most Chinese women's lives._x000B__x000B__x000B_

Choreographies of African Identities Cover

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Choreographies of African Identities

Negritude, Dance, and the National Ballet of Senegal

Francesca Castaldi

Choreographies of African Identities traces interconnected interpretative frameworks around and about the National Ballet of Senegal. Using the metaphor of a dancing circle Castaldi's arguments cover the full spectrum of performance, from production to circulation and reception. Castaldi first situates the reader in a North American theater, focusing on the relationship between dancers and audiences as that between black performers and white spectators. She then examines the work of the National Ballet in relation to Leopold Sedar Senghor's Negritude ideology and cultural politics. Finally, the author addresses the circulation of dances in the streets, discotheques, and courtyards of Dakar, drawing attention to women dancers' occupation of the urban landscape.

Christian America and the Kingdom of God Cover

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Christian America and the Kingdom of God

Richard T. Hughes

The idea of the United States as a Christian nation is a powerful, seductive, and potentially destructive theme in American life, culture, and politics. Many fundamentalist and evangelical leaders routinely promote this notion, and millions of Americans simply assume the Christian character of the United States. And yet, as Richard T. Hughes reveals in this powerful book, the biblical vision of the "kingdom of God" stands at odds with the values and actions of an American empire that sanctions war instead of peace, promotes dominance and oppression instead of reconciliation, and exalts wealth and power instead of justice for the poor and needy._x000B__x000B_With conviction and careful consideration, Hughes reviews the myth of Christian America from its earliest history in the founding of the republic to the present day. With extensive analysis of both Christian scripture and American history, Hughes investigates the reasons why so many Americans think of the United States as a Christian nation. Timely and thought-provoking, Christian America and the Kingdom of God illuminates the devastating irony of a "Christian America" that so often behaves in unchristian ways.

Christian Petzold Cover

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Christian Petzold

Jaimey Fisher

In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking. His combination of critical celebration and popular success underscores Petzold's singular cinematic achievement: the deliberate and shrewd negotiation of art cinema and popular Hollywood genre.

Christian Wolff Cover

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Christian Wolff

Michael Hicks

In this first interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer's atypical career path and restless imagination. Written in full cooperation with Wolff, including access to his papers, this volume is a much-needed introduction to a leading avant-garde composer still living, writing music, and speaking about his own work. _x000B__x000B_Wolff has pioneered various compositional and notational idioms, including overtly political music, indeterminacy, graphic scores, and extreme virtuosity. Hicks and Asplund cover Wolff's family life and formative years, his role as a founder of the New York School of composers, and the context of his life and work as part of the John Cage circle, as well as his departures from it. Critically assessing Wolff's place within the experimental musical field, this volume captures both his eloquence and reticence and provides insights into his broad interests and activities within music and beyond._x000B_

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