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Hong Kong University Press, HKU

Website: http://www.hkupress.org/Common/Reader/Version/Show.jsp?Pid=1&Version=0&Charset=iso-8859-1

Hong Kong University Press was established in 1956. Since then it has grown from publishing a few titles, primarily the work of the University's faculty, into a publisher issuing more than 50 new titles each year. From its very first book, it has been a bilingual publisher of works both in English and Chinese. Our authors now come from all the universities of Hong Kong, and from Mainland China, Macau, Taiwan, Singapore, also from the United Kingdom, the United States, Australia, Canada and other countries.

Hong Kong University Press plays a unique and growing role in the intellectual discourse of Hong Kong and its broader region. We publish the majority of our books in English and strive to achieve for them the widest international distribution. Yet, rather than imposing the homogenizing changes usually considered necessary to maximize sales in rich country markets, we respect and sustain the intellectual and cultural variety of our authors and their work. The Press values intra-regional conversation as highly as exchanges with North America and Europe.

The Press's publishing for international readers is focused on cultural studies, film and media studies, Chinese history and culture. Noting Hong Kong's special characteristics, we publish in language and linguistics emphasizing Asian varieties of English and Cantonese. For readers in Hong Kong and those elsewhere interested in our remarkable city, we publish on its history, law, politics, economy, society and literature. Also for Hong Kong, we publish both in Chinese and English for such professions as education, social work, law, medicine, real estate and construction.

Throughout its existence the Press has remained an integral part of the University, overseen by a university committee and having as its central mission the publication of high quality scholarship that contributes both to the quality of debate and ideas and to the wider understanding of Hong Kong and its region.

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Hong Kong University Press, HKU

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Chinese Archery Cover

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Chinese Archery

Stephen Selby

The book is written around parallel text translations of classical chinese sources some famous and some little known in which Chinese writers give vivid and detailed explanations of the techniques of bow-building, archery and crossbow technique over the centuries.

Chinese Art and Its Encounter with the World Cover

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Chinese Art and Its Encounter with the World

Negotiating Alterity in Art and Its Historical Interpretation

David Clarke

This book examines Chinese art from the mid-eighteenth century to the present, beginning with discussion of a Chinese portrait modeler from Canton who traveled to London in 1769, and ending with an analysis of art and visual culture in post-colonial Hong Kong. By means of a series of six closely-focused case studies, often deliberately introducing non-canonical or previously marginalized aspects of Chinese visual culture, it analyzes Chinese art’s encounter with the broader world, and in particular with the West. Offering more than a simple charting of influences, it uncovers a pattern of richly mutual interchange between Chinese art and its others. Arguing that we cannot fully understand modern Chinese art without taking this expanded global context into account, it attempts to break down barriers between areas of art history which have hitherto largely been treated within separate and often nationally-conceived frames. Aware that issues of cultural difference need to be addressed by art historians as much as by artists, it represents a pioneering attempt to produce an art historical writing which is truly global in approach. It hopes to appeal both to those with a special interest in modern Chinese art and those who are only now becoming aware of this fascinating but previously under-explored field.

Chinese Christians Cover

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Chinese Christians

Elites, Middlemen, and the Church in Hong Kong

Carl T. Smith

Every so often a work of history appears that radically changes our understanding of people, place and period. Chinese Christian is such a work. This book asks questions about Hong Kong that have never been asked before. It shows that the leaders of Chinese society had a far greater role in shaping early Hong Kong history than earlier historians had believed.

Chinese Ecocinema Cover

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Chinese Ecocinema

In the Age of Environmental Challenge

Edited by Sheldon H. Lu ,Jiayan Mi

This anthology is the first book-length study of China's ecosystem through the lens of cinema. Proposing "ecocinema" as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world: Chinese and Western epistemes of nature and humanity; the dialect of socialist modernization amid capitalist globalization; shifting configurations of space, locale, cityscape, and natural landscape; gender, religion, and ethnic cultures; as well as bioethics and environmental politics.

The Chinese Exotic Cover

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The Chinese Exotic

Modern Diasporic Femininity

Olivia Khoo

The book examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century.

Chinese Fiction of the Cultural Revolution Cover

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Chinese Fiction of the Cultural Revolution

Lan Yang

As the first comprehensive study of Chinese fiction of the Cultural Revolution, this pioneering work explores the position of the literature of this turbulent period in the context of contemporary China.The book covers the choice of subject matter, authorship and readership of Cultural Revolution fiction.

