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University of Georgia Press

University of Georgia Press

Website: http://www.ugapress.org

Since its founding in 1938, the primary mission of the University of Georgia Press has been to support and enhance the Universitys place as a major research institution by publishing outstanding works by scholars and writers throughout the world. The Press currently publishes 75-80 new books a year and has some 1300 titles in print, many of them in both physical and ebook editions. The kinds of books published by the Press fall into four broad categories: works of scholarship, creative and literary works, regional books, and digital projects in partnership with other organizations.


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University of Georgia Press

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Curanderismo Cover

Curanderismo

Mexican American Folk Healing

Robert T. Trotter II and Juan Antonio Chavira With a foreword by Luis D. Leon

The practice of curanderismo, or Mexican American folk medicine, is part of a historically and culturally important health care system deeply rooted in native Mexican healing techniques. This is the first book to describe the practice from an insider's point of view, based on the authors' three-year apprenticeships with curanderos (healers).

Robert T. Trotter and Juan Antonio Chavira present an intimate view of not only how curanderismo is practiced but also how it is learned and passed on as a healing tradition. By providing a better understanding of why curanderos continue to be in demand despite the lifesaving capabilities of modern medicine, this text will serve as an indispensable resource to health professionals who work within Mexican American communities, to students of transcultural medicine, and to urban ethnologists and medical anthropologists.

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Curled in the Bed of Love Cover

Curled in the Bed of Love

Stories by Catherine Brady

To read Curled in the Bed of Love is to feel the incessant tug between devotion and desire that can unmake even the closest couple. These eleven stories are set in the San Francisco Bay Area, and in true Left Coast style, Catherine Brady's characters are as resolute in evading middle-class conformity as they are in clinging to their illusions about love. And while they never shy from paying their dues, they can't help but wonder sometimes if their choices have at last accrued too high a cost. What lies in the bed of love, with women and men curled sometimes in repose, sometimes in a defensive knot, are failed dreams, reproofs, ambitions, and stubborn beliefs.

Always, mortality threatens the lovers' embrace. In the title story, Jim and his HIV-positive partner contend with an illness that has fueled their love but also threatens to consume it. In some stories, an outsider exposes the frailty of a relationship. Claire, who's opted for a steady marriage in "The Loss of Green," is both stirred and repelled by the advances of her former mate Sam, a radical environmentalist with a predatory need to reassert his claim on her. And in "Behold the Handmaid of the Lord," Debbie, compelled to translate a brief affair with her cousin's fiancé into a profound transgression, comes clean on a sleazy national talk show.

All of Brady's stories are gritty and unflinching in their gaze, yet lyrical and rich in the imagery of stasis and change--an empty house too long on the market, a pair of kayakers riding out a patch of rough sea, a greenhouse in which the orchid blooms only suggest the darting vitality of butterflies and birds. There is much to learn in these tales of flawed but good people working hard to hold their lives together.

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Dance Boots Cover

Dance Boots

Linda LeGarde Grover

In this stirring collection of linked stories, Linda LeGarde Grover portrays an Ojibwe community struggling to follow traditional ways of life in the face of a relentlessly changing world.
 
In the title story an aunt recounts the harsh legacy of Indian boarding schools that tried to break the indigenous culture. In doing so she passes on to her niece the Ojibwe tradition of honoring elders through their stories. In “Refugees Living and Dying in the West End of Duluth,” this same niece comes of age in the 1970s against the backdrop of her forcibly dispersed family. A cycle of boarding schools, alcoholism, and violence haunts these stories even as the characters find beauty and solace in their large extended families.
 
With its attention to the Ojibwe language, customs, and history, this unique collection of riveting stories illuminates the very nature of storytelling. The Dance Boots narrates a century’s evolution of Native Americans making choices and compromises, often dictated by a white majority, as they try to balance survival, tribal traditions, and obligations to future generations.

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Dangerous Lives of Altar Boys Cover

Dangerous Lives of Altar Boys

Chris Fuhrman

Set in Savannah, Georgia, in the early 1970s, this is a novel of the anarchic joy of youth and encounters with the concerns of early adulthood. Francis Doyle, Tim Sullivan, and their three closest friends are altar boys at Blessed Heart Catholic Church and eighth-grade classmates at the parish school. They are also inveterate pranksters, artistic, and unimpressed by adult authority. When Sodom vs. Gomorrah '74, their collaborative comic book depicting Blessed Heart's nuns and priests gleefully breaking the seventh commandment, falls into the hands of the principal, the boys, certain that their parents will be informed, conspire to create an audacious diversion. Woven into the details of the boys' preparations for the stunt are touching, hilarious renderings of the school day routine and the initiatory rites of male adolescence, from the first serious kiss to the first serious hangover.

