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University of Georgia Press

University of Georgia Press

Website: http://www.ugapress.org

Since its founding in 1938, the primary mission of the University of Georgia Press has been to support and enhance the Universitys place as a major research institution by publishing outstanding works by scholars and writers throughout the world. The Press currently publishes 75-80 new books a year and has some 1300 titles in print, many of them in both physical and ebook editions. The kinds of books published by the Press fall into four broad categories: works of scholarship, creative and literary works, regional books, and digital projects in partnership with other organizations.


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University of Georgia Press

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Results 51-60 of 507

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Beyond Walls and Cages Cover

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Beyond Walls and Cages

Prisons, Borders, and Global Crisis

Jenna M. Loyd

The crisis of borders and prisons can be seen starkly in statistics. In 2011 some 1,500 migrants died trying to enter Europe, and the United States deported nearly 400,000 and imprisoned some 2.3 million people—more than at any other time in history. International borders are increasingly militarized places embedded within domestic policing and imprisonment and entwined with expanding prison-industrial complexes. Beyond Walls and Cages offers scholarly and activist perspectives on these issues and explores how the international community can move toward a more humane future.

Working at a range of geographic scales and locations, contributors examine concrete and ideological connections among prisons, migration policing and detention, border fortification, and militarization. They challenge the idea that prisons and borders create safety, security, and order, showing that they can be forms of coercive mobility that separate loved ones, disempower communities, and increase shared harms of poverty. Walls and cages can also fortify wealth and power inequalities, racism, and gender and sexual oppression.

As governments increasingly rely on criminalization and violent measures of exclusion and containment, strategies for achieving change are essential. Beyond Walls and Cages develops abolitionist, no borders, and decolonial analyses and methods for social change, showing how seemingly disconnected forms of state violence are interconnected. Creating a more just and free world—whether in the Mexico-U.S. borderlands, the Morocco-Spain region, South Africa, Montana, or Philadelphia—requires that people who are most affected become central to building alternatives to global crosscurrents of criminalization and militarization.

Contributors: Olga Aksyutina, Stokely Baksh, Cynthia Bejarano, Anne Bonds, Borderlands Autonomist, Collective, Andrew Burridge, Irina Contreras, Renee Feltz, Luis A. Fernandez, Ruth Wilson Gilmore, Amy Gottlieb, Gael Guevara, Zoe Hammer, Julianne Hing, Subhash Kateel, Jodie M. Lawston, Bob Libal, Jenna M. Loyd, Lauren Martin, Laura McTighe, Matt Mitchelson, Maria Cristina Morales, Alison Mountz, Ruben R. Murillo, Joseph Nevins, Nicole Porter, Joshua M. Price, Said Saddiki, Micol Seigel, Rashad Shabazz, Christopher Stenken, Proma Tagore, Margo Tamez, Elizabeth Vargas, Monica W. Varsanyi, Mariana Viturro, Harsha Walia, Seth Freed Wessler.

Big Bend Cover

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Big Bend

Bill Roorbach

Through quirky plots, one-of-kind characters, and more than a few twists, the stories in Big Bend examine gentle-hearted men and their relationships. From made-in-heaven meetings to troublesome liaisons, Roorbach's characters experience romance in unexpected, sometimes disastrous ways.

In "Fog," a teenage boy learns hard lessons about canoes, the Gulf of Maine, sex, and love. A struggling young artist goes home for the holidays in search of succor for the stomach—and heart—with poor results in "Thanksgiving." Other stories recount the ultimately disastrous reunion of estranged friends, an unemployed architect's foolish courting with bad company, and a middle-aged rock star's struggle with the urge to settle down. In the tiitle story, "Big Bend," a grieving widower, troubled by his own waning years, is tempted by a seductively attentive birdwatcher no older than his daughter.

Poignant tales of hauntingly familiar situations, Bill Roorbach's stories are full of heart, romance, edgy humor, and the frequently concealed vulnerability of men.

Bigness of the World Cover

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Bigness of the World

Lori Ostlund

In Lori Ostlund's debut collection people seeking escape from situations at home venture out into a world that they find is just as complicated and troubled as the one they left behind.

In prose highlighted by both satire and poignant observation, Ostlund offers characters that represent a different sort of everyman—men and women who poke fun at ideological rigidity while holding fast to good grammar and manners, people seeking connections in a world that seems increasingly foreign. In “Upon Completion of Baldness” a young woman shaves her head for a part in a movie in Hong Kong that will help her escape life with her lover in Albuquerque. The precocious narrator of “All Boy” finds comfort when he is locked in a closet by a babysitter. In “Dr. Deneau's Punishment” a math teacher leaving New York for Minnesota as a means of punishing himself engages in an unsettling method of discipline. A lesbian couple whose relationship is disintegrating flees to the Moroccan desert in “The Children beneath the Seat.” And in “Idyllic Little Bali” a group of Americans gathers around a pool in Java to discuss their brushes with fame and ends up witnessing a man's fatal flight from his wife.

