Browse Results For:
Memoir, Cultural Theory, and the University Today
Franklin considers how academic memoirs have engaged with a core of defining concerns in the humanities: identity politics and the development of whiteness studies in the 1990s; the impact of postcolonial studies; feminism and concurrent anxieties about pedagogy; and disability studies and the struggle to bring together discourses on the humanities and human rights. The turn back toward humanism that Franklin finds in some academic memoirs is surreptitious or frankly nostalgic; others, however, posit a wide-ranging humanism that seeks to create space for advocacy in the academic and other institutions in which we are all unequally located. These memoirs are harbingers for the critical turn to explore interrelations among humanism, the humanities, and human rights struggles.
Revisiting a Myth of Race and Finding an American Family
What does one contested account of an enslaved woman tell us about our difficult racial past? Part history, part anthropology, and part detective story, The Accidental Slaveowner traces, from the 1850s to the present day, how different groups of people have struggled with one powerful story about slavery.
For over a century and a half, residents of Oxford, Georgia (“the birthplace of Emory University”), have told and retold stories of the enslaved woman known as “Kitty” and her owner, Methodist bishop James Osgood Andrew, first president of Emory’s board of trustees. Bishop Andrew’s ownership of Miss Kitty and other enslaved persons triggered the 1844 great national schism of the Methodist Episcopal Church, presaging the Civil War. For many local whites, Bishop Andrew was only “accidentally” a slaveholder, and when offered her freedom, Kitty willingly remained in slavery out of loyalty to her master. Local African Americans, in contrast, tend to insist that Miss Kitty was the Bishop’s coerced lover and that she was denied her basic freedoms throughout her life.
Mark Auslander approaches these opposing narratives as “myths,” not as falsehoods but as deeply meaningful and resonant accounts that illuminate profound enigmas in American history and culture. After considering the multiple, powerful ways that the Andrew-Kitty myths have shaped perceptions of race in Oxford, at Emory, and among southern Methodists, Auslander sets out to uncover the “real” story of Kitty and her family. His years-long feat of collaborative detective work results in a series of discoveries and helps open up important arenas for reconciliation, restorative justice, and social healing.
Violence and Dispossession in the Making of Everyday Life
Accumulating Insecurity examines the relationship between two vitally important contemporary phenomena: a fixation on security that justifies global military engagements and the militarization of civilian life, and the dramatic increase in day-to-day insecurity associated with contemporary crises in health care, housing, incarceration, personal debt, and unemployment.
Contributors to the volume explore how violence is used to maintain conditions for accumulating capital. Across world regions violence is manifested in the increasingly strained, often terrifying, circumstances in which people struggle to socially reproduce themselves. Security is often sought through armaments and containment, which can lead to the impoverishment rather than the nourishment of laboring bodies. Under increasingly precarious conditions, governments oversee the movements of people, rather than scrutinize and regulate the highly volatile movements of capital. They often do so through practices that condone dispossession in the name of economic and political security.
First published in 1753, Ferdinand Count Fathom is an experimental work that explores the relations between history and fiction and introduces, for the first time in the English novel, episodes of Gothic melodrama. Too long neglected and never before available in a carefully prepared scholarly edition, Ferdinand Count Fathom may now be read, understood, and appreciated against the literary and historical background of the eighteenth-century world.
This is the definitive scholarly edition of Tobias Smollett’s first novel, widely regarded as one of his two masterpieces, the other being The Expedition of Humphry Clinker. Roderick Random was also, in its time, the chief rival to Henry Fielding’s comic novel Tom Jones.
Surging with verbal, sexual, and martial energy, The Adventures of Roderick Random opens a window on life, love, and war in the eighteenth century. The hero battles his way from poverty and neglect to make his mark as a doctor, writer, fighter, and lover. His adventures take us across the world, from England and France to the Caribbean, Africa, and Latin America. One of the first truly global novels, it casts light on nearly every aspect of its time—imperialism, gender relations, slavery, urban life, colonial warfare, commerce, politics, the professions, high society, and the Hogarthian underworld.
Complete with illustrations and comprehensive annotations, this is the first edition to include Smollett’s long-forgotten antiwar pamphlet, An Account of the Expedition against Carthagene in the West Indies, which was drawn from his own war experience and on which key sections of the novel are based. The editors also provide a detailed biographical and historical introduction, based on the most recent scholarship, mapping the novel’s enormous impact in its own time and its influence on the history of literature over the centuries since.
Both in its original French and its many translations, The Adventures of Telemachus was one of the most popular and revered works of the eighteenth century. There were more than ten English prose and poetry versions, including this masterful prose translation by Smollett. Known for his novels Roderick Random and The Expedition of Humphry Clinker, Smollett was also a gifted translator. The Adventures of Telemachus was his final translation and is one of the finest versions of the work. Long a disputed title in the Smollett canon, it is fully restored to his credit by Leslie A. Chilton.
The Atlantic World and the Gullah Geechee
The essays, which range in coverage from the founding of the Georgia colony in the early 1700s through the present era, explore a range of topics, all within the larger context of the Atlantic world. Included are essays on the double-edged freedom that the American Revolution made possible to black women, the lowcountry as site of the largest gathering of African Muslims in early North America, and the coexisting worlds of Christianity and conjuring in coastal Georgia and the links (with variations) to African practices.
A number of fascinating, memorable characters emerge, among them the defiant Mustapha Shaw, who felt entitled to land on Ossabaw Island and resisted its seizure by whites only to become embroiled in struggles with other blacks; Betty, the slave woman who, in the spirit of the American Revolution, presented a “list of grievances” to her master; and S’Quash, the Arabic-speaking Muslim who arrived on one of the last legal transatlantic slavers and became a head man on a North Carolina plantation.
Contemporary Essayists Cover the Essays
Writers of the modern essay can trace their chosen genre all the way back to Michel de Montaigne (1533–92). But save for the recent notable best seller How to Live: A Life of Montaigne by Sarah Bakewell, Montaigne is largely ignored. After Montaigne—a collection of twenty-four new personal essays intended as tribute— aims to correct this collective lapse of memory and introduce modern readers and writers to their stylistic forebear.Though it’s been over four hundred years since he began writing his essays, Montaigne’s writing is still fresh, and his use of the form as a means of self-exploration in the world around him reads as innovative—even by modern standards. He is, simply put, the writer to whom all essayists are indebted. Each contributor has chosen one of Montaigne’s 107 essays and has written his/her own essay of the same title and on the same theme, using a quote from Montaigne’s essay as an epigraph. The overall effect is akin to a covers album, with each writer offering his or her own interpretation and stylistic verve to Montaigne’s themes in ways that both reinforce and challenge the French writer’s prose, ideas, and forms. Featuring a who’s who of contemporary essayists, After Montaigne offers a startling engagement with Montaigne and the essay form while also pointing the way to the genre’s potential new directions.Contributors: Marcia Aldrich, Chris Arthur, Robert Atwan, Barrie Jean Borich, Mary Cappello, Steven Church, Judith Ortiz Cofer, Danielle Cadena Deulen, Brian Doyle, Lina M. Ferreira C. V., Vivian Gornick, Robin Hemley, Wayne Koestenbaum, Shannon Lakanen, David Lazar, E. J. Levy, Phillip Lopate, Bret Lott, Patrick Madden, Desirae Matherly, Maggie Nelson, José Orduña, Elena Passarello, Lia Purpura, Kristen Radtke, Amy Lee Scott, Jerald Walker, Nicole Walker