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News stories remind us almost daily that anti-American opinion is rampant in every corner of the globe. Journalists, scholars, and politicians alike reinforce the perception that anti-Americanism is an entrenched sentiment in many foreign countries. Political scientist Giacomo Chiozza challenges this conventional wisdom, arguing that foreign public opinion about the U.S. is much more diverse and nuanced than is generally believed. Chiozza examines the character, source, and persistence of foreign attitudes toward the United States. His findings are based on worldwide public opinion databases that surveyed anti-American sentiment in Islamic countries, Europe, Latin America, Africa, and East Asia. Data compiled from responses in a wide range of categories—including politics, wealth, science and technology, popular culture, and education—indicate that anti-American sentiments vary widely across these geographic regions. Through careful analyses, Chiozza shows how foreign publics balance the political, social, and cultural dimensions of the U.S. in their own perceptions of the country. He finds that popular anti-Americanism is mostly benign and shallow; deep-seated ideological opposition to the U.S. is usually held among a minority of groups. More often, Chiozza explains, foreigners have conflicting attitudes toward the U.S. He finds that while anti-Americanism certainly exists, the United States is equally praised as a symbol of democracy and freedom, its ideals of liberty, equality, and opportunity applauded. Chiozza clearly demonstrates that what is reported as undisputed fact—that various groups abhor American values—is in reality a complex story.
Reform, Resistance, and the Pursuit of a Rational Therapeutics
In The Antibiotic Era, physician-historian Scott H. Podolsky narrates the far-reaching history of antibiotics, focusing particularly on reform efforts that attempted to fundamentally change how antibiotics are developed and prescribed. This sweeping chronicle reveals the struggles faced by crusading reformers from the 1940s onward as they advocated for a rational therapeutics at the crowded intersection of bugs and drugs, patients and doctors, industry and medical academia, and government and the media. During the post–World War II “wonder drug” revolution, antibiotics were viewed as a panacea for mastering infectious disease. But from the beginning, critics raised concerns about irrational usage and overprescription. The first generation of antibiotic reformers focused on regulating the drug industry. The reforms they set in motion included the adoption of controlled clinical trials as the ultimate arbiters of therapeutic efficacy, the passage of the Kefauver-Harris amendments mandating proof of drug efficacy via well-controlled studies, and the empowering of the Food and Drug Administration to remove inefficacious drugs from the market. Despite such victories, no entity was empowered to rein in physicians who inappropriately prescribed, or overly prescribed, approved drugs. Now, in an era of emerging bugs and receding drugs, discussions of antibiotic resistance focus on the need to develop novel antibiotics and the need for more appropriate prescription practices in the face of pharmaceutical marketing, pressure from patients, and the structural constraints that impede rational delivery of antibiotics worldwide. Concerns about the enduring utility of antibiotics—indeed, about a post-antibiotic era—are widespread, as evidenced by reports from the Centers for Disease Control and Prevention, academia, and popular media alike. Only by understanding the historical forces that have shaped our current situation, Podolsky argues, can we properly understand and frame our choices moving forward.
A Short History
More people today report feeling anxious than ever before—even while living in relatively safe and prosperous modern societies. Almost one in five people experiences an anxiety disorder each year, and more than a quarter of the population admits to an anxiety condition at some point in their lives. Here Allan V. Horwitz, a sociologist of mental illness and mental health, narrates how this condition has been experienced, understood, and treated through the ages—from Hippocrates, through Freud, to today. Anxiety is rooted in an ancient part of the brain, and our ability to be anxious is inherited from species far more ancient than humans. Anxiety is often adaptive: it enables us to respond to threats. But when normal fear yields to what psychiatry categorizes as anxiety disorders, it becomes maladaptive. As Horwitz explores the history and multiple identities of anxiety—melancholia, nerves, neuroses, phobias, and so on—it becomes clear that every age has had its own anxieties and that culture plays a role in shaping how anxiety is expressed.
