Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
China before Mao
This short book moves away from the hostile assessment of republican China common in mainstream history to portray the era instead as a diverse and cosmopolitan one, documenting the country's impulse to join the world and open its borders, markets and minds before closure under communism.
All Roads Lead to the American City provides an original view of the urban culture in America seen through its irrevocable ties with the cities and roads. Examining the history, cinema, literature, cultural myths and social geography of the United States, the book puts some of the greatest as well as the "baddest" American cities under the microscope.
Traces of the Colonial in Thailand
The book brings studies of modern Thai history and culture into dialogue with debates in comparative intellectual history, Asian cultural studies, and postcolonial studies. It takes Thai Studies in new directions through case studies of the cultural hybridity and ambivalences that have emerged from the manifold interactions between Siam/Thailand and the West from 1850 to the present day. Central aims of The Ambiguous Allure of the West are to critique notions of Thai "uniqueness" or "exceptionalism" and locate Thai Studies in a broader, comparative perspective by arguing that modern Siam/Thailand needs to be understood as a semicolonial society. In contrast to conservative nationalist and royalist accounts of Thai history and culture, which resist comparing the country to its once-colonized Asian neighbours, this book's contributors highlight the value of postcolonial analysis in understanding the complexly ambiguous, interstitial, liminal and hybrid character of Thai/Western cultural interrelationships. At the same time, by pointing to the distinctive position of semicolonial societies in the Western-dominated world order, the chapters in this book make significant contributions to developing the critical theoretical perspectives of international cultural studies. The contributors demonstrate how the disciplines of history, anthropology, political science, film and cultural studies all enhance these contestations in intersecting ways, and across different historical moments. Each of the chapters raises manifold themes and questions regarding the nature of intercultural exchange, interrogated through theoretically critical lenses. This book directs its discussions at those studying not only in the fields of Thai and Southeast Asian studies but also in colonial and postcolonial studies, Asian cultural studies, film studies and comparative critical theory.
Trade, Smuggling, and Diplomacy on the South China Coast
The theme of this volume is the American relationship with Macao and its region through trade, politics, and culture, and the focus is mainly on the late eighteenth and nineteenth centuries. The essays address topics such as the role of the China trade in US pacific expansion and exploration, US consuls, smuggling networks, American women's perceptions of China, and missionary and educational work. In all of the encounters, Macao emerges as a central player, adding a new dimension to our understanding of Sino-American relations.
Written by two of Hong Kong's foremost practitioners and teachers of anaesthesiology, the work details the history of this specialty in Hong Kong, including early pioneers, the development of the Society of Anaesthetists, the teaching of anaesthesiology at undergraduate and postgraduate levels, the establishment of the Hong Kong College of Anaesthesiologists, and recent developments in clinical anaesthesiology.
In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema.
This book attempts to explain this aspect of Yüan Shih-k'ai's political power by analysing the relationship between him and Sir John Newell Jordan, British minister at Peking from 1906 to 1920.
The resolutely independent filmmaker Ann On-wah Hui continues to inspire critical acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a pioneering career spanning three decades, Hui has been director, producer, writer and actress for more than 30 films. In this work, Audrey Yue analyses a 1990 film considered by many to be one of Hui’s most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter’s coming to terms with her mother’s Japanese identity. Themes of cross-cultural alienation, divided loyalties and generational reconciliation resonate strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favourite among returning Hong Kong emigrants and international cinema students. This book examines how Hui challenges the myth of the original home as singular, familial and romantic, and constructs the second home as a new space for Hong Kong modernity. Yue also discusses the teaching of the film in the diaspora, demonstrating its potential as an affective and performative text of transcultural literacy and diasporic negotiations in the cross-cultural classroom.