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Great Reporters on What It Takes to Tell the Story
Stories with no substance. Talking heads without a clue. Teamcoverage that still misses the big picture. Overheated hype. Cute chatter. Film at eleven. Is it any wonder more and more of us count less and less on the news?It used to be that a news story told you who, what, where, when, how, and why,Art Athens writes. Now the story might tell you who, or it might tell you when, but there's a good chance that when it's over (which won't take long), you'll be the one saying What?Here's a legendary journalist's back to the basics guide to the craft of broadcast news. Combining insights from his own award-winning career with in-depth conversations with leading newspeople, Art Athens offers a primer on the best practices in reporting, writing, and delivering the news.And he lets some of the best in the business talk frankly and passionately about what it takes to do the job right: Dan Rather, Charles Osgood, Mike Wallace, Brian Williams, Andy Rooney, Charles Kuralt, Linda Ellerbee, and Don Hewitt.What kind of skills-and spirit-does it take to be a successful, serious broadcast journalist? How are the good stories conceived and written? And in today's cynical age of news as entertainment, what should reporters and editors do to restore confidence in the media? In this funny, sharp, honest book, anyone who cares about the news will find answers on every page.
A Critical Edition
First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound's understanding-it is fair to say, his appropriation-of the text. Fenollosa's manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound's editing of the essay obscured two important features, here restored to view: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa's ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.
This book captures the autobiographical reflections of twenty-eight Christian men and women who, in the wake of the Second Vatican Council, committed their lives to the study of Islam and to practical Christian-Muslim relations in new and irenic ways. Their contributions come from across the spectrum of the Western church and record what drew them into the study of Islam. Their accounts take us to twenty-five countries and into all the branches of Islamic studies: Qur'an, Hadith, Shari'a, Sufism, philology, theology, and philosophy. They give fascinating insights into personal encounters with Islam and Muslims, speak of the ways in which their Christian traditions of spiritual training formed and nourished them, and deal with some of the misunderstandings and opposition they have faced along the way.
On Deconstruction’s Disillusioned Love
A unique feminist approach to the legacy of Jacques Derrida, Chronicle of Separation is a disparate yet beautifully interwoven series of distinct readings, genres, and themes, offering a powerful reflection of love in—and as—deconstruction. Looking especially at relationships between women, Ben-Naftali provides a wide-ranging investigation of interpersonal relationships: the love of a teacher, the anxiety-ridden bond between a mother and daughter as manifested in anorexia, passion between two women, love after separation and in mourning, the tension between one’s self and the internalized other. Traversing each of these investigations, Chronicle of Separation takes up Derrida’s Memoires for Paul de Man and The Post Card, Lillian Hellman’s famed friendship with a woman named Julia, and adaptations of the biblical Book of Ruth. Above all, it is a treatise on the love of theory in the name of poetry, a passionate book on love and friendship.
The Laurence J. McGinley Lectures, 1988-2007
One of the leading theologians of our time, Avery Cardinal Dulles, S.J., has written and lectured on a wide range of topics across his distinguished career, and for a wide range of audiences. Integrating faith and scholarship, he has created a rich body of work that, in the words of one observer, is both faithful to Catholic tradition and fresh in its engagement with the contemporary world.Here, brought together for the first time in one volume, are the talks Cardinal Dulles has given twice each year since the Laurence J. McGinley Lectures were initiated in 1988, conceived broadly as a forum on Church and society. The result is a diverse collection that reflects the breadth of his thinking and engages with many of the most important-and difficult-religious issues of our day.Organized chronologically, the lectures are often responses to timely issues, such as the relationship between religion and politics, a topic he treated in the last weeks of the presidential campaign of 1992. Other lectures take up questions surrounding human rights, faith and evolution, forgiveness, the death penalty, the doctrine of religious freedom, the population of hell, and a whole array of theological subjects, many of which intersect with culture and politics. The life of the Church is a major and welcome focus of the lectures, whether they be a reflection on Cardinal Newman or an exploration of the difficulties of interfaith dialogue. Dulles responds frequently to initiatives of the Holy See, discussing gender and priesthood in the context of church teaching, and Pope Benedict's interpretation of Vatican II. Writing with clarity and conviction, Cardinal Dulles seeks to render the wisdom of past ages applicable to the world in which we live.For those seeking to share in this wisdom, this book will be a consistently rewarding guide to what it means to be Catholic-indeed, to be a person of any faith-in a world of rapid, relentless change.
