Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Sifting carefully through reports from newspapers, magazines, personal memoirs, and letters, Peter Cozzens Volume 6 brings readers more of the best first-person accounts of marches, encampments, skirmishes, and fullblown battles, as seen by participants on both sides of the conflict. Alongside the experiences of lower-ranking officers and enlisted men are accounts from key personalities including General John Gibbon, General John C. Lee, and seven prominent generals from both sides offering views on why the Confederacy failed.? This volume includes one hundred and twenty illustrations, including sixteen previously uncollected maps of battlefields, troop movements, and fortifications.
The Brown County Jamboree and Bill Monroe's Bluegrass Festivals
Bean Blossom, Indiana--near Brown County State Park and the artist-colony town of Nashville, Indiana--is home to the annual Bean Blossom Bluegrass Festival, founded in 1967 by Bill Monroe, the father of bluegrass. Widely recognized as the oldest continuously running bluegrass music festival in the world, this June festival's roots run back to late 1951, when Monroe purchased the Brown County Jamboree, a live weekly country music show presented between April and November each year. Over the years, Monroe's festival featured the top performers in bluegrass music, including Jimmy Martin, Lester Flatt, Earl Scruggs, the Goins Brothers, the Stanley Brothers, and many more. Thomas A. Adler's history of Bean Blossom traces the long and colorful life of the Brown County Jamboree and Bill Monroe's Bluegrass Festival. Adler discusses the development of bluegrass music, the many personalities involved in the bluegrass music scene, the interplay of local, regional, and national interests, and the meaning of this venue to the music's many performers--both professional and amateur--and its legions of fans.
Field Recordings and the American Experience
The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues song "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by._x000B__x000B_Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse."_x000B__x000B_Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The book also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy.
The Politics of Women's Bodies in France
Beauvoir and Her Sisters investigates how women's experiences, as represented in print culture, led to a political identity of an "imagined sisterhood" through which political activism developed and thrived in postwar France. Through the lens of women's political and popular writings, Sandra Reineke presents a unique interpretation of feminist and intellectual discourse on citizenship, identity, and reproductive rights._x000B__x000B_Drawing on feminist writings by Simone de Beauvoir, feminist reviews from the women's liberation movement, and cultural reproductions from French women's fashion and beauty magazines, Reineke illustrates how print media created new spaces for political and social ideas. This sustained study extends from 1944, when women received the right to vote in France, to 1993, when the French government outlawed anti-abortion activities. Touching on the relationship between consumer culture and feminist practice, Reineke's analysis of a selection of women's writings underlines how these texts challenged traditional gender models and ideals._x000B_
Ballroom Dance in the American Heartland
In Becoming Beautiful , Joanna Bosse explores the transformations undergone by the residents of a Midwestern town when they step out on the dance floor for the very first time. Bosse uses sensitive fieldwork as well as her own immersion in ballroom culture to lead readers into a community that springs up around ballroom dance. The result is a portrait of the real people who connect with others, change themselves, and join a world that foxtrots to its own rules, conventions, and rewards. Bosse's eye for revealing, humorous detail adds warmth and depth to discussions around critical perspectives on the experiences the dance hall provides, the nature of partnership and connection, and the notion of how dancing allows anyone to become beautiful.
The Emergence and Development of the California Women's Movement, 1880-1911
In 1880, the California woman safeguarded the Republic by maintaining a morally sound home. Scarcely forty years later, women in the Pacific state won full-fledged citizenship and voting rights of their own. Becoming Citizens shows how this enormous transformation came about. Gayle Gullett demonstrates how women's search for a larger public life in the late nineteenth century led to a flourishing women's movement in California. _x000B_Women's radical demand for citizenship, however, was rejected by state voters along with the presidential reform candidate, William Jennings Bryan, in the tumultuous election year of 1896. Gullett shows how women rebuilt the movement in the early years of the twentieth century and forged a critical alliance between activist women and the men involved in the urban Good Government movement. This alliance formed the basis of progressivism, with male Progressives helping to legitimize women's new public work by supporting their civic campaigns, appointing women to public office, and placing a suffrage referendum before the male electorate in 1911. _x000B_Placing local developments in a national context, Becoming Citizens illuminates the links between these two major social movements: the western women's suffrage movement and progressivism._x000B__x000B__x000B_
The Making of a Puerto Rican Icon
In the first book-length study written in English, Vanessa Perez-Rosario examines poet and political activist Julia de Burgos's development as a writer, her experience of migration, and her legacy in New York City. Perez-Rosario situates de Burgos as part of a transitional generation that helps to bridge the historical divide between Puerto Rican nationalist writers of the 1930s and the Nuyorican writers of the 1970s. Focusing on the poet's contributions to New York Latino/a literary and visual culture, she moves beyond the tragedy-centered narratives of de Burgos's life to examine her place within a nuanced historical understanding of Puerto Rico's peoples and culture. Perez-Rosario unravels the cultural and political dynamics at work when contemporary Latina/o writers and artists in New York revise, reinvent, and riff off of Julia de Burgos as they imagine new possibilities for themselves and their communities.
Person and Ritual in Indigenous Chile
Magnus Course blends convincing historical analysis with sophisticated contemporary theory in this superb ethnography of the Mapuche people of southern Chile. Based on many years of ethnographic fieldwork, Becoming Mapuche takes readers to the indigenous reserves where many Mapuche have been forced to live since the beginning of the twentieth century. In addition to accounts of the intimacies of everyday kinship and friendship, Course also offers the first complete ethnographic analyses of the major social events of contemporary rural Mapuche life--eluwÃ¼n funerals, the ritual sport of palin, and the great ngillatun fertility ritual. The volume includes a glossary of terms in Mapudungun.
Becoming Ray Bradbury chronicles the making of an iconic American writer. Jonathan R. Eller measures the impact of the authors, artists, illustrators, and filmmakers who stimulated Ray Bradbury's imagination throughout his first three decades. Unprecedented access to Bradbury's personal papers and other private collections provides insight into his emerging talent through his unpublished correspondence, his rare but often insightful notes on writing, and his interactions with those who mentored him during those early years. _x000B__x000B_This biography follows Bradbury's development from avid reader to maturing author, making a living writing for pulp magazines. Bradbury's correspondence documents his frustrating encounters with the major trade publishing houses and his earliest unpublished reflections on the nature of authorship. Eller traces the sources of Bradbury's very conscious decisions, following the sudden success of The Martian Chronicles and The Illustrated Man, to voice controversial political statements in his fiction, and he highlights the private motivations behind the burst of creative energy that resulted in the classic novel Fahrenheit 451._x000B__x000B_These largely unexplored elements pave the way to a deeper understanding of his more public achievements, providing a biography of the mind, the story of Ray Bradbury's self-education and the emerging sense of authorship at the heart of his boundless creativity.
Chicago's Mass News Media, 1833-1898
Becoming the Second City examines the development of Chicago's press and analyzes coverage of key events in its history to call attention to the media's impact in shaping the city's cultural and historical landscape. In concise, extensively documented prose, Richard Junger illustrates how nineteenth-century newspapers acted as accelerants that boosted the growth of Chicago in its early history by continually making and remaking the city's public image as the nation's populous "Second City." Highlighting the newspaper industry's involvement in the business and social life of Chicago, Junger casts newspaper editors and reporters as critical intermediaries between the elite and the larger public and revisits key events and issues including the Haymarket Square bombing, the 1871 fire, the Pullman Strike, and the World's Columbian Exposition in 1893.