This is the long-awaited second volume of Godfrey and Wooten's definitive survey of aquatic and wetland plants of the southeastern United States. It focuses on native and naturalized dicotyledons of the region and provides well-written, concise descriptions and keys for the identification of 1,084 species. A glossary of terms, list of references, separate indexes of common and scientific names, and nearly 400 well-executed drawings complete the volume.

The first comprehensive survey of the aquatic and wetland plants of the Southeast, the Godfrey and Wooten volumes will prove invaluable to botanists, ecologists, college students, government agencies involved in land-use management, and nonspecialists interested in the plant life and ecology of the region.

This first volume of a two-volume definitive survey of aquatic and wetland plants of the southeastern United States focuses on native and naturalized monocotyledons in the following physiographic provinces: Atlantic and Gulf coastal plains; southern Appalachian highlands, flanked on the east by the Piedmont plateau and on the west by the Appalachian plateau; the interior lowlands; and the interior highlands.

Robert K. Godfrey and Jean W. Wooten provide well-written, concise descriptions and keys for the identification of seven hundred species. The text for each species includes both a statement indicating the habitats in which the plant is usually found and information about its geographical distribution. Approximately four hundred drawings supplement the text and provide additional information for proper identification. The authors use nontechnical language whenever possible and include a glossary of technical terms.

The first comprehensive survey of the aquatic and wetland monocotyledons of the Southeast, this book will prove invaluable for ecologists, botanists, and nonspecialists interested in the plant life and ecology of the region.

In the first English-language survey of Argentine-U.S. relations to appear in more than a decade, David M. K. Sheinin challenges the accepted view that confrontation has been the characteristic state of affairs between the two countries. Sheinin draws on both Spanish- and English-language sources in the United States, Argentina, Canada, and Great Britain to provide a broad perspective on the two centuries of shared U.S.-Argentine history with fresh focus in particular on cultural ties, nuclear politics in the cold war era, the politics of human rights, and Argentina's exit in 1991 from the nonaligned movement.

From the perspectives of both countries, Sheinin discusses such topics as Pan-Americanism, petroleum, communism and fascism, and foreign debt. Although the general trajectory of the two countries' relationship has been one of cooperative interaction based on generally strong and improving commercial and financial ties, shared strategic interests, and vital cultural contacts, Sheinin also emphasizes episodes of strained ties. These include the Cuban Revolution, the Dirty War of the late 1970s and early 1980s, and the Falklands/Malvinas War. In his epilogue, Sheinin examines Argentina's monetary crash of December 2001, when the United States-in a major policy shift-refused to come to Argentina's rescue.

Clarence Major is an award-winning painter, fiction writer, and poet—as well as an essayist, editor, anthologist, lexicographer, and memoirist. He has been part of twenty-eight group exhibitions, has had fifteen one-man shows, and has published fourteen collections of poetry and nine works of fiction. The Art and Life of Clarence Major is the first critical biography of this innovative African American writer and visual artist. Given the full cooperation of his subject, Keith E. Byerman traces Major's life and career from his complex family history in Georgia through his encounters with important literary and artistic figures in Chicago and New York to his present status as a respected writer, artist, teacher, and scholar living in California.

In his introduction, Byerman asks, “How does a black man who does not take race as his principal identity, an artist who deliberately defies mainstream rules, a social and cultural critic who wants to be admired by the world he attacks, and a creator who refuses to commit to one expressive form make his way in the world?” Tasking himself with opening up the multiple layers of problems and solutions in both the work and the life to consider the successes and the failures, Byerman reveals Major as one who has devoted himself to a life of experimental art that has challenged both literary and painterly practice and the conventional understanding of the nature of African American art. Major's refusal to follow the rules has challenged readers and critics, but through it all, he has continued to produce quality work as a painter, poet, and novelist. His is the life of someone totally devoted to his creative work, one who has put his artistic vision ahead of fame, wealth, and sometimes even family.

A Sarah Mills Hodge Fund Publication.