Axis forces (Germany, Italy, and Bulgaria) occupied Greece from 1941 to 1944. The unimaginable hardships caused by foreign occupation were compounded by the flight of the government days before enemy forces reached Athens. This national crisis forced the Church of Greece, an institution accustomed to playing a central political and social role during times of crisis, to fill the political vacuum. Led by Archbishop Damaskinos of Athens, the clergy sought to maintain the cultural, spiritual, and territorial integrity of the nation during this harrowing period. Circumstances forced the clergy to create a working relationship with the major political actors, including the Axis authorities, their Greek allies, and the growing armed resistance movements, especially the communist-led National Liberation Front. In so doing the church straddled a fine line between collaboration and resistance—individual clerics, for instance, negotiated with Axis authorities to gain small concessions, while simultaneously resisting policies deemed detrimental to the nation. _x000B__x000B_Drawing on official archives—of the Greek Ministry of Foreign Affairs, the British Foreign Office, the U.S. State Department, and the Greek Holy Synod—alongside an impressive breadth of published literature, this book provides a refreshingly nuanced account of the Greek clergy’s complex response to the Axis occupation of Greece during World War II. The author’s comprehensive portrait of the reaction of Damaskinos and his colleagues, including tensions and divisions within the clergy, provides a uniquely balanced exploration of the critical role they played during the occupation. It helps readers understand how and why traditional institutions such as the church played a central social and political role in moments of social upheaval and distress. Indeed, as this book convincingly shows, the church was the only institution capable of holding Greek society together during World War II. _x000B__x000B_While The Church of Greece under Axis Occupation elucidates the significant differences between the Greek case and those of other territories in Axis-occupied Europe, it also offers fresh insight into the similarities. Greek clerics dealt with many of the same challenges clerics faced in other parts of Hitler’s Empire, including exceptionally brutal reprisal policies, deprivation and hunger, and the complete collapse of the social and political order caused by years of enemy occupation. By examining these challenges, this illuminating new book is an important contribution not only to Greek historiography but also to the broader literatures on the Holocaust, collaboration and resistance during World War II, and church-state relations during times of crisis. _x000B_
Imaginary Cinemas in French Poetry
Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarm? and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.
Modern Spiritual Autobiography
Circuitous Journeys: Modern Spiritual Autobiography provides a close reading and analysis of ten major life stories by twentieth-century leaders and thinkers from a variety of religious and cultural traditions: Mohandas Gandhi, Black Elk, Thomas Merton, Dorothy Day, C. S. Lewis, Malcolm X, Paul Cowan, Rigoberta Menchu, Dan Wakefield, and Nelson Mandela. The book uses approaches from literary criticism, developmental psychology (influenced by Erik Erikson, James Fowler, and Carol Gilligan), and spirituality (influenced by John S. Donne, Emile Griffin, Walter Conn, and Bernard Lonergan). Each text is read in the light of the autobiographical tradition begun by St. Augustine's Confessions, but with a focus on distinctively modern and post-modern transformations of the self-writing genre. The twentieth-century context of religious alienation, social autonomy, identity crises and politics, and the search for social justice is examined in each text.
A Circular Journey collects for the first time in one book the essays that most powerfully define the unique gifts of one of America's most distinctive voices. These fifteen pieces, tracking some thirty years of a writer's life, come together to illuminate the stages and themes and places that mark Helen Barolini's art. Divided into three closely linked sections-Home,Abroad,Return,-the essays move through Barolini's worlds. Her love of literature began when, as a child growing up as an avid reader in Syracuse, New York, she was presented with a diary and told to write in it. Returning to the heritage of her Italian immigrant grandparents, she moved to Italy as a young writer. There she lived for many years, becoming acquainted with the brightest of Italy's literary lights. The accomplished poet, novelist, and critic she became now lives at home in two nurturing cultures, America and Italy both.The essays are memoirs of her house on a street named for Henry James's grandfather, tales of literary journeys from Taos to Taormina, and Paris to Rome, as the young bride of a poet from the Veneto and, later on, as a distinguished writer whose explorations of identity and dislocation took her back to Italian inspirations.From a delightful account of a writing fellowship in an exquisite villa overlooking the Italian lakes to her first trip back to discover distant family roots in the hills of Calabria, Barolini moves lyrically through the generations of her life, giving form to the influences that shaped her art and her sense of self-as an American, a woman, and a gifted daughter of the two cultures she has so powerfully imagined.Praise for Helen BaroliniAn impassioned and magnificent contribution to our knowledge of what it has meant and means still to be an ethnic American and woman . . . . a book of heroic recovery and affirmation.-Alice Walker (on The Dream Book)Large in scope, in depth, and in the gift of narrative.-Cynthia Ozick (on Umbertina)
The Politics of Anti-Catholicism in New York, 1685-1821
Based on careful work with rare archival sources, this book fills a gap in the history of New York Catholicism by chronicling anti-Catholic feeling in pre-Revolutionary and early national periods. Colonial New York, despite its reputation for pluralism, tolerance, and diversity, was also marked by severe restrictions on religious and political liberty for Catholics. The logic of the American Revolution swept away the religious barriers, but Anti-Federalists in the 1780s enacted legislation preventing Catholics from holding office and nearly succeeded in denying them the franchise. The latter effort was blocked by the Federalists, led by Alexander Hamilton, who saw such things as an impediment to a new, expansive nationalist politics. By the early years of the nineteenth century, Catholics gained the right to hold office due to their own efforts in concert with an urban-based branch of the Republicans, which included radical exiles from Europe. With the contributions of Catholics to the War of 1812 and the subsequent collapse of the Federalist Party, by 1820 Catholics had become a key part of the triumphant Republican coalition, which within a decade would become the new Democratic Party of Andrew Jackson and Martin Van Buren.Jason K. Duncan is Assistant Professor of History at Aquinas College.