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The Darien Journal of John Girardeau Legare, Ricegrower Cover

The Darien Journal of John Girardeau Legare, Ricegrower

John Girardeau Legare

In 1877, John Girardeau Legare of Adams Run, South Carolina, arrived in Darien on the Georgia tidewater. Legare managed Darien-area rice plantations, first at Generals Island, then at Champneys. Nearby was Butler's Island, made famous by Fanny Kemble Butler in her antebellum Journal of a Residence on a Georgian Plantation. Legare also served as the clerk of the city of Darien during the first three decades of the twentieth century, maintaining detailed records of public business and documenting local commercial and civic affairs.

Almost to the day of his death in 1932, Legare kept a journal containing his observations and commentary on the development of Darien as a center for timber exports and the gradual decline of the rice industry. South Carolina and Georgia led the world in rice production in the mid-nineteenth century, and Legare's detailed accounts of planting and management provide one of the outstanding contemporary sources for what was becoming a vanishing way of life in tidewater Georgia.

Legare's journals are a microcosmic history of Darien and its environs during a time that was perhaps the most compelling in the town's history. The industrial development of Darien in the postbellum era was the essence of Henry Grady's vision of the progressive New South, a factor not lost on Legare. He reflects on the difficulties associated with rice planting; Darien's soaring, then plummeting, fortunes with yellow pine timber; prominent community members; and the development of local railroads. Legare records these developments against the larger backdrop of America, as his journal contains many observations on contemporary national events.

Buddy Sullivan has placed the Journal in context with an introduction and comprehensive endnotes identifying the people and events referred to by Legare. There is also considerable African American history in the volume, as reflected both in Legare's writings and in the editor's introduction and supplementary notes.

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Dark Side of Hopkinsville Cover

Dark Side of Hopkinsville

Ted Poston

Preserving an engaging, little-known slice of American life, The Dark Side of Hopkinsville is a collection of ten picaresque tales bearing witness to a black child's life in a southern town at the turn of the century.

Born and reared in Hopkinsville, Kentucky, Ted Poston (1906-1974) became the first black career-long reporter for a major metropolitan daily (the New York Post) and served as a member of Franklin D. Roosevelt's "Negro Cabinet" in Washington in 1940. After thirty-five years at the Post, Poston was without question the "Dean of Black Journalists."

Acquainted with the major figures of the Harlem Renaissance, Poston regaled his associates with tales of his childhood. These memories resulted in the stories collected in The Dark Side of Hopkinsville. Told from the vantage point of "Ted," a bright, high-spirited student at Booker T. Washington Colored Grammar School, the stories focus on a coterie of imaginative children, their entertainments and games, ties to the church, and relations with immediate and extended families.

The memorable, recurring characters in the stories are based on individuals Poston knew: Cousin Blind Mary, a fortune teller who can see into someone's future only after consulting with the servants of the family in question; Ted's father, Ephraim, "the only Negro Democrat in our Hopkinsville, Kentucky, or in the whole state of Kentucky for that matter"; Fertilizer Ferguson, whom Ted credits with coining the phrase "eating higher up on the hog"; and Ted's schoolmate Knee Baby Watkins, the "catalytic agent who precipitated the most disasterous social feud in the history of Hopkinsville." Though the presence of prejudice--both within and outside the race--is acknowledged throughout the stories, that social reality does not lessen the characters' exuberant enjoyment of being young. After watching Bronco Billy and his black sidekick, Pistol Pete, at the nickel movie on Saturdays, Ted and his friends make Pistol Pete the hero and Bronco Billy the sidekick of their games in "The Werewolf of Woolworth's." In "The Revolt of the Evil Fairies," Ted uses Palmer's Skin Success ("guaranteed to give you a light complexion in just seven days") so that he can play Prince Charming opposite his fair-skinned sweetheart in the school play.

Kathleen A. Hauke has annotated the stories with recollections of the author's family and friends, who are often major characters in the stories. An extended biographical and critical introduction offers background information on the life and work of Ted Poston, and on old Hopkinsville and its residents.

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Death of a Confederate Cover

Death of a Confederate

Arthur N. Skinner

Spanning nearly a century, the letters in this collection revolve around a central event in the history of a southern family: the death of the eldest son owing to sickness contracted during service in the Confederate Army. The letters reveal a slaveowning family with keen interests in art, music, and nature and an unshakable belief in their religion and in the Confederate cause.

William Seagrove Smith was a private in the signal corps of the Eighteenth Battalion, Georgia Infantry. Smith was part of the force defending Savannah until it fell in late 1864, and then marched with General William J. Hardee in his famous retreat out of the city and through the Carolinas. Like so many other soldiers on both sides of the conflict, William Smith fell not at the hands of an enemy but from disease. He died in Raleigh, North Carolina, on July 7, 1865. A parallel and complementary story about William's younger brother, Archibald, also emerges in the letters. As a cadet at Georgia Military Institute, Archibald was (as his parents fervently wished) exempt from service; however, he ultimately saw--and survived--action before the war's end.

Scattered among the many lines in the letters that are devoted to the two brothers are a wealth of particulars about agricultural, industrial, and social life in the family's north Georgia community of Roswell, the Smith family's flight from Sherman's invasion force, their lives as refugees in south Georgia, and a final reunion of the Smith brothers outside of Savannah just after the city's fall. Also included are a number of moving exchanges between the Smiths and the family that cared for William in his final days.

