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Vol. 40 (2007) through current issue
For forty years, American Literary Realism has brought readers critical essays on American literature from the late nineteenth and early twentieth centuries. The whole panorama of great authors from this key transition period in American literary history, including Henry James, Edith Wharton, Mark Twain, and many others, is discussed in articles, book reviews, critical essays, bibliographies, documents, and notes on all related topics. Each issue is also a valuable bibliographic resource.
Vol. 27 (2009) through current issue
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
Garland, Norris, Dreiser, Wharton, and Cather
Otherwise known for their progressive social values, Hamlin Garland, Frank Norris, Theodore Dreiser, Edith Wharton, and Willa Cather all also expressed strong anti-Semitic prejudices throughout their fiction, essays, letters, and other writings, producing a contradiction in American literary history that has stymied scholars and, until now, gone largely unexamined. In this breakthrough study, Donald Pizer confronts this disconcerting strain of anti-Semitism pervading American letters and culture, showing how these writers' racist impulses represented more than just personal biases, but resonated with larger social and ideological movements within American culture, including such various movements as the western farmers' populist revolt and the East Coast patricians' revulsion against immigration.
Controversies and Identity in Historical Perspective
From the first worship services onboard English ships during the sixteenth century to the contentious toughmindedness of early clergymen to current debates about sexuality, Alan L. Hayes provides a comprehensive survey of the history of the Canadian Anglican Church. Unprecedented in the annals of Canadian religious history, it examines whether something like an Anglican identity emerged from within the changing forms of doctrine, worship, ministry, and institutions. _x000B__x000B_With writing that conveys a strong sense of place and people, Hayes ultimately finds such an identity not in the relatively few agreements within Anglicanism but within the disagreements themselves. Including hard-to-find historical documents, Anglicans in Canada is ideal for research, classroom use, and as a resource for church groups.
The Work of Woman Suffrage
With this first scholarly biography of Anna Howard Shaw (1847-1919), Trisha Franzen sheds new light on an important woman suffrage leader who has too often been overlooked and misunderstood.An immigrant from a poor family, Shaw grew up in an economic reality that encouraged the adoption of non-traditional gender roles. Challenging traditional gender boundaries throughout her life, she put herself through college, worked as an ordained minister and a doctor, and built a tightly-knit family with her secretary and longtime companion Lucy E. Anthony.Drawing on unprecedented research, Franzen shows how these circumstances and choices both impacted Shaw's role in the woman suffrage movement and set her apart from her native-born, middle- and upper-class colleagues. Franzen also rehabilitates Shaw's years as president of the National American Woman Suffrage Association, arguing that Shaw's much-belittled tenure actually marked a renaissance of both NAWSA and the suffrage movement as a whole.
The Making of a Working-Class Hero
Archie Green: The Making of a Working-Class Hero celebrates one of the most revered folklorists and labor historians of the twentieth century. Devoted to understanding the diverse cultural customs of working people, Archie Green (1917-2009) tirelessly documented these traditions and educated the public about the place of workers' culture and music in American life. Doggedly lobbying Congress for support of the American Folklife Preservation Act of 1976, Green helped establish the American Folklife Center at the Library of Congress. This significant national center for folklife preservation has undertaken a variety of projects including concert series, recordings, oral histories, and the Archive of Folk Culture, a vast collection of images, recordings, and written accounts that preserve the myriad cultural productions of Americans._x000B__x000B_Capturing the many dimensions of Green's remarkably influential life and work, Sean Burns draws on extensive interviews with Green and his many collaborators to examine the intersections of radicalism, folklore, labor history, and worker culture with Green's work. Burns closely analyzes Green's political genealogy and activist trajectory while illustrating how he worked to open up an independent political space on the American Left that was defined by an unwavering commitment to cultural pluralism.
In these poems, G. E. Murray blends the colors of the soul with those of the world it brushes up against, exploring the ways in which art, both as possession and possessor, informs perception._x000B_Viewing his subjects sometimes from airplane altitude, sometimes from the intimacy of a shared restaurant table, Murray crafts true stories about color,? narratives of dislocation and belonging that invite readers to question their own relationship to art._x000B_Included in this volume is a long sequential poem titled The Seconds,? which Murray composed across the second days of thirteen months. The rhythms of this diary-as-poem seize the tensions of shifting times and locales, capturing the essences of moments that are at once chosen and arbitrary._x000B_Codes toward an Incidental City,? the sequence that closes the book, is a confederacy of forty poems that delve into the concrete familiarities and mythologies of urban landscapes, illuminating the ecstasies of city life._x000B_
Race and Migration in the South
Extending the understanding of race and ethnicity in the South beyond the prism of black-white relations, this interdisciplinary collection explores the growth, impact, and significance of rapidly growing Asian American populations in the American South. Avoiding the usual focus on the East and West Coasts, several essays attend to the nuanced ways in which Asian Americans negotiate the dominant black and white racial binary, while others provoke readers to reconsider the supposed cultural isolation of the region, reintroducing the South within a historical web of global networks across the Caribbean, Pacific, and Atlantic.
Rethinking Genders and Sexualities
This collection examines the shaping of local sexual cultures in the Asian Pacific region in order to move beyond definitions and understandings of sexuality that rely on Western assumptions. These diverse studies range across the Pacific Rim and encompass a variety of forms of social, cultural, and personal expression, examining sexuality through music, cinema, the media, shifts in popular rhetoric, comics and magazines, and historical studies._x000B__x000B_Contributors are Ronald Baytan, J. Neil C. Garcia, Kam Yip Lo Lucetta, Song Hwee Lim, J. Darren Mackintosh, Claire Maree, Jin-Hyung Park, Teri Silvio, Megan Sinnott, Yik Koon Teh, Carmen Ka Man Tong, James Welker, Heather Worth, and Audrey Yue.
Black Power Action Films
This lively study unpacks the intersecting racial, sexual, and gender politics underlying the representations of racialized bodies, masculinities, and femininities in early 1970s black action films, with particular focus on black femininity. While low-budget blaxploitation films typically portrayed black women as trifling "bitches" compared to the supermacho black male heroes, the terms "baad bitches" and "sassy supermamas" signal the emergence of films featuring self-assured, empowered, and tough (or "baad") black female protagonists: Cleopatra Jones, Coffy, and Foxy Brown. Stephane Dunn closely examines a distinct moment in the history of African American representation in popular cinema, tracing its influences from the Black Power movement and feminism.