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Carkeet uproariously recaptures his stunned, youthful reaction to the novel's sleazy take on his hometown. The innocent nowhere burg where he despaired of ever getting any "action" became, in the pages of Campus Sexpot, a sink of iniquity echoing with "animal cries of delight." Blood pounded, dams of passion broke, and marriages and careers--not to mention the basics of good writing--went straight to hell.
As Carkeet relates his own romantic fumblings to the novel's clumsy twists and turns, he also evokes the urgently hushed atmosphere in which the book circulated among friends and neighbors. Eventually, Carkeet stumbles into adulthood, where he discovers a truer definition of manhood than the one in the pages of the pulp fiction of his youth. A wry look at middle-class sexual mores and a witty appreciation of the art of the hack novel, Carkeet's memoir is, above all, a poignant and hilarious coming-of-age story sure to revive our own bittersweet teenage memories.
This edition of Canada and the United States has been extensively rewritten and updated throughout to reflect new scholarly arguments, emphases, and discoveries. In addition, there is new material on such topics as energy, the environment, cultural and economic integration, the wars in Iraq and Afghanistan, border security, missile defense, and the second administration of George W. Bush.
The Masculine and Morrison
The book also considers the barriers between black men and women thrown up by their participation in a larger, historically racist culture of competition, ownership, sexual repression, and fixed ideals about physical beauty and romantic love. Black women, Morrison says, bear their crosses extremely well,” and black men, although they have been routinely emasculated by white men, period,” have managed to maintain a feisty magic” that everybody wants but nobody else has.
Understanding Morrison's treatment of her male characters, says Susan Mayberry, becomes crucial to grasping her success in countering the damage done by a spectrum of sometimes misguided isms”--including white American feminism. Morrison's version of masculinity suggests that black men have successfully retained their special vitality in spite of white male resistance” and that their connections to black women have saved their lives.” To single out her men is not to negate the preeminence of her women; rather, it is to recognize the interconnectedness and balance between them.
The Japanese Internment of American Civilians in the Philippines, 1941-1945
Supported by diaries, memoirs, war crimes transcripts, Japanese soldiers' accounts, medical data, and many other sources, Captured presents a detailed and moving chronicle of the internees' efforts to survive. Cogan compares living conditions within the internment camps with life in POW camps and with the living conditions of Japanese soldiers late in the war. An afterword discusses the experiences of internment survivors after the war, combining medical and legal statistics with personal anecdotes to create a testament to the thousands of Americans whose captivity haunted them long after the war ended.
The nine stories of CAUTION Men in Trees capture the pressure, need, and frequent helplessness of people confronted with intractable reality. As suggested by the collection's epigraph from Superman—"Did you say kryptonite?"—the characters in these stories have reached a point where they realize that parts of their lives are coming undone, and that their own thoughts and actions—or, frequently, the failure to act soon enough—are the cause. Though settings and situations vary, the same sense of overwhelming urgency recurs throughout the collection. The stories reflect a world distressed by conflict and settings fraught with the occurrences of personal violence.
Against the background of the O. J. Simpson trial, a man refuses to assist in a friend's suicide and realizes that he has been avoiding many unpleasant truths about himself and his life. A son faced with his father's debilitating stroke sees that he must ultimately confront the mortality and feelings of grief that he has been concealing. In the title story, the film Bugsy and talk about the disappointing reality of pop-culture heroes set the scene for a husband's frightening confrontation with his own limitations. The shock of stark revelation combines with tightly wound chains of suggestive events to create a collection of gripping, edgy stories about characters who, however battered, survive.
Celia was only fourteen years old when she was acquired by John Newsom, an aging widower and one of the most prosperous and respected citizens of Callaway County, Missouri. The pattern of sexual abuse that would mark their entire relationship began almost immediately. After purchasing Celia in a neighboring county, Newsom raped her on the journey back to his farm. He then established her in a small cabin near his house and visited her regularly (most likely with the knowledge of the son and two daughters who lived with him). Over the next five years, Celia bore Newsom two children; meanwhile, she became involved with a slave named George and resolved at his insistence to end the relationship with her master. When Newsom refused, Celia one night struck him fatally with a club and disposed of his body in her fireplace.
Her act quickly discovered, Celia was brought to trial. She received a surprisingly vigorous defense from her court-appointed attorneys, who built their case on a state law allowing women the use of deadly force to defend their honor. Nevertheless, the court upheld the tenets of a white social order that wielded almost total control over the lives of slaves. Celia was found guilty and hanged.
Melton A. McLaurin uses Celia's story to reveal the tensions that strained the fabric of antebellum southern society. Celia's case demonstrates how one master's abuse of power over a single slave forced whites to make moral decisions about the nature of slavery. McLaurin focuses sharply on the role of gender, exploring the degree to which female slaves were sexually exploited, the conditions that often prevented white women from stopping such abuse, and the inability of male slaves to defend slave women. Setting the case in the context of the 1850s slavery debates, he also probes the manner in which the legal system was used to justify slavery. By granting slaves certain statutory rights (which were usually rendered meaningless by the customary prerogatives of masters), southerners could argue that they observed moral restraint in the operations of their peculiar institution.
An important addition to our understanding of the pre-Civil War era, Celia, A Slave is also an intensely compelling narrative of one woman pushed beyond the limits of her endurance by a system that denied her humanity at the most basic level.
Gender and Periodization
Beyond the focus of feminist challenges to American literary periodization, this volume also studies issues of a need for literary reforms considering differences in race, ethnicity, class, and sexuality. The essays are valuable and informative as individual critical studies of specific writers and their works. Challenging Boundaries presents intelligent, original, well-written, and practical arguments in support of long-awaited changes in American literary scholarship and is a milestone of feminist literary study.
The published canon of Chesnutt's work has doubled in the last decade: three novels completed but unpublished in Chesnutt's life have appeared, as have scholarly editions of Chesnutt's journals, his letters, and his essays. This book is the first to offer chapter-length analyses of each of Chesnutt's six novels. It also devotes three chapters to his short fiction. Previous critics have read Chesnutt's nonfiction as biographical background for his fiction. McWilliams is the first to analyze these nonfiction texts as complex verbal artifacts embodying many of the same tensions and ambiguities found in Chesnutt's stories and novels. The book includes separate chapters on Chesnutt's journal and on his important essay "The Future American." Moreover, Charles W. Chesnutt and the Fictions of Race approaches Chesnutt's writings from the perspective of recent literary theory. To a greater extent than any previous study of Chesnutt, it explores the way his texts interrogate and deconstruct the language and the intellectual constructs we use to organize reality.
The full effect of this new study is to show us how much more of a twentieth-century writer Chesnutt is than has been previously acknowledged. This accomplishment can only hasten his reemergence as one of our most important observers of race in American culture.
The Global Evolution of a New South City
Descending into the Myth of Deliverance River
This is John Lane’s search for the real Chattooga--for the truths that reside somewhere in the river’s rapids, along its shores, or in its travelers’ hearts. Lane balances the dark, indifferent mythical river of Deliverance against the Chattooga known to locals and to the outdoors enthusiasts who first mastered its treacherous vortices and hydraulics. Starting at its headwaters, Lane leads us down the river and through its complex history to its current status as a National Wild and Scenic River. Along the way he stops for talks with conservation activists, seventh-generation residents, locals who played parts in the movie, day visitors, and others. Lane weaves into each encounter an abundance of details drawn from his perceptive readings and viewings of Deliverance and his wide-ranging knowledge of the Chattooga watershed. At the end of his run, Lane leaves us still fully possessed by the Chattooga’s mystery, yet better informed about its place in his world and ours.