Spain and New Spain in the Age of Charles III, 1759–1789
Once Europe's supreme maritime power, Spain by the mid-eighteenth century was facing fierce competition from England and France. England, in particular, had successfully mustered the financial resources necessary to confront its Atlantic rivals by mobilizing both aristocracy and merchant bourgeoisie in support of its imperial ambitions. Spain, meanwhile, remained overly dependent on the profits of its New World silver mines to finance both metropolitan and colonial imperatives, and England's naval superiority constantly threatened the vital flow of specie. When Charles III ascended the Spanish throne in 1759, then, after a quarter-century as ruler of the Kingdom of the Two Sicilies, Spain and its colonial empire were seriously imperiled. Two hundred years of Hapsburg rule, followed by a half-century of ineffectual Bourbon "reforms," had done little to modernize Spain's increasingly antiquated political, social, economic, and intellectual institutions. Charles III, recognizing the pressing need to renovate these institutions, set his Italian staff—notably the Marqués de Esquilache, who became Secretary of the Consejo de Hacienda (the Exchequer)—to this formidable task. In Apogee of Empire, Stanley J. Stein and Barbara H. Stein trace the attempt, initially under Esquilache's direction, to reform the Spanish establishment and, later, to modify and modernize the relationship between the metropole and its colonies. Within Spain, Charles and his architects of reform had to be mindful of determining what adjustments could be made that would help Spain confront its enemies without also radically altering the Hapsburg inheritance. As described in impressive detail by the authors, the bitter, seven-year conflict that ensued between reformers and traditionalists ended in a coup in 1766 that forced Charles to send Esquilache back to Italy. After this setback at home, Charles still hoped to effect constructive change in Spain's imperial system, primarily through the incremental implementation of a policy of comercio libre (free-trade). These reforms, made half-heartedly at best, failed as well, and by 1789 Spain would find itself ill prepared for the coming decades of upheaval in Europe and America. An in-depth study of incremental response by an old imperial order to challenges at home and abroad, Apogee of Empire is also a sweeping account of the personalities, places, and policies that helped to shape the modern Atlantic world.
Vol. 29 (1996) through current issue
This distinguished journal is known for publishing original literary and cultural studies of the ancient world that combine contemporary theoretical perspectives with traditional approaches to literary and material evidence. Arethusa introduced the world of classics to the application of new methods in literary theory, and continues to be an exciting venue for innovative and stimulating approaches.
Vol. 1 (2013) through current issue
ariel: A Review of International English Literature, is focused on the critical and scholarly study of global literatures in English. The journal publishes articles in postcolonial studies exploring issues of colonial power and resistance as well as innovative scholarship on globalization, new forms and sites of exploitation and colonization in an age of transnational capitalism, displacement and diaspora studies, global ecocriticism, cultural and cross-cultural translation, and related areas. Founded in 1970 as one of the first journals in Commonwealth studies, ariel has remained at the forefront of postcolonial and world literature criticism, with readers and subscribers in more than 50 countries around the globe.
The comedies of Aristophanes are known not only for their boldly imaginative plots but for the ways in which they incorporate and orchestrate a wide variety of literary genres and speech styles. Unlike the writers of tragedy, who prefer a uniformly elevated tone, Aristophanes articulates his dramatic dialogue with striking literary and linguistic juxtapositions, producing a carnivalesque medley of genres that continually forces both audience and reader to readjust their perspectives. In this energetic and original study, Charles Platter interprets the complexities of Aristophanes' work through the lens of Mikhail Bakhtin's critical writing. This book charts a new course for Aristophanic comedy, taking its lead from the work of Bakhtin. Bakhtin describes the way multiple voices—vocabularies, tones, and styles of language originating in different social classes and contexts—appear and interact within literary texts. He argues that the dynamic quality of literature arises from the dialogic relations that exist among these voices. Although Bakhtin applied his theory primarily to the epic and the novel, Platter finds in his work profound implications for Aristophanic comedy, where stylistic heterogeneity is the genre's lifeblood.
Vol. 44, no. 3 (1988) through current issue
Arizona Quarterly publishes scholarly essays on American literature, broadly defined. Essays should be grounded in examination of texts, situated with respect to current academic conversations touching on the texts and issues discussed, and inflected by knowledge of wider critical and theoretical discourse. Arizona Quarterly takes a particular interest in the work of colleagues based in countries other than the US, and in US literary and cultural texts considered from a global perspective.
From Conflict to Integration
Many armed-political movements such as Hezbollah, Hamas, and the Irish Republican Army (IRA) have their roots in insurrection and rebellion. In Armed Political Organizations, Benedetta Berti seeks to understand when and why violent actors in a political organization choose to vote rather than bomb their way to legitimacy. Berti argues that the classic theory of the democratization process, which sees violence and elections at opposite ends of the political spectrum, is too simplistic and wholly inadequate for understanding the negotiation and disarmament work that is necessary for peaceful resolution of armed conflicts and movement toward electoral options. In this comparative study, she develops an alternative cyclical model that clarifies why armed groups create a political wing and compete in elections, and how this organizational choice impacts subsequent decisions to relinquish armed struggle. In her conclusion, Berti draws out what the implications are for a government’s ability to engage armed political groups to improve the chances of political integration. Berti’s innovative framework and careful choice of case studies, presented in a jargon-free, accessible style, will make this book attractive to not only scholars and students of democratization processes but also policymakers interested in conflict resolution and peacekeeping efforts.
English Law Courts and the Novel
In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s.