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University of Georgia Press

University of Georgia Press

Website: http://www.ugapress.org

Since its founding in 1938, the primary mission of the University of Georgia Press has been to support and enhance the Universitys place as a major research institution by publishing outstanding works by scholars and writers throughout the world. The Press currently publishes 75-80 new books a year and has some 1300 titles in print, many of them in both physical and ebook editions. The kinds of books published by the Press fall into four broad categories: works of scholarship, creative and literary works, regional books, and digital projects in partnership with other organizations.

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University of Georgia Press

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Results 81-90 of 522

CAUTION Men in Trees Cover

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CAUTION Men in Trees

Darrell Spencer

The nine stories of CAUTION Men in Trees capture the pressure, need, and frequent helplessness of people confronted with intractable reality. As suggested by the collection's epigraph from Superman—"Did you say kryptonite?"—the characters in these stories have reached a point where they realize that parts of their lives are coming undone, and that their own thoughts and actions—or, frequently, the failure to act soon enough—are the cause. Though settings and situations vary, the same sense of overwhelming urgency recurs throughout the collection. The stories reflect a world distressed by conflict and settings fraught with the occurrences of personal violence.

Against the background of the O. J. Simpson trial, a man refuses to assist in a friend's suicide and realizes that he has been avoiding many unpleasant truths about himself and his life. A son faced with his father's debilitating stroke sees that he must ultimately confront the mortality and feelings of grief that he has been concealing. In the title story, the film Bugsy and talk about the disappointing reality of pop-culture heroes set the scene for a husband's frightening confrontation with his own limitations. The shock of stark revelation combines with tightly wound chains of suggestive events to create a collection of gripping, edgy stories about characters who, however battered, survive.

Celia, a Slave Cover

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Celia, a Slave

Melton A. McLaurin

Illuminating the moral dilemmas that lie at the heart of a slaveholding society, this book tells the story of a young slave who was sexually exploited by her master and ultimately executed for his murder.

Celia was only fourteen years old when she was acquired by John Newsom, an aging widower and one of the most prosperous and respected citizens of Callaway County, Missouri. The pattern of sexual abuse that would mark their entire relationship began almost immediately. After purchasing Celia in a neighboring county, Newsom raped her on the journey back to his farm. He then established her in a small cabin near his house and visited her regularly (most likely with the knowledge of the son and two daughters who lived with him). Over the next five years, Celia bore Newsom two children; meanwhile, she became involved with a slave named George and resolved at his insistence to end the relationship with her master. When Newsom refused, Celia one night struck him fatally with a club and disposed of his body in her fireplace.

Her act quickly discovered, Celia was brought to trial. She received a surprisingly vigorous defense from her court-appointed attorneys, who built their case on a state law allowing women the use of deadly force to defend their honor. Nevertheless, the court upheld the tenets of a white social order that wielded almost total control over the lives of slaves. Celia was found guilty and hanged.

Melton A. McLaurin uses Celia's story to reveal the tensions that strained the fabric of antebellum southern society. Celia's case demonstrates how one master's abuse of power over a single slave forced whites to make moral decisions about the nature of slavery. McLaurin focuses sharply on the role of gender, exploring the degree to which female slaves were sexually exploited, the conditions that often prevented white women from stopping such abuse, and the inability of male slaves to defend slave women. Setting the case in the context of the 1850s slavery debates, he also probes the manner in which the legal system was used to justify slavery. By granting slaves certain statutory rights (which were usually rendered meaningless by the customary prerogatives of masters), southerners could argue that they observed moral restraint in the operations of their peculiar institution.

An important addition to our understanding of the pre-Civil War era, Celia, A Slave is also an intensely compelling narrative of one woman pushed beyond the limits of her endurance by a system that denied her humanity at the most basic level.

Challenging Boundaries Cover

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Challenging Boundaries

Gender and Periodization

Edited by Joyce W. Warren and Margaret Dickie

What if the American literary canon were expanded to consistently represent women writers, who do not always fit easily into genres and periods established on the basis of men's writings? How would the study of American literature benefit from this long-needed revision? This timely collection of essays by fourteen women writers breaks new ground in American literary study. Not content to rediscover and awkwardly "fit" female writers into the "white male" scheme of anthologies and college courses, editors Margaret Dickie and Joyce W. Warren question the current boundaries of literary periods, advocating a revised literary canon. The essays consider a wide range of American women writers, including Mary Rowlandson, Margaret Fuller, Harriet Beecher Stowe, Emily Dickinson, Frances Harper, Edith Wharton, Gertrude Stein, Amy Lowell and Adrienne Rich, discussing how the present classification of these writers by periods affects our reading of their work.

Beyond the focus of feminist challenges to American literary periodization, this volume also studies issues of a need for literary reforms considering differences in race, ethnicity, class, and sexuality. The essays are valuable and informative as individual critical studies of specific writers and their works. Challenging Boundaries presents intelligent, original, well-written, and practical arguments in support of long-awaited changes in American literary scholarship and is a milestone of feminist literary study.

