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Hong Kong University Press, HKU

Website: http://www.hkupress.org/Common/Reader/Version/Show.jsp?Pid=1&Version=0&Charset=iso-8859-1

Hong Kong University Press was established in 1956. Since then it has grown from publishing a few titles, primarily the work of the University's faculty, into a publisher issuing more than 50 new titles each year. From its very first book, it has been a bilingual publisher of works both in English and Chinese. Our authors now come from all the universities of Hong Kong, and from Mainland China, Macau, Taiwan, Singapore, also from the United Kingdom, the United States, Australia, Canada and other countries.

Hong Kong University Press plays a unique and growing role in the intellectual discourse of Hong Kong and its broader region. We publish the majority of our books in English and strive to achieve for them the widest international distribution. Yet, rather than imposing the homogenizing changes usually considered necessary to maximize sales in rich country markets, we respect and sustain the intellectual and cultural variety of our authors and their work. The Press values intra-regional conversation as highly as exchanges with North America and Europe.

The Press's publishing for international readers is focused on cultural studies, film and media studies, Chinese history and culture. Noting Hong Kong's special characteristics, we publish in language and linguistics emphasizing Asian varieties of English and Cantonese. For readers in Hong Kong and those elsewhere interested in our remarkable city, we publish on its history, law, politics, economy, society and literature. Also for Hong Kong, we publish both in Chinese and English for such professions as education, social work, law, medicine, real estate and construction.

Throughout its existence the Press has remained an integral part of the University, overseen by a university committee and having as its central mission the publication of high quality scholarship that contributes both to the quality of debate and ideas and to the wider understanding of Hong Kong and its region.


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Hong Kong University Press, HKU

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Beyond Brushtalk Cover

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Beyond Brushtalk

Sino-Japanese Literary Exchange in the Interwar Period

Christopher T. Keaveney

This book explores interactions between Japanese and Chinese writers during the golden age of such exchange, 1919 to 1937.

A Bibliography of Hong Kong Marine Science Cover

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A Bibliography of Hong Kong Marine Science

Brian Morton

A comprehensive bibliography of all the book, research papers and theses published on Hong Kong marine science between 1842 (one year after Hong Kong was founded), and 1990. An invaluable reference for scientists and students.

Bilingual Education Cover

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Bilingual Education

Southeast Asian Perspectives

Angela M.Y. Lin,N.G. Daunton , Evelyn Y.F. Man

This book aims at meeting this urgent need by discussing, in accessible language, research findings on key concepts of bilingual education, and recent developments of bilingual education policies in Hong Kong, Singapore and Malaysia. Teachers, students and researchers in the areas of bilingual education, language policy and planning (LPP), and studies of medium of instruction policy and practice both in Hong Kong and other Southeast Asian contexts will benefit from the book.

The Bivalvia Cover

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The Bivalvia

Proceedings of a Memorial Symposium in Honour of Sir Charles Maurice Yonge

Brian Morton

The volume is a memorial to his achievements and comprises 22 papers presented at a symposium in his honour during the IX International Malacological Congress, Edinburgh, Scotland, 1986.

A Book of Chinese Verse Cover

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A Book of Chinese Verse

A.R. Davis

This slim volume is a memorial to a long friendship between two men, brought together in Hong Kong by their common work and by their common love of Chinese petry, just 50 years ago.

The Book of Literary Design Cover

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The Book of Literary Design

Siu-kit Wong ,Allan Chung-hang Lo ,Kwong-tai Lam

This volume presents a fresh translation of the Wenxin diaolong that is at once authoritative and elegant. It may well be regarded as a standard reference by students of sinology and comparative literature.

Brecht and East Asian Theatre Cover

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Brecht and East Asian Theatre

The Proceedings of a Conference on Brecht in East Asian Theatre

Anthony Tatlow, Tak-wai Wong

This book contains unique information about Bertolt Brecht and East Asian theatre. It focuses in particular on China and offers first and detailed accounts of important Brecht productions from those directly involved.

The British Presence in Macau, 1635–1793 Cover

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The British Presence in Macau, 1635–1793

ROGÉRIO MIGUEL PUGA

For more than four centuries, Macau was the center of Portuguese trade and culture on the South China Coast. Until the founding of Hong Kong and the opening of other ports in the 1840s, it was also the main gateway to China for independent British merchants and their only place of permanent residence. Drawing extensively on Portuguese as well as British sources, The British Presence in Macau traces Anglo- Portuguese relations in South China from the first arrival of English trading ships in the 1630s to the establishment of factories at Canton, the beginnings of the opium trade, and the Macartney Embassy of 1793. Longstanding allies in the west, the British and Portuguese pursued more complex rela­tions in the east, as trading interests clashed under a Chinese imperial system and as the British increasingly asserted their power

Brushing History Against the Grain Cover

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Brushing History Against the Grain

Reading the Chinese New Historical Fiction (1986-1999)

Qingxin Lin

This book explores some essential features of the Chinese new historical fiction (NHF) and its socio-cultural implications. It argues that the NHF constitutes an oppositional discourse that rejects, both the grand narrative of linear (revolutionary) history, which dominates Chinese official historiography, and naïve confidence in ‘Chinese modernity.’

Building A Revolution Cover

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Building A Revolution

Chinese Architecture Since 1980

Charlie Q.L. Xue

This book presents a picture of Chinese architecture in transition, as the entire economy shifted from being planned and state-controlled to being market-led.

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