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University of Georgia Press

University of Georgia Press

Website: http://www.ugapress.org

Since its founding in 1938, the primary mission of the University of Georgia Press has been to support and enhance the Universitys place as a major research institution by publishing outstanding works by scholars and writers throughout the world. The Press currently publishes 75-80 new books a year and has some 1300 titles in print, many of them in both physical and ebook editions. The kinds of books published by the Press fall into four broad categories: works of scholarship, creative and literary works, regional books, and digital projects in partnership with other organizations.

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University of Georgia Press

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Results 91-100 of 522

The Civil War in Georgia Cover

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The Civil War in Georgia

A New Georgia Encyclopedia Companion

Edited by John C. Inscoe

Georgians, like all Americans, experienced the Civil War in a variety of ways. Through selected articles drawn from the New Georgia Encyclopedia (www.georgiaencyclopedia.org), this collection chronicles the diversity of Georgia’s Civil War experience and reflects the most current scholarship in terms of how the Civil War has come to be studied, documented, and analyzed.

The Atlanta campaign and Sherman’s March to the Sea changed the course of the war in 1864, in terms both of the upheaval and destruction inflicted on the state and the life span of the Confederacy. While the dramatic events of 1864 are fully documented, this companion gives equal coverage to the many other aspects of the war—naval encounters and guerrilla war­fare, prisons and hospitals, factories and plantations, politics and policies— all of which provided critical support to the Confederacy’s war effort. The book also explores home-front conditions in depth, with an emphasis on emancipation, dissent, Unionism, and the experience and activity of African Americans and women.

Historians today are far more conscious of how memory—as public commemoration, individual reminiscence, historic preservation, and literary and cinematic depictions—has shaped the war’s multiple meanings. Nowhere is this legacy more varied or more pronounced than in Georgia, and a substantial part of this companion explores the many ways in which Georgians have interpreted the war experience for themselves and others over the past 150 years. At the outset of the sesquicentennial these new historical perspectives allow us to appreciate the Civil War as a complex and multifaceted experience for Georgians and for all southerners.

A Project of the New Georgia Encyclopedia; Published in Association with the Georgia Humanities Council and the University System of Georgia/GALILEO.

The Civil War Letters of Joseph Hopkins Twichell Cover

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The Civil War Letters of Joseph Hopkins Twichell

A Chaplain's Story

Edited by Peter Messent and Steve Courtney

In 1861 young Joseph Twichell cut short his seminary studies to become a Union Army chaplain in New York's Excelsior Brigade. A middle-class New England Protestant, Twichell served for three years in a regiment manned mostly by poor Irish American Catholics. This selection of Twichell's letters to his Connecticut family will rank him alongside the Civil War's most literate and insightful firsthand chroniclers of life on the road, in battle, and in camp. As a noncombatant, he at once observed and participated in the momentous events of the Peninsula and Wilderness Campaigns and at the Second Bull Run, as well as at Fredericksburg, Chancellorsville, Gettysburg, and Spotsylvania.

Twichell writes about politics and slavery and the theological and cultural divide between him and his men. Most movingly, he tells of tending the helpless, burying the dead, and counseling the despondent. Alongside accounts of a run-in with slave hunters, a massive withdrawal of wounded soldiers from Richmond, and other extraordinary events, Twichell offers close-up views of his commanding officer, the "political general" Daniel Sickles, surely one of the most colorful and controversial leaders on either side.

Civil War scholars and enthusiasts will welcome this fresh voice from an underrepresented class of soldier, the army chaplain. Readers who know of Twichell's later life as a prominent minister and reformer or as Mark Twain's closest friend will appreciate these insights into his early, transforming experiences.

Civil War Time Cover

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Civil War Time

Temporality and Identity in America, 1861-1865

Cheryl A. Wells

In antebellum America, both North and South emerged as modernizing, capitalist societies. Work bells, clock towers, and personal timepieces increasingly instilled discipline on one's day, which already was ordered by religious custom and nature's rhythms. The Civil War changed that, argues Cheryl A. Wells. Overriding antebellum schedules, war played havoc with people's perception and use of time. For those closest to the fighting, the war's effect on time included disrupted patterns of sleep, extended hours of work, conflated hours of leisure, indefinite prison sentences, challenges to the gender order, and desecration of the Sabbath.