In the eleven stories in The Bigness of the World we see that wherever you are in the world, where you came from is never far away.

The Billfish Story Cover

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The Billfish Story

Swordfish, Sailfish, Marlin, and Other Gladiators of the Sea

Stan Ulanski

The billfish is fixed at the apex of the oceanic food chain. Composed of sailfish, marlin, spearfish, and swordfish, they roam the pelagic waters of the Atlantic and are easily recognized by their long, spear-like beaks. Noted for their speed, size, and acrobatic jumps, billfish have for centuries inspired a broad spectrum of society. Even in antiquity, Aristotle, who assiduously studied the swordfish, named this gladiator of the sea xiphias—the sword.

The Billfish Story tells the saga of this unique group of fish and those who have formed bonds with them—relationships forged by anglers, biologists, charter-boat captains, and conservationists through their pursuit, study, and protection of these species. More than simply reciting important discoveries, Stan Ulanski argues passionately that billfish occupy a position of unique importance in our culture as a nexus linking natural and human history. Ulanski, both a scientist and an angler, brings a rich background to the subject in a multifaceted approach that will enrich not only readers’ appreciation of billfish but the whole of the natural world.

The Bioregional Imagination Cover

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The Bioregional Imagination

Literature, Ecology, and Place

Tom Lynch

Bioregionalism is an innovative way of thinking about place and planet from an ecological perspective. Although bioregional ideas occur regularly in ecocritical writing, until now no systematic effort has been made to outline the principles of bioregional literary criticism and to use it as a way to read, write, understand, and teach literature.

The twenty-four original essays here are written by an outstanding selection of international scholars. The range of bioregions covered is global and includes such diverse places as British Columbia’s Meldrum Creek and Italy’s Po River Valley, the Arctic and the Outback. There are even forays into cyberspace and outer space. In their comprehensive introduction, the editors map the terrain of the bioregional movement, including its history and potential to inspire and invigorate place-based and environmental literary criticism.

Responding to bioregional tenets, this volume is divided into four sections. The essays in the “Reinhabiting” section narrate experiments in living-in-place and restoring damaged environments. The “Rereading” essays practice bioregional literary criticism, both by examining texts with strong ties to bioregional paradigms and by opening other, less-obvious texts to bioregional analysis. In “Reimagining,” the essays push bioregionalism to evolve—by expanding its corpus of texts, coupling its perspectives with other approaches, or challenging its core constructs. Essays in the “Renewal” section address bioregional pedagogy, beginning with local habitat studies and concluding with musings about the Internet.

In response to the environmental crisis, we must reimagine our relationship to the places we inhabit. This volume shows how literature and literary studies are fundamental tools to such a reimagining.

Black Elvis Cover

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Black Elvis

Geoffrey Becker

In this funny, touching collection about music, identity, liars, and love, Geoffrey Becker brings us into the lives of people who have come to a turning point and lets us watch as they take, however clumsily, their next steps.

In the title story, an aging black singer who performs only Elvis songs despite his classic bluesman looks has his regular spot at the local blues jam threatened by a newly arrived Asian American with the unlikely name Robert Johnson. In “Man Under,” two friends struggling to be rock musicians in Reagan-era Brooklyn find that their front door has been removed by their landlord. An aspiring writer discovers the afterlife consists of being the stand-in for a famous author on an endless book tour in “Another Coyote Story.” Lonely and adrift in Florence, Italy, a young man poses as a tour guide with an art history degree in “Know Your Saints.” And in “This Is Not a Bar,” a simple night on the town for a middle-aged guitar student and jazz buff turns into a confrontation with his past and an exploration of what is or is not real.

In his depictions of struggling performers, artists, expectant parents, travelers, con-men, temporarily employed academics, and even the recently deceased, Becker asks the question, Which are more important: the stories we tell other people or the ones we tell ourselves?

Black Masculinity and the U.S. South Cover

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Black Masculinity and the U.S. South

From Uncle Tom to Gangsta

RichT Richardson

This pathbreaking study of region, race, and gender reveals how we underestimate the South's influence on the formation of black masculinity at the national level. Many negative stereotypes of black men—often contradictory ones—have emerged from the ongoing historical traumas initiated by slavery. Are black men emasculated and submissive or hypersexed and violent? Nostalgic representations of black men have arisen as well: think of the philosophical, hardworking sharecropper or the abiding, upright preacher. To complicate matters, says Riché Richardson, blacks themselves appropriate these images for purposes never intended by their (mostly) white progenitors.


