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Notes from a Son of the Empire
Beidler has experienced enough of history to question the kinds of peace that one empire after another has tried to impose on the world at whatever immense costs.” As he reflects on terrorism, patriotism, geopolitics, sacrifice, propaganda, and more, Beidler revisits his generation's inherited vision of national purpose”--and he asks what happened. These essays are a sobering wake-up call for even the most informed and conscientious citizen.
James Tanner in War and Peace
James Tanner may be the most famous person in nineteenth-century America that no one has heard of. During his service in the Union army, he lost the lower third of both his legs and afterward had to reinvent himself. After a brush with fame as the stenographer taking down testimony a few feet away from the dying President Abraham Lincoln in April 1865, Tanner eventually became one of the best-known men in Gilded Age America. He was a highly placed Republican operative, a popular Grand Army of the Republic speaker, an entrepreneur, and a celebrity. He earned fame and at least temporary fortune as “Corporal Tanner,” but most Americans would simply have known him as “The Corporal.” Yet virtually no one—not even historians of the Civil War and Gilded Age— knows him today.
America’s Corporal rectifies this startling gap in our understanding of the decades that followed the Civil War. Drawing on a variety of primary sources including memoirs, lectures, newspapers, pension files, veterans’ organization records, poetry, and political cartoons, James Marten brings Tanner’s life and character into focus and shows what it meant to be a veteran— especially a disabled veteran—in an era that at first worshipped the saviors of the Union but then found ambiguity in their political power and insistence on collecting ever-larger pensions. This biography serves as an examination of the dynamics of disability, the culture and politics of the Gilded Age, and the aftereffects of the Civil War, including the philosophical and psychological changes that it prompted.
The book explores the sometimes corrupt, often gridlocked, but always entertaining politics of the era, from Tanner’s days as tax collector in Brooklyn through his short-lived appointment as commissioner of pensions (one of the biggest jobs in the federal government of the 1880s). Marten provides a vivid case study of a classic Gilded Age entrepreneur who could never make enough money. America’s Corporal is a reflection on the creation of celebrity—and of its ultimate failure to preserve the memory of a man who represented so many of the experiences and assumptions of the Gilded Age.
Published with the generous support of the Amanda and Greg Gregory Family Fund
Darwinian Theory and U.S. Culture
While much has been written about the impact of Darwin’s theories on U.S. culture, and countless scholarly collections have been devoted to the science of evolution, few have addressed the specific details of Darwin’s theories as a cultural force affecting U.S. writers. America’s Darwin fills this gap and features a range of critical approaches that examine U.S. textual responses to Darwin’s works.
The scholars in this collection represent a range of disciplines—literature, history of science, women’s studies, geology, biology, entomology, and anthropology. All pay close attention to the specific forms that Darwinian evolution took in the United States, engaging not only with Darwin’s most famous works, such as On the Origin of Species, but also with less familiar works, such as The Expression of the Emotions in Man and Animals.
Each contributor considers distinctive social, cultural, and intellectual conditions that affected the reception and dissemination of evolutionary thought, from before the publication of On the Origin of Species to the early years of the twenty-first century. These essays engage with the specific details and language of a wide selection of Darwin’s texts, treating his writings as primary sources essential to comprehending the impact of Darwinian language on American writers and thinkers. This careful engagement with the texts of evolution enables us to see the broad points of its acceptance and adoption in the American scene; this approach also highlights the ways in which writers, reformers, and others reconfigured Darwinian language to suit their individual purposes.
America’s Darwin demonstrates the many ways in which writers and others fit themselves to a narrative of evolution whose dominant motifs are contingency and uncertainty. Collectively, the authors make the compelling case that the interpretation of evolutionary theory in the U.S. has always shifted in relation to prevailing cultural anxieties.
Memory, Slavery, and the Politics of Identity in the United States and Sierra Leone
Iyunolu Folayan Osagie is a native of Sierra Leone, from where the Amistad's cargo of slaves originated. She digs deeply into the Amistad story to show the historical and contemporary relevance of the incident and its subsequent trials. At the same time, she shows how the incident has contributed to the construction of national and cultural identity both in Africa and the African diasporo in America--though in intriguingly different ways.
This pioneering work of comparative African and American cultural criticism shows how creative arts have both confirmed and fostered the significance of the Amistad revolt in contemporary racial discourse and in the collective memories of both countries.