Wells calls this phenomenon 'battle time.' To create a modern war machine military officers tried to graft the antebellum authority of the clock onto the actual and mental terrain of the Civil War. However, as Wells's coverage of the Manassas and Gettysburg battles shows, military engagements followed their own logic, often without regard for the discipline imposed by clocks. Wells also looks at how battle time's effects spilled over into periods of inaction, and she covers not only the experiences of soldiers but also those of nurses, prisoners of war, slaves, and civilians.

After the war, women returned, essentially, to an antebellum temporal world, says Wells. Elsewhere, however, postwar temporalities were complicated as freedmen and planters, and workers and industrialists renegotiated terms of labor within parameters set by the clock and nature. A crucial juncture on America's path to an ordered relationship to time, the Civil War had an acute effect on the nation's progress toward a modernity marked by multiple, interpenetrating times largely based on the clock.

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Ruth Harwood Chretien de Troyes

In this verse translation of Cligès, written by Chrétien de Troyes circa 1176, Ruth Harwood Cline not only preserves the artistry of the original work but also captures the wit, irony, and striking emotional power of Chrétien's stylistic genius and highly structured form.

The romance begins with the marriage of Cligès's parents and continues with the clandestine, mutual love of their son and his uncle's bride, Fenice. Cligès and Fenice are finally united after executing a false-death plot aided by black magic.

With a thoroughness and clarity that will appeal to students and scholars of medieval literature, Cline's accessible translation effectively conveys the sparkle, pace, and intricate wordplay of Chrétien's love monologues, classic themes, and complex poetic devices. In addition, her introduction sheds new light on the transmission of British history and legend to the French court of Champagne. With themes that echo from the Tristan legend to Romeo and Juliet, Cligès is an exciting romance about young lovers who escape from an arranged match and find true love in marriage.

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Stories by Sandra Thompson

Sandra Thompson takes us inside the lives of women struggling to find their places among lovers, husbands and ex-husbands, mothers, and children in relationships where old rules do not apply and new rules have not yet been set.

Thompson’s characters live in a world where dreams often supersede reality and things are not as they seem. Her style is sophisticated and subtle, and we experience her stories almost by osmosis. They stay with us afterwards to question their own realities.

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Closer to the Truth Than Any Fact

Memoir, Memory, and Jim Crow

Jennifer Jensen Wallach

Although historians frequently use memoirs as source material, too often they confine such usage to the anecdotal, and there is little methodological literature regarding the genre's possibilities and limitations. This study articulates an approach to using memoirs as instruments of historical understanding. Jennifer Jensen Wallach applies these principles to a body of memoirs about life in the American South during Jim Crow segregation, including works by Zora Neale Hurston, Willie Morris, Lillian Smith, Henry Louis Gates Jr., William Alexander Percy, and Richard Wright.

Wallach argues that the field of autobiography studies, which is currently dominated by literary critics, needs a new theoretical framework that allows historians, too, to benefit from the interpretation of life writing. Her most provocative claim is that, due to the aesthetic power of literary language, skilled creative writers are uniquely positioned to capture the complexities of another time and another place. Through techniques such as metaphor and irony, memoirists collectively give their readers an empathetic understanding of life during the era of segregation. Although these reminiscences bear certain similarities, it becomes clear that the South as it was remembered by each is hardly the same place.

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Cold War Dixie

Kari Frederickson

Focusing on the impact of the Savannah River Plant (SRP) on the communities it created, rejuvenated, or displaced, this book explores the parallel militarization and modernization of the Cold War-era South. The SRP, a scientific and industrial complex near Aiken, South Carolina, grew out of a 1950 partnership between the Atomic Energy Commission and the DuPont Corporation and was dedicated to producing materials for the hydrogen bomb. Kari Frederickson shows how the needs of the expanding national security state, in combination with the corporate culture of DuPont, transformed the economy, landscape, social relations, and politics of this corner of the South. In 1950, the area comprising the SRP and its surrounding communities was primarily poor, uneducated, rural, and staunchly Democratic; by the mid-1960s, it boasted the most PhDs per capita in the state and had become increasingly middle class, suburban, and Republican