Starting with such well-known caricatures as the Uncle Tom and the black rapist, Richardson investigates a range of pathologies of black masculinity that derive ideological force from their associations with the South. Military policy, black-liberation discourse, and contemporary rap, she argues, are just some of the instruments by which egregious pathologies of black masculinity in southern history have been sustained. Richardson's sources are eclectic and provocative, including Ralph Ellison's fiction, Charles Fuller's plays, Spike Lee's films, Huey Newton's and Malcolm X's political rhetoric, the O. J. Simpson discourse, and the music production of Master P, the Cash Money Millionaires, and other Dirty South rappers.


Filled with new insights into the region's role in producing hierarchies of race and gender in and beyond their African American contexts, this new study points the way toward more epistemological frameworks for southern literature, southern studies, and gender studies.

Black on Earth Cover

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Black on Earth

African American Ecoliterary Traditions

Kimberly N. Ruffin

American environmental literature has relied heavily on the perspectives of European Americans, often ignoring other groups. In Black on Earth, Kimberly Ruffin expands the reach of ecocriticism by analyzing the ecological experiences, conceptions, and desires seen in African American writing.
 
Ruffin identifies a theory of “ecological burden and beauty” in which African American authors underscore the ecological burdens of living within human hierarchies in the social order just as they explore the ecological beauty of being a part of the natural order. Blacks were ecological agents before the emergence of American nature writing, argues Ruffin, and their perspectives are critical to understanding the full scope of ecological thought.
 
Ruffin examines African American ecological insights from the antebellum era to the twenty-first century, considering WPA slave narratives, neo–slave poetry, novels, essays, and documentary films, by such artists as Octavia Butler, Alice Walker, Henry Dumas, Percival Everett, Spike Lee, and Jayne Cortez. Identifying themes of work, slavery, religion, mythology, music, and citizenship, Black on Earth highlights the ways in which African American writers are visionary ecological artists.

Black, White, and Green Cover

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Black, White, and Green

Farmers Markets, Race, and the Green Economy

Alison Hope Alkon

Farmers markets are much more than places to buy produce. According to advocates for sustainable food systems, they are also places to “vote with your fork” for environmental protection, vibrant communities, and strong local economies. Farmers markets have become essential to the movement for food-system reform and are a shining example of a growing green economy where consumers can shop their way to social change.

Black, White, and Green brings new energy to this topic by exploring dimensions of race and class as they relate to farmers markets and the green economy. With a focus on two Bay Area markets—one in the primarily white neighborhood of North Berkeley, and the other in largely black West Oakland—Alison Hope Alkon investigates the possibilities for social and environmental change embodied by farmers markets and the green economy.

Drawing on ethnographic and historical sources, Alkon describes the meanings that farmers market managers, vendors, and consumers attribute to the buying and selling of local organic food, and the ways that those meanings are raced and classed. She mobilizes this research to understand how the green economy fosters visions of social change that are compatible with economic growth while marginalizing those that are not.

Black, White, and Green is one of the first books to carefully theorize the green economy, to examine the racial dynamics of food politics, and to approach issues of food access from an environmental-justice perspective. In a practical sense, Alkon offers an empathetic critique of a newly popular strategy for social change, highlighting both its strengths and limitations.

Black Woman Reformer Cover

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Black Woman Reformer

Ida B. Wells, Lynching, and Transatlantic Activism

Sarah Silkey

During the early 1890s, a series of shocking lynchings brought unprecedented international attention to American mob violence. This interest created an opportunity for Ida B. Wells, an African American journalist and civil rights activist from Memphis, to travel to England to cultivate British moral indignation against American lynching. Wells adapted race and gender roles established by African American abolitionists in Britain to legitimate her activism as a “black lady reformer”—a role American society denied her—and assert her right to defend her race from abroad. Based on extensive archival research conducted in the United States and Britain, Black Woman Reformer by Sarah Silkey explores Wells’s 1893–94 antilynching campaigns within the broader contexts of nineteenth-century transatlantic reform networks and debates about the role of extralegal violence in American society.

Through her speaking engagements, newspaper interviews, and the efforts of her British allies, Wells altered the framework of public debates on lynching in both Britain and the United States. No longer content to view lynching as a benign form of frontier justice, Britons accepted Wells’s assertion that lynching was a racially motivated act of brutality designed to enforce white supremacy. As British criticism of lynching mounted, southern political leaders desperate to maintain positive relations with potential foreign investors were forced to choose whether to publicly defend or decry lynching. Although British moral pressure and media attention did not end lynching, the international scrutiny generated by Wells’s campaigns transformed our understanding of racial violence and made American communities increasingly reluctant to embrace lynching.

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