The Letters of a St. Simons Island Plantation Mistress, 1817-1859
Anna Matilda Page was reared with the expectation that she would marry a planter, have children, and tend to her family's domestic affairs. Untypically, she was also schooled by her father in all aspects of plantation management, from seed cultivation to building construction. That grounding would serve her well. By 1842 her husband's properties were seized, owing to debts amassed from crop failures, economic downturns, and extensive investments in land, enslaved workers, and the development of the nearby port town of Brunswick. Anna and her family were sustained, however, by Retreat, the St. Simons Island property left to her in trust by her father. With the labor of fifty bondpeople and "their increase" she was to strive, with little aid from her husband, to keep the plantation solvent.
A valuable record of King's many roles, from accountant to mother, from doctor to horticulturist, the letters also reveal much about her relationship with, and attitudes toward, her enslaved workers. Historians have yet to fully understand the lives of plantation mistresses left on their own by husbands pursuing political and other professional careers. Anna Matilda Page King's letters give us insight into one such woman who reluctantly entered, but nonetheless excelled in, the male domains of business and agriculture.
Love and Fear in U.S. Antebellum Literature
In contrast to the prevailing scholarly con-sensus that understands sentimentality to be grounded on a logic of love and sympathy, Apocalyptic Sentimentalism demonstrates that in order for sentimentality to work as an antislavery engine, it needed to be linked to its seeming opposite—fear, especially the fear of God’s wrath. Most antislavery reformers recognized that calls for love and sympathy or the representation of suffering slaves would not lead an audience to “feel right” or to actively oppose slavery. The threat of God’s apocalyptic vengeance—and the terror that this threat inspired—functioned within the tradition of abolitionist sentimentality as a necessary goad for sympathy and love. Fear,then, was at the center of nineteenth-century sentimental strategies for inciting antislavery reform, bolstering love when love faltered, and operating as a powerful mechanism for establishing interracial sympathy. Depictions of God’s apocalyptic vengeance constituted the most efficient strategy for antislavery writers to generate a sense of terror in their audience. Focusing on a range of important anti-slavery figures, including David Walker, Nat Turner, Maria Stewart, Harriet Beecher Stowe, and John Brown, Apocalyptic Sentimentalism illustrates how antislavery discourse worked to redefine violence and vengeance as the ultimate expression (rather than denial) of love and sympathy. At the sametime, these warnings of apocalyptic retribution enabled antislavery writers to express, albeit indirectly, fantasies of brutal violence against slaveholders. What began as a sentimental strategy quickly became an incendiary gesture, with antislavery reformers envisioning the complete annihilation of slaveholders and defenders of slavery.
Literature, Nationalism, and the Confederate States of America
Apples and Ashes offers the first literary history of the Civil War South. The product of extensive archival research, it tells an expansive story about a nation struggling to write itself into existence. Confederate literature was in intimate conversation with other contemporary literary cultures, especially those of the United States and Britain. Thus, Coleman Hutchison argues, it has profound implications for our understanding of American literary nationalism and the relationship between literature and nationalism more broadly.
Apples and Ashes is organized by genre, with each chapter using a single text or a small set of texts to limn a broader aspect of Confederate literary culture. Hutchison discusses an understudied and diverse archive of literary texts including the literary criticism of Edgar Allan Poe; southern responses to Uncle Tom’s Cabin; the novels of Augusta Jane Evans; Confederate popular poetry; the de facto Confederate national anthem, “Dixie”; and several postwar southern memoirs. In addition to emphasizing the centrality of slavery to the Confederate literary imagination, the book also considers a series of novel topics: the reprinting of European novels in the Confederate South, including Charles Dickens’s Great Expectations and Victor Hugo’s Les Misérables; Confederate propaganda in Europe; and postwar Confederate emigration to Latin America.
In discussing literary criticism, fiction, poetry, popular song, and memoir, Apples and Ashes reminds us of Confederate literature’s once-great expectations. Before their defeat and abjection—before apples turned to ashes in their mouths—many Confederates thought they were in the process of creating a nation and a national literature that would endure.
Robert K. Godfrey and Jean W. Wooten provide well-written, concise descriptions and keys for the identification of seven hundred species. The text for each species includes both a statement indicating the habitats in which the plant is usually found and information about its geographical distribution. Approximately four hundred drawings supplement the text and provide additional information for proper identification. The authors use nontechnical language whenever possible and include a glossary of technical terms.
The first comprehensive survey of the aquatic and wetland monocotyledons of the Southeast, this book will prove invaluable for ecologists, botanists, and nonspecialists interested in the plant life and ecology of the region.