The SRP's story is notably dramatic; however, Frederickson argues, it is far from unique. The influx of new money, new workers, and new business practices stemming from Cold War-era federal initiatives helped drive the emergence of the Sunbelt. These factors also shaped local race relations. In the case of the SRP, DuPont's deeply conservative ethos blunted opportunities for social change, but it also helped contain the radical white backlash that was so prominent in places like the Mississippi Delta that received less Cold War investment.

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Coming into Contact

Explorations in Ecocritical Theory and Practice

Edited by Annie Merrill Ingram, Ian Marshall, Daniel J. Philippon, and Adam W. Sweeting

A snapshot of ecocriticism in action, Coming into Contact collects sixteen previously unpublished essays that explore some of the most promising new directions in the study of literature and the environment. They look to previously unexamined or underexamined aspects of literature's relationship to the environment, including swamps, internment camps, Asian American environments, the urbanized Northeast, and lynching sites. The authors relate environmental discourse to practice, including the teaching of green design in composition classes, the restoration of damaged landscapes, the persuasive strategies of environmental activists, the practice of urban architecture, and the impact of human technologies on nature.

The essays also put ecocriticism into greater contact with the natural sciences, including elements of evolutionary biology, biological taxonomy, and geology. Engaging both ecocritical theory and practice, these authors more closely align ecocriticism with the physical environment, with the wide range of texts and cultural practices that concern it, and with the growing scholarly conversation that surrounds this concern.

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Common Thread

Labor, Politics, and Capital Mobility in the Textile Industry

Beth English

With important ramifications for studies relating to industrialization and the impact of globalization, A Common Thread examines the relocation of the New England textile industry to the piedmont South between 1880 and 1959. Through the example of the Massachusetts-based Dwight Manufacturing Company, the book provides an informative historic reference point to current debates about the continuous relocation of capital to low-wage, largely unregulated labor markets worldwide.

In 1896, to confront the effects of increasing state regulations, labor militancy, and competition from southern mills, the Dwight Company became one of the first New England cotton textile companies to open a subsidiary mill in the South. Dwight closed its Massachusetts operations completely in 1927, but its southern subsidiary lasted three more decades. In 1959, the branch factory Dwight had opened in Alabama became one of the first textile mills in the South to close in the face of post-World War II foreign competition.

Beth English explains why and how New England cotton manufacturing companies pursued relocation to the South as a key strategy for economic survival, why and how southern states attracted northern textile capital, and how textile mill owners, labor unions, the state, manufacturers' associations, and reform groups shaped the ongoing movement of cotton-mill money, machinery, and jobs. A Common Thread is a case study that helps provide clues and predictors about the processes of attracting and moving industrial capital to developing economies throughout the world.

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Companion to an Untold Story

Marcia Aldrich

When Marcia Aldrich's friend took his own life at the age of forty-six, they had known each other many years. As part of his preparations for death, he gave her many of his possessions, concealing his purposes in doing so, and when he committed his long-contemplated act, he was alone in a bare apartment.

In Companion to an Untold Story, Aldrich struggles with her own failure to act on her suspicions about her friend's intentions. She pieces together the rough outline of his plan to die and the details of its execution. Yet she acknowledges that she cannot provide a complete narrative of why he killed himself. The story remains private to her friend, and out of that difficulty is born another story— the aftershocks of his suicide and the author's responses to what it set in motion.

This book, modeled on the type of reference book called a “companion,” attempts to find a form adequate to the way these two stories criss-cross, tangle, knot, and break. Organized alphabetically, the entries introduce, document, and reflect upon how suicide is so resistant to acceptance that it swallows up other aspects of a person's life. Aldrich finds an indirect approach to her friend's death, assembling letters, objects, and memories to archive an ungrievable loss and create a memorial to a life that does not easily make a claim on public attention. Intimate and austere, clear eyed and tender, this innovative work creates a new form in which to experience grief, remembrance, and reconciliation.

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