Chinese Ideas About Nature and Society Cover

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Chinese Ideas About Nature and Society

Studies in Honour of Derk Bodde

Charles Le Blanc ,Susan Blader

The main theme that pervades this Festschrift, written by fellow-scholars and students of Bodde for his seventy-fifth birthday, is that of the proper ordering of the universe as it obtains in the Chinese tradition.

Chinese Opera Cover

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Chinese Opera

The Actor's Craft

Siu Wang-Ngai with Peter Lovrick

Chinese opera embraces over 360 different styles of theatre that make one of the richest performance arts in the world. It combines music, speech, poetry, mime, acrobatics, stage fighting, vivid face-painting and exquisite costumes. First experiences of Chinese opera can be baffling because its vocabulary of stagecraft is familiar only to the seasoned aficionado. Chinese Opera: The Actor’s Craft makes the experience more accessible for everyone. This book uses breath-taking images of Chinese opera in performance by Hong Kong photographer Siu Wang-Ngai to illustrate and explain Chinese opera stage technique. The book explores costumes, gestures, mime, acrobatics, props and stage techniques. Each explanation is accompanied by an example of its use in an opera and is illustrated by in-performance photographs. Chinese Opera: The Actor’s Craft provides the reader with a basic grammar for understanding uniquely Chinese solutions to staging drama.

Chinese Overseas Cover

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Chinese Overseas

Comparative Cultural Issues

Chee-Beng Tan

This book examines issues of cultural change and identity construction of Chinese overseas, as well as other important issues such as Chinese and non-Chinese relations, and cultural and economic performance. It offers a perspective of understanding Chinese overseas in nation-states and beyond, in a global context which the author describes as the Chinese ethnological field.

Christian Encounters with Chinese Culture Cover

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Christian Encounters with Chinese Culture

Essays on Anglican and Episcopal History in China

Edited by Philip L. Wickeri

Written by a team of internationally recognized scholars, Christian Encounters with Chinese Culture focuses on a church tradition that has never been very large in China but that has had considerable social and religious influence. Themes of the book include questions of church, society and education, the Prayer Book in Chinese, parish histories, and theology. Taken together, the nine chapters and the introduction offer a comprehensive assessment of the Anglican experience in China and its missionary background. Historical topics range from macro to micro levels, beginning with an introductory overview of the Anglican and Episcopal tradition in China. Topics include how the church became embedded in Chinese social and cultural life, the many ways women’s contributions to education built the foundations for strong parishes, and Bishop R. O. Hall’s attentiveness to culture for the life of the church in Hong Kong. Two chapters explore how broader historical themes played out at the parish level—St. Peter’s Church in Shanghai during the War against Japan and St. Mary’s Church in Hong Kong during its first three decades. Chapters looking at the Chinese Prayer Book bring an innovative theological perspective to the discussion, especially how the inability to produce a single prayer book affected the development of the Chinese church. Finally, the tension between theological thought and Chinese culture in the work of Francis C. M. Wei and T. C. Chao is examined. “This is one of the finest books on Christianity and Chinese culture to have emerged in recent years. Philip Wickeri has done the almost-impossible, and assembled an outstanding, world-class team of scholars to write on Anglican and Episcopal history in China, with essays focusing on education, liturgy, ministry, ecclesiology and theology. This is a timely, important book—and one that will re-shape the way we understand the place of Anglican and Episcopal churches in the past, present and future.” —Martyn Percy, dean of Christ Church, Oxford, UK “This pioneering study provides new knowledge of local parishes, translation of liturgy, as well as mission and theology of Chung Hua Sheng Kung Hui. Comprehensive in scope and original in using new resources, it will stimulate new scholarship in the study of Christianity in China.” —Kwok Pui-lan, author of Chinese Women and Christianity, 1860–1927 “The essays included in this important volume offer a refreshingly realistic image of the Christian missionary enterprise and its interaction with Chinese culture and society. The contributors present new angles of interpretation, with more informed and nuanced accounts of the complexities and contradictions that shaped the encounter of one particular strand of Western Christianity and Chinese culture during a turbulent century of change.” —R. G. Tiedemann, professor of Chinese history, Shandong University, China

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