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Class and Governance in the Luxury City
Free People of Color in Pre-Revolutionary Saint Domingue
Stewart R. King identifies two distinctive groups that shared Saint Domingue's free black upper stratum, one consisting of planters and merchants and the other of members of the army and police forces. With the aid of individual and family case studies, King documents how the two groups used different strategies to pursue the common goal of economic and social advancement. Among other aspects, King looks at the rural or urban bases of these groups' networks, their relationships with whites and free blacks of lesser means, and their attitudes toward the acquisition, use, and sale of land, slaves, and other property.
King's main source is the notarial archives of Saint Domingue, whose holdings offer an especially rich glimpse of free black elite life. Because elites were keenly aware of how a bureaucratic paper trail could help cement their status, the archives divulge a wealth of details on personal and public matters.
Blue Coat or Powdered Wig is a vivid portrayal of race relations far from the European centers of colonial power, where the interactions of free blacks and whites were governed as much by practicalities and shared concerns as by the law.
Toward an Environmental History of the Civil War
The Blue, the Gray, and the Green is one of only a handful of books to apply an environmental history approach to the Civil War. This book explores how nature—disease, climate, flora and fauna, and other factors—affected the war and also how the war shaped Americans’ perceptions, understanding, and use of nature. The contributors use a wide range of approaches that serve as a valuable template for future environmental histories of the conflict. In his introduction, Brian Allen Drake describes the sparse body of environmental history literature related to the Civil War and lays out a blueprint for the theoretical basis of each essay. Kenneth W. Noe emphasizes climate and its effects on agricultural output and the battlefield; Timothy Silver explores the role of disease among troops and animals; Megan Kate Nelson examines aridity and Union defeat in 1861 New Mexico; Kathryn Shively Meier investigates soldiers’ responses to disease in the Peninsula Campaign; Aaron Sachs, John C. Inscoe, and Lisa M. Brady examine philosophical and ideological perspectives on nature before, during, and after the war; Drew Swanson discusses the war’s role in production and landscape change in piedmont tobacco country; Mart A. Stewart muses on the importance of environmental knowledge and experience for soldiers, civilians, and slaves; Timothy Johnson elucidates the ecological underpinnings of debt peonage during Reconstruction; finally, Paul S. Sutter speculates on the future of Civil War environmental studies. The Blue, the Gray, and the Green provides a provocative environmental commentary that enriches our understanding of the Civil War.
The Civil War Letters of Colonel Robert Gould Shaw
In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me."
When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched."
Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized.
A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.
Convergence and Divergence
In the title story, La Donna is a black stripper whose white boyfriend, an actor in adult movies, insists that she stop stripping. In "Melvin in the Sixth Grade," eleven-year-old Avery has a crush on a white boy from Oklahoma who, like Avery, is an outsider in their suburban Los Angeles school. "Markers" is as much about a woman's relationship with her mother as it is about the dissolution of her relationship with an older Italian man.
Dana Johnson has an intuitive sense of character and a gift for creating authentic voices. She effortlessly captures the rhythmic vernaculars of Los Angeles, the American South, and various immigrant communities as she brings to life the sometimes heavyhearted, but always persevering, souls who live there.
My Life in Medicine
While Louis W. Sullivan was a student at Morehouse College, Morehouse president Benjamin Mays said something to the student body that stuck with him for the rest of his life. “The tragedy of life is not failing to reach our goals,” Mays said. “It is not having goals to reach.”In Breaking Ground, Sullivan recounts his extraordinary life beginning with his childhood in Jim Crow south Georgia and continuing through his trailblazing endeavors training to become a physician in an almost entirely white environment in the Northeast, founding and then leading the Morehouse School of Medicine in Atlanta, and serving as secretary of Health and Human Services in President George H. W. Bush’s administration. Throughout this extraordinary life Sullivan has passionately championed both improved health care and increased access to medical professions for the poor and people of color.At five years old, Louis Sullivan declared to his mother that he wanted to be a doctor. Given the harsh segregation in Blakely, Georgia, and its lack of adequate schools for African Americans at the time, his parents sent Louis and his brother, Walter, to Savannah and later Atlanta, where greater educational opportunities existed for blacks.After attending Booker T. Washington High School and Morehouse College, Sullivan went to medical school at Boston University—he was the sole African American student in his class. He eventually became the chief of hematology there until Hugh Gloster, the president of Morehouse College, presented him with an opportunity he couldn’t refuse: Would Sullivan be the founding dean of Morehouse’s new medical school? He agreed and went on to create a state-of-the-art institution dedicated to helping poor and minority students become doctors. During this period he established long-lasting relationships with George H. W. and Barbara Bush that would eventually result in his becoming the secretary of Health and Human Services in 1989.Sullivan details his experiences in Washington dealing with the burgeoning AIDS crisis, PETA activists, and antismoking efforts, along with his efforts to push through comprehensive health care reform decades before the Affordable Care Act. Along the way his interactions with a cast of politicos, including Thurgood Marshall, Jack Kemp, Clarence Thomas, Jesse Helms, and the Bushes, capture vividly a particular moment in recent history.Sullivan’s life—from Morehouse to the White House and his ongoing work with medical students in South Africa—is the embodiment of the hopes and progress that the civil rights movement fought to achieve. His story should inspire future generations—of all backgrounds—to aspire to great things.A Sarah Mills Hodge Fund Publication
In these stories, Dianne Nelson illuminates that vast territory of pleasure and pain created within modern families. Whether it is a father trying to kidnap his young son from his estranged ex-wife or a woman celebrating her ability to produce babies without any help from men, Nelson's characters reveal the dark, haunting and sometimes comic dilemmas of kinship.
In the title story, seventeen-year-old April is an involuntary witness to the seemingly endless parade of lovers who frequent her mother's bed. "I don't know why my mother finds no lasting peace" she muses. Opening a book and trying to find her peace in "facts, dates, the pure honesty of numbers," April is overwhelmed finally by the sounds of lovemaking from the adjoining room. "The walls of this house aren't thick enough to keep that kind of sadness contained." In "The Uses of Memory," Netta and Carlene are engaged in a different sort of mother-daughter drama. The issue at hand is the fate of Franklin, their husband and father, who lies in bed in a near comatose state, oblivious to the nurturings or pleadings of either woman.
The past, with its countless repercussion on the present, tugs relentlessly at many of the characters. In "Chocolate," the lingering pain of an impoverished childhood plagues Janice; she recalls, in particular, the birthday and Christmas celebrations, the meager gifts wrapped in the same brown twine that was used to hold the door shut. Hillary, the narrator of "Dixon," is spurred into action by the memory of her dead brother. When a local barfly with "silt for brains" persists in telling outlandish lies about Dixon, Hillary takes up karate training with an eye to defending her brother's name the truth of what she knew him to be. Dee, in "Paperweight," can pinpoint the exact moment at which she came to think of the body as an earthbound trap, "a hopeless house with the doors all locked"; she traces it back to a grade-school theatrical performance and a classmate's luckless efforts to open the cumbersome stage curtains. "If it weren't for my body," she laments, "I could fly, I could go anywhere, I could be anything."
Ranging in setting from a restaurant in St. Louis to the rain-soaked streets of San Francisco, from a boisterous family reunion beneath the broad Kansas sky to a ranch in Utah where a young father dreams of becoming a movie star, these fifteen stories show men and women pondering--and often struggling against--the mysteries of their own circumstances, especially the bonds of flesh and blood.