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CuraCao in the Early Modern Atlantic World
Crooms's vision of a new Ape Yard, rebuilt by its own residents, unites the four-and puts them on a collision course with Doc Bobo, a smalltown Machiavelli who rules the community like a feudal lord. Jeff Fields's exuberantly defined characters and his firmly rooted sense of place have earned A Cry of Angels an intensely loyal following. Its republication, more than three decades since it first appeared, is cause for celebration.
Ties of Singular Intimacy
Of all the peoples in Latin America, the author argues, none have been more familiar to the United States than Cubans--who in turn have come to know their northern neighbors equally well. Focusing on what President McKinley called "the ties of singular intimacy" linking the destinies of the two societies, Pérez examines the points at which they have made contact--politically, culturally, economically--and explores the dilemmas that proximity to the United States has posed to Cubans in their quest for national identity.
This edition has been updated to cover such developments of recent years as the renewed debate over American trade sanctions against Cuba, the Elián González controversy, and increased cultural exchanges between the two countries. Also included are a new preface and an updated bibliographical essay.
Race, Class, and Housing Landscapes in Atlanta, 1880-1950
Lands studies the diffusion of property ideologies on two separate but related levels: within academic, professional, and bureaucratic circles and within circles comprising civic elites and rank-and-file residents. By the 1920s, following the establishment of park neighborhoods such as Druid Hills and Ansley Park, white home owners approached housing and neighborhoods with a particular collection of desires and sensibilities: architectural and landscape continuity, a narrow range of housing values, orderliness, and separation from undesirable land uses—and undesirable people.
By the 1950s, these desires and sensibilities had been codified in federal, state, and local standards, practices, and laws. Today, Lands argues, far more is at stake than issues of access to particular neighborhoods, because housing location is tied to the allocation of a broad range of resources, including school funding, infrastructure, and law enforcement. Long after racial segregation has been outlawed, white privilege remains embedded in our culture of home ownership.
Mexican American Folk Healing
Robert T. Trotter and Juan Antonio Chavira present an intimate view of not only how curanderismo is practiced but also how it is learned and passed on as a healing tradition. By providing a better understanding of why curanderos continue to be in demand despite the lifesaving capabilities of modern medicine, this text will serve as an indispensable resource to health professionals who work within Mexican American communities, to students of transcultural medicine, and to urban ethnologists and medical anthropologists.
Always, mortality threatens the lovers' embrace. In the title story, Jim and his HIV-positive partner contend with an illness that has fueled their love but also threatens to consume it. In some stories, an outsider exposes the frailty of a relationship. Claire, who's opted for a steady marriage in "The Loss of Green," is both stirred and repelled by the advances of her former mate Sam, a radical environmentalist with a predatory need to reassert his claim on her. And in "Behold the Handmaid of the Lord," Debbie, compelled to translate a brief affair with her cousin's fiancé into a profound transgression, comes clean on a sleazy national talk show.
All of Brady's stories are gritty and unflinching in their gaze, yet lyrical and rich in the imagery of stasis and change--an empty house too long on the market, a pair of kayakers riding out a patch of rough sea, a greenhouse in which the orchid blooms only suggest the darting vitality of butterflies and birds. There is much to learn in these tales of flawed but good people working hard to hold their lives together.
Born and reared in Hopkinsville, Kentucky, Ted Poston (1906-1974) became the first black career-long reporter for a major metropolitan daily (the New York Post) and served as a member of Franklin D. Roosevelt's "Negro Cabinet" in Washington in 1940. After thirty-five years at the Post, Poston was without question the "Dean of Black Journalists."
Acquainted with the major figures of the Harlem Renaissance, Poston regaled his associates with tales of his childhood. These memories resulted in the stories collected in The Dark Side of Hopkinsville. Told from the vantage point of "Ted," a bright, high-spirited student at Booker T. Washington Colored Grammar School, the stories focus on a coterie of imaginative children, their entertainments and games, ties to the church, and relations with immediate and extended families.
The memorable, recurring characters in the stories are based on individuals Poston knew: Cousin Blind Mary, a fortune teller who can see into someone's future only after consulting with the servants of the family in question; Ted's father, Ephraim, "the only Negro Democrat in our Hopkinsville, Kentucky, or in the whole state of Kentucky for that matter"; Fertilizer Ferguson, whom Ted credits with coining the phrase "eating higher up on the hog"; and Ted's schoolmate Knee Baby Watkins, the "catalytic agent who precipitated the most disasterous social feud in the history of Hopkinsville." Though the presence of prejudice--both within and outside the race--is acknowledged throughout the stories, that social reality does not lessen the characters' exuberant enjoyment of being young. After watching Bronco Billy and his black sidekick, Pistol Pete, at the nickel movie on Saturdays, Ted and his friends make Pistol Pete the hero and Bronco Billy the sidekick of their games in "The Werewolf of Woolworth's." In "The Revolt of the Evil Fairies," Ted uses Palmer's Skin Success ("guaranteed to give you a light complexion in just seven days") so that he can play Prince Charming opposite his fair-skinned sweetheart in the school play.
Kathleen A. Hauke has annotated the stories with recollections of the author's family and friends, who are often major characters in the stories. An extended biographical and critical introduction offers background information on the life and work of Ted Poston, and on old Hopkinsville and its residents.