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Charles W. Chesnutt and the Fictions of Race

Dean McWilliams

Charles Chesnutt (1858-1932) was the first African American writer of fiction to win the attention and approval of America's literary establishment. Looking anew at Chesnutt's public and private writings, his fiction and nonfiction, and his well-known and recently rediscovered works, Dean McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural narratives--particularly their underlying assumptions about race.

The published canon of Chesnutt's work has doubled in the last decade: three novels completed but unpublished in Chesnutt's life have appeared, as have scholarly editions of Chesnutt's journals, his letters, and his essays. This book is the first to offer chapter-length analyses of each of Chesnutt's six novels. It also devotes three chapters to his short fiction. Previous critics have read Chesnutt's nonfiction as biographical background for his fiction. McWilliams is the first to analyze these nonfiction texts as complex verbal artifacts embodying many of the same tensions and ambiguities found in Chesnutt's stories and novels. The book includes separate chapters on Chesnutt's journal and on his important essay "The Future American." Moreover, Charles W. Chesnutt and the Fictions of Race approaches Chesnutt's writings from the perspective of recent literary theory. To a greater extent than any previous study of Chesnutt, it explores the way his texts interrogate and deconstruct the language and the intellectual constructs we use to organize reality.

The full effect of this new study is to show us how much more of a twentieth-century writer Chesnutt is than has been previously acknowledged. This accomplishment can only hasten his reemergence as one of our most important observers of race in American culture.

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Charlotte, NC

The Global Evolution of a New South City

William Graves

The rapid evolution of Charlotte, North Carolina, from “regional backwater” to globally ascendant city provides stark contrasts of then and now. Once a regional manufacturing and textile center, Charlotte stands today as one of the nation’s premier banking and financial cores with interests reaching broadly into global markets. Once defined by its biracial and bicultural character, Charlotte is now an emerging immigrant gateway drawing newcomers from Latin America and across the globe. Once derided for its sleepy, nine-to-five “uptown,” Charlotte’s center city has been wholly transformed by residential gentrification, corporate headquarters construction, and amenity-based redevelopment. And yet, despite its rapid transformation, Charlotte remains distinctively southern—globalizing, not yet global.

This book brings together an interdisciplinary team of leading scholars and local experts to examine Charlotte from multiple angles. Their topics include the banking industry, gentrification, boosterism, architecture, city planning, transit, public schools, NASCAR, and the African American and Latino communities. United in the conviction that the experience of this Sunbelt city—center of the nation’s fifth-largest metropolitan area—offers new insight into today’s most pressing urban and suburban issues, the contributors to Charlotte, NC: The Global Evolution of a New South City ask what happens when the external forces of globalization combine with a city’s internal dynamics to reshape the local structures, landscapes, and identities of a southern place.

Chattooga Cover

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Descending into the Myth of Deliverance River

John Lane

Before the novel and the film Deliverance appeared in the early 1970s, any outsiders one met along the Chattooga River were likely serious canoeists or anglers. In later years, untold numbers and kinds of people have felt the draw of the river’s torrents, which pour down the Appalachians along the Georgia-South Carolina border. Because of Deliverance the Chattooga looms enigmatically in our shared imagination, as iconic as Twain’s Mississippi--or maybe Conrad’s Congo.

This is John Lane’s search for the real Chattooga--for the truths that reside somewhere in the river’s rapids, along its shores, or in its travelers’ hearts. Lane balances the dark, indifferent mythical river of Deliverance against the Chattooga known to locals and to the outdoors enthusiasts who first mastered its treacherous vortices and hydraulics. Starting at its headwaters, Lane leads us down the river and through its complex history to its current status as a National Wild and Scenic River. Along the way he stops for talks with conservation activists, seventh-generation residents, locals who played parts in the movie, day visitors, and others. Lane weaves into each encounter an abundance of details drawn from his perceptive readings and viewings of Deliverance and his wide-ranging knowledge of the Chattooga watershed. At the end of his run, Lane leaves us still fully possessed by the Chattooga’s mystery, yet better informed about its place in his world and ours.

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Chicken Dreaming Corn

Roy Hoffman

In 1916, on the immigrant blocks of the Southern port city of Mobile, Alabama, a Romanian Jewish shopkeeper, Morris Kleinman, is sweeping his walk in preparation for the Confederate veterans parade about to pass by. "Daddy?" his son asks, "are we Rebels?" "Today?" muses Morris. "Yes, we are Rebels." Thus opens a novel set, like many, in a languid Southern town. But, in a rarity for Southern novels, this one centers on a character who mixes Yiddish with his Southern and has for his neighbors small merchants from Poland, Lebanon, and Greece.

As Morris resides with his family over his Dauphin Street store, enjoys cigars with his Cuban friend Pablo Pastor, and makes "a living not a killing," his tale begins with glimpses of the old Confederacy, continues through a tumultuous Armistice Day, and leads up to the hard-won victories of World War II. Along the way Morris sells shoes and sofas and endures Klan violence, religious zealotry, and financial triumphs and heartbreaks. With his devoted Miriam, who nurses memories of Brooklyn and Romania, he raises four adventurous children whose own journeys take them to New Orleans and Atlanta and involve romance, ambition and tragic loss.