A brief history of the Smith family through 1863 begins the correspondence, while the letters following the war reveal their fortitude in the face of William's death and the hardships of Reconstruction. The volume concludes with selected letters from the subsequent generation of Smiths, who conjure images of the Old South and revive the memory of William. Like the most distinguished Civil War-era letter collections, The Death of a Confederate introduces a personal dimension to its story that is often lost in histories of this sweeping event.

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Deluxe Jim Crow Cover

Deluxe Jim Crow

Civil Rights and American Health Policy, 1935-1954

Karen Kruse Thomas

Plagued by geographic isolation, poverty, and acute shortages of health professionals and hospital beds, the South was dubbed by Surgeon General Thomas Parran “the nation’s number one health problem.” The improvement of southern, rural, and black health would become a top priority of the U.S. Public Health Service during the Roosevelt and Truman administrations.

Karen Kruse Thomas details how NAACP lawsuits pushed southern states to equalize public services and facilities for blacks just as wartime shortages of health personnel and high rates of draft rejections generated broad support for health reform. Southern Democrats leveraged their power in Congress and used the war effort to call for federal aid to uplift the South. The language of regional uplift, Thomas contends, allowed southern liberals to aid blacks while remaining silent on race. Reformers embraced, at least initially, the notion of “deluxe Jim Crow”—support for health care that maintained segregation. Thomas argues that this strategy was, in certain respects, a success, building much-needed hospitals and training more black doctors.

By the 1950s, deluxe Jim Crow policy had helped to weaken the legal basis for segregation. Thomas traces this transformation at the national level and in North Carolina, where “deluxe Jim Crow reached its fullest potential.” This dual focus allows her to examine the shifting alliances—between blacks and liberal whites, southerners and northerners, activists and doctors—that drove policy. Deluxe Jim Crow provides insight into a variety of historical debates, including the racial dimensions of state building, the nature of white southern liberalism, and the role of black professionals during the long civil rights movement.

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Development, Security, and Aid Cover

Development, Security, and Aid

Geopolitics and Geoeconomics at the U.S. Agency for International Development

Jamey Essex

In Development, Security, and Aid Jamey Essex offers a sophisticated study of the U.S. Agency for International Development (USAID), examining the separate but intertwined discourses of geopolitics and geoeconomics.

Geopolitics concentrates on territory, borders, and strategic political and military positioning within the international state system. Geoeconomics emphasizes economic power, growth, and connectedness within a global, and supposedly borderless, system. Both discourses have strongly influenced the strategies of USAID and the views of American policy makers, bureaucrats, and business leaders toward international development. Providing a unique geographical analysis of American development policy, Essex details USAID's establishment in 1961 and traces the agency's growth from the Cold War into an era of neoliberal globalization up to and beyond 9/11, the global war on terror, and the looming age of austerity.

USAID promotes improvement for millions by providing emergency assistance and support for long-term economic and social development. Yet the agency's humanitarian efforts are strongly influenced, and often trumped, by its mandate to advance American foreign policies. As a site of, a strategy for, and an agent in the making of geopolitics and geoeconomics, USAID, Essex argues, has often struggled to reconcile its many institutional mandates and objectives. The agency has always occupied a precarious political position, one that is increasingly marked by the strong influence of military, corporate, and foreign-policy institutions in American development strategy.

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Devotion Cover

Devotion

A novel based on the life of Winnie Davis, Daughter of the Confederacy

Julia Oliver

Devotion re-creates the life of Varina Anne (Winnie) Davis, the youngest child of Jefferson Davis, President of the Confederate States of America. Winnie was not quite a year old when the family fled the Rebel stronghold of Richmond as the Civil War was ending. Twenty-one years later, Winnie was catapulted into a celebrity she did not seek. As the officially proclaimed Daughter of the Confederacy, she was presented with great fanfare at large conventions of Confederate veterans from Texas to Virginia. In the late nineteenth century, Winnie Davis was known here and abroad as a foremost cultural symbol of the South's Lost Cause.

Yet she was also a cosmopolitan, intellectual "New Woman" who earned a living as a journalist and novelist and traveled with the Joseph Pulitzers. Winnie's adoring followers often misread her steadfast love for her father as unconditional support of the failed Confederacy and the Old South's nostalgic ideals of womanhood. Julia Oliver explores these contradictions from several angles. Winnie speaks from the pages of her journal. Other narrators include Winnie's close friend Kate Pulitzer; her sister, Maggie Hayes; and the love of her life, Alfred Wilkinson, the grandson of a famous abolitionist.

From the portrayals of Winnie's romance, her relationships with her parents, her illness and depression, and her ambivalent role as torchbearer for the Lost Cause emerges a young woman whose conflicted existence reflects the tenor of the country in the aftermath of the Civil War. An intimate saga about a remarkable, star-crossed family, Devotion poignantly measures the massive weight of memory on individuals caught up in the sweep of history.

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