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Hong Kong University Press, HKU

Website: http://www.hkupress.org/Common/Reader/Version/Show.jsp?Pid=1&Version=0&Charset=iso-8859-1

Hong Kong University Press was established in 1956. Since then it has grown from publishing a few titles, primarily the work of the University's faculty, into a publisher issuing more than 50 new titles each year. From its very first book, it has been a bilingual publisher of works both in English and Chinese. Our authors now come from all the universities of Hong Kong, and from Mainland China, Macau, Taiwan, Singapore, also from the United Kingdom, the United States, Australia, Canada and other countries.

Hong Kong University Press plays a unique and growing role in the intellectual discourse of Hong Kong and its broader region. We publish the majority of our books in English and strive to achieve for them the widest international distribution. Yet, rather than imposing the homogenizing changes usually considered necessary to maximize sales in rich country markets, we respect and sustain the intellectual and cultural variety of our authors and their work. The Press values intra-regional conversation as highly as exchanges with North America and Europe.

The Press's publishing for international readers is focused on cultural studies, film and media studies, Chinese history and culture. Noting Hong Kong's special characteristics, we publish in language and linguistics emphasizing Asian varieties of English and Cantonese. For readers in Hong Kong and those elsewhere interested in our remarkable city, we publish on its history, law, politics, economy, society and literature. Also for Hong Kong, we publish both in Chinese and English for such professions as education, social work, law, medicine, real estate and construction.

Throughout its existence the Press has remained an integral part of the University, overseen by a university committee and having as its central mission the publication of high quality scholarship that contributes both to the quality of debate and ideas and to the wider understanding of Hong Kong and its region.


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Hong Kong University Press, HKU

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Chinese Art and Its Encounter with the World Cover

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Chinese Art and Its Encounter with the World

Negotiating Alterity in Art and Its Historical Interpretation

David Clarke

This book examines Chinese art from the mid-eighteenth century to the present, beginning with discussion of a Chinese portrait modeler from Canton who traveled to London in 1769, and ending with an analysis of art and visual culture in post-colonial Hong Kong. By means of a series of six closely-focused case studies, often deliberately introducing non-canonical or previously marginalized aspects of Chinese visual culture, it analyzes Chinese art’s encounter with the broader world, and in particular with the West. Offering more than a simple charting of influences, it uncovers a pattern of richly mutual interchange between Chinese art and its others. Arguing that we cannot fully understand modern Chinese art without taking this expanded global context into account, it attempts to break down barriers between areas of art history which have hitherto largely been treated within separate and often nationally-conceived frames. Aware that issues of cultural difference need to be addressed by art historians as much as by artists, it represents a pioneering attempt to produce an art historical writing which is truly global in approach. It hopes to appeal both to those with a special interest in modern Chinese art and those who are only now becoming aware of this fascinating but previously under-explored field.

Chinese Christians Cover

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Chinese Christians

Elites, Middlemen, and the Church in Hong Kong

Carl T. Smith

Every so often a work of history appears that radically changes our understanding of people, place and period. Chinese Christian is such a work. This book asks questions about Hong Kong that have never been asked before. It shows that the leaders of Chinese society had a far greater role in shaping early Hong Kong history than earlier historians had believed.

Chinese Ecocinema Cover

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Chinese Ecocinema

In the Age of Environmental Challenge

Edited by Sheldon H. Lu ,Jiayan Mi

This anthology is the first book-length study of China's ecosystem through the lens of cinema. Proposing "ecocinema" as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world: Chinese and Western epistemes of nature and humanity; the dialect of socialist modernization amid capitalist globalization; shifting configurations of space, locale, cityscape, and natural landscape; gender, religion, and ethnic cultures; as well as bioethics and environmental politics.

The Chinese Exotic Cover

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The Chinese Exotic

Modern Diasporic Femininity

Olivia Khoo

The book examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century.

Chinese Fiction of the Cultural Revolution Cover

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Chinese Fiction of the Cultural Revolution

Lan Yang

As the first comprehensive study of Chinese fiction of the Cultural Revolution, this pioneering work explores the position of the literature of this turbulent period in the context of contemporary China.The book covers the choice of subject matter, authorship and readership of Cultural Revolution fiction.

Chinese Ideas About Nature and Society Cover

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Chinese Ideas About Nature and Society

Studies in Honour of Derk Bodde

Charles Le Blanc ,Susan Blader

The main theme that pervades this Festschrift, written by fellow-scholars and students of Bodde for his seventy-fifth birthday, is that of the proper ordering of the universe as it obtains in the Chinese tradition.

Chinese Opera Cover

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Chinese Opera

The Actor's Craft

Siu Wang-Ngai with Peter Lovrick

Chinese opera embraces over 360 different styles of theatre that make one of the richest performance arts in the world. It combines music, speech, poetry, mime, acrobatics, stage fighting, vivid face-painting and exquisite costumes. First experiences of Chinese opera can be baffling because its vocabulary of stagecraft is familiar only to the seasoned aficionado. Chinese Opera: The Actor’s Craft makes the experience more accessible for everyone. This book uses breath-taking images of Chinese opera in performance by Hong Kong photographer Siu Wang-Ngai to illustrate and explain Chinese opera stage technique. The book explores costumes, gestures, mime, acrobatics, props and stage techniques. Each explanation is accompanied by an example of its use in an opera and is illustrated by in-performance photographs. Chinese Opera: The Actor’s Craft provides the reader with a basic grammar for understanding uniquely Chinese solutions to staging drama.

Chinese Overseas Cover

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Chinese Overseas

Comparative Cultural Issues

Chee-Beng Tan

This book examines issues of cultural change and identity construction of Chinese overseas, as well as other important issues such as Chinese and non-Chinese relations, and cultural and economic performance. It offers a perspective of understanding Chinese overseas in nation-states and beyond, in a global context which the author describes as the Chinese ethnological field.

Cinema at the City's Edge Cover

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Cinema at the City's Edge

Film and Urban Networks in East Asia

Edited by Yomi Braester, James Tweedie

This anthology presents a number of leading voices on contemporary Asian cinema studies, including Ackbar Abbas, Chris Berry, Emilie Yueh-yu Yeh, Darrell William Davis, Dudley Andrew, Yomi Braester, Susie Jie Young Kim, Akira Mizuta Lippit, James Tweedie, Yiman Wang and Zhang Zhen. Through a range of interdisciplinary responses that simultaneously investigate film practices and technologies, the contributors offer a timely look at the ever-shifting cities in East Asia and their portrayal in cinema.

The Cinema of Feng Xiaogang Cover

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The Cinema of Feng Xiaogang

Commercialization and Censorship in Chinese Cinema after 1989

Rui Zhang

Illustrates the commercial struggles & censorship pressures faced by one of China’s most successful and prolific film directors, whose diverse work features everyday people and problems in post-socialist popular culture.

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