At turns lyrical, comic, and melancholy, this tale takes inspiration from its title. This Romanian expression with an Alabama twist is symbolic of the strivings of ordinary folks for sustenance, for the realization of their hopes and dreams. Set largely on a few humble blocks yet engaging many parts of the world, this Southern Jewish novel is, ultimately, richly American.

The Children's Table Cover

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The Children's Table

Childhood Studies and the Humanities

Anna Mae Duane

Like the occupants of the children's table at a family dinner, scholars working in childhood studies can seem sidelined from the "adult" labor of humanities scholarship. The Children's Table brings together scholars from architecture, philosophy, law, and literary and cultural criticism to provide an overview of the innovative work being done in childhood studies—a transcript of what is being said at the children's table. Together, these scholars argue for rethinking the academic seating arrangement in a way that acknowledges the centrality of childhood to the work of the humanities.

The figure we now recognize as a child was created in tandem with forms of modernity that the Enlightenment generated and that the humanities are now working to rethink. Thus the growth of childhood studies allows for new approaches to some of the most important and provocative issues in humanities scholarship: the viability of the social contract, the definition of agency, the performance of identity, and the construction of gender, sexuality, and race. Because defining childhood is a means of defining and distributing power and obligation, studying childhood requires a radically altered approach to what constitutes knowledge about the human subject.

The diverse essays in The Children's Table share a unifying premise: to include the child in any field of study realigns the shape of that field, changing the terms of inquiry and forcing a different set of questions. Taken as a whole, the essays argue that, at this key moment in the state of the humanities, rethinking the child is both necessary and revolutionary.

Contributors: Annette Ruth Appell, Sophie Bell, Robin Bernstein, Sarah Chinn, Lesley Ginsberg, Lucia Hodgson, Susan Honeyman, Roy Kozlovsky, James Marten, Karen Sánchez-Eppler, Carol Singley, Lynne Vallone, John Wall.

Christian Ritual and the Creation of British Slave Societies, 1650-1780 Cover

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Christian Ritual and the Creation of British Slave Societies, 1650-1780

Nicholas M. Beasley

This study offers a new and challenging look at Christian institutions and practices in Britain's Caribbean and southern American colonies. Focusing on the plantation societies of Barbados, Jamaica, and South Carolina, Nicholas M. Beasley finds that the tradition of liturgical worship in these places was more vibrant and more deeply rooted in European Christianity than previously thought. In addition, Beasley argues, white colonists' attachment to religious continuity was thoroughly racialized. Church customs, sacraments, and ceremonies were a means of regulating slavery and asserting whiteness.

Drawing on a mix of historical and anthropological methods, Beasley covers such topics as church architecture, pew seating customs, marriage, baptism, communion, and funerals. Colonists created an environment in sacred time and space that framed their rituals for maximum social impact, and they asserted privilege and power by privatizing some rituals and by meting out access to rituals to people of color. Throughout, Beasley is sensitive to how this culture of worship changed as each colony reacted to its own political, environmental, and demographic circumstances across time. Local factors influencing who partook in Christian rituals and how, when, and where these rituals took place could include the structure of the Anglican Church, which tended to be less hierarchical and centralized than at home in England; the level of tensions between Anglicans and Protestants; the persistence of African religious beliefs; and colonists' attitudes toward free persons of color and elite slaves.

This book enriches an existing historiography that neglects the cultural power of liturgical Christianity in the early South and the British Caribbean and offers a new account of the translation of early modern English Christianity to early America.

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Circling Home

John Lane

After many years of limited commitments to people or places, writer and naturalist John Lane married in his late forties and settled down in his hometown of Spartanburg, in the South Carolina piedmont. He, his wife, and two stepsons built a sustainable home in the woods near Lawson’s Fork Creek. Soon after settling in, Lane pinpointed his location on a topographical map. Centering an old, chipped saucer over his home, he traced a circle one mile in radius and set out to explore the area.

What follows from that simple act is a chronicle of Lane’s deepening knowledge of the place where he’ll likely finish out his life. An accomplished hiker and paddler, Lane discovers, within a mile of his home, a variety of coexistent landscapes--ancient and modern, natural and manmade. There is, of course, the creek with its granite shoals, floodplain, and surrounding woods. The circle also encompasses an eight-thousand-year-old cache of Native American artifacts, graves of a dozen British soldiers killed in 1780, an eighteenth-century ironworks site, remnants of two cotton plantations, a hundred-year-old country club, a sewer plant, and a smattering of mid- to late twentieth-century subdivisions.

Lane’s explorations intensify his bonds to family, friends, and colleagues as they sharpen his sense of place. By looking more deeply at what lies close to home, both the ordinary and the remarkable, Lane shows us how whole new worlds can open up.

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