Greenwood Plantation in the Red Hills region of southwest Georgia includes a rare one-thousand-acre stand of old-growth longleaf pine woodlands, a remnant of an ecosystem that once covered close to ninety million acres across the Southeast. The Art of Managing Longleaf documents the sometimes controversial management system that not only has protected Greenwood’s “Big Woods” but also has been practiced on a substantial acreage of the remnant longleaf pine woodlands in the Red Hills and other parts of the Coastal Plain. Often described as an art informed by science, the Stoddard-Neel Approach combines frequent prescribed burning, highly selective logging, a commitment to a particular woodland aesthetic, intimate knowledge of the ecosystem and its processes, and other strategies to manage the longleaf pine ecosystem in a sustainable way.

The namesakes of this method are Herbert Stoddard (who developed it) and his colleague and successor, Leon Neel (who has refined it). In addition to presenting a detailed, illustrated outline of the Stoddard-Neel Approach, the book—based on an extensive oral history project undertaken by Paul S. Sutter and Albert G. Way, with Neel as its major subject—discusses Neel’s deep familial and cultural roots in the Red Hills; his years of work with Stoddard; and the formation and early years of the Tall Timbers Research Station, which Stoddard and Neel helped found in the pinelands near Tallahassee, Florida, in 1958. In their introduction, environmental historians Sutter and Way provide an overview of the longleaf ecosystem’s natural and human history, and in his afterword, forest ecologist Jerry F. Franklin affirms the value of the Stoddard-Neel Approach.

Integrating social, cultural, economic, and political history, this is a study of the factors that grounded—or swayed—the loyalties of non-Spaniards living under Spanish rule on the southern frontier. In particular, Andrew McMichael looks at the colonial Spanish administration’s attitude toward resident Americans. The Spanish borderlands systems of slavery and land ownership, McMichael shows, used an efficient system of land distribution and government patronage that engendered loyalty and withstood a series of conflicts that tested, but did not shatter, residents’ allegiance. McMichael focuses on the Baton Rouge district of Spanish West Florida from 1785 through 1810, analyzing why resident Anglo-Americans, who had maintained a high degree of loyalty to the Spanish Crown through 1809, rebelled in 1810.

The book contextualizes the 1810 rebellion, and by extension the southern frontier, within the broader Atlantic World, showing how both local factors as well as events in Europe affected lives in the Spanish borderlands. Breaking with traditional scholarship, McMichael examines contests over land and slaves as a determinant of loyalty. He draws on Spanish, French, and Anglo records to challenge scholarship that asserts a particularly “American” loyalty on the frontier whereby Anglo-American residents in West Florida, as disaffected subjects of the Spanish Crown, patiently abided until they could overthrow an alien system. Rather, it was political, social, and cultural conflicts—not nationalist ideology—that disrupted networks by which economic prosperity was gained and thus loyalty retained.

In Amina Gautier’s Brooklyn, some kids make it and some kids don’t, but not in simple ways or for stereotypical reasons. Gautier’s stories explore the lives of young African Americans who might all be classified as “at-risk,” yet who encounter different opportunities and dangers in their particular neighborhoods and schools and who see life through the lens of different family experiences.

Gautier’s focus is on quiet daily moments, even in extraordinary lives; her characters do not stand as emblems of a subculture but live and breathe as people. In “The Ease of Living,” the young teen Jason is sent down south to spend the summer with his grandfather after witnessing the double murder of his two best friends, and he is not happy about it. A season of sneaking into as many movies as possible on one ticket or dunking girls at the pool promises to turn into a summer of shower chairs and the smell of Ben-Gay in the unimaginably backwoods town of Tallahassee. In “Pan Is Dead,” two half-siblings watch as the heroin-addicted father of the older one works his way back into their mother’s life; in “Dance for Me,” a girl on scholarship at a posh Manhattan school teaches white girls to dance in the bathroom in order to be invited to a party.

As teenagers in complicated circumstances, each of Gautier’s characters is pushed in many directions. To succeed may entail unforgiveable compro­mises, and to follow their desires may lead to catastrophe. Yet within these stories they exist and can be seen as they are, in the moment of choosing.