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Fiction and Essays by Wang Wen-hsing
This volume consists of translations of twenty-four fictional works and five essays by Wang Wen-Hsing, plus a dedicated author's preface. Wang is one of the most celebrated modernist writers in Taiwan and the recipient of Taiwan's most prestigious National Culture and Arts Award (Literature Category). This anthology brings to English readers excellent works written in the earlier period of Wang's writing career; most of the works are published for the first time in English. This book is an important introduction not only toward understanding Wang's writings in particular, but also to understanding Taiwan modernist literature in general.
Poems of Choi Seung-ja
This volume is a translation of Choi Seung-ja’s 1991 anthology titled Portrait of a Suburbanite. Published in the series of “100 Prominent Korean Poets” by Mirae Press, the poems in this volume were selected from four of Choi’s previous works titled, Love of This Age (1981), Merry Diary (1984), House of Memory (1989), and the subsequently published My Tomb, Green (1993). Speaking with a fierce sense of equality and independence, Choi Seung-ja’s poetry battled ossified forms of language not only on the political but also the personal front. Like her male colleagues, Choi parodied and critiqued the idol of the father, but even further, she insightfully explored irreverent content to reveal the gendered constraints of the lyric form. In particular, Choi exposed the idolatrous power of the lover, the basis of exploitation and injustice at the most intimate level. On top of their political disempowerment as citizens, the private and domestic alienation of women as daughters, lovers, and wives form a deep stratum of repression. When Choi’s women personae broke this long silence of compliance nurtured by the traditional lyric and voiced themselves as exploited and traumatized, yet fearless and tenacious human beings, the shock of this transgression shook the nation. In turn it demonstrate how long and how powerfully the gender constrictions had been imposed on Korean women
A Study of Sinicization, 1583-1795
Making extensive use of Chinese, Japanese, Manchu, and Western sources, the author adopts a historical multifaceted approach to explore the various forces - geography, economics, frontier contacts, political and social institutions; language, literature and art; religion and Confucianism - that made possible the Manchu adoption of Chinese ways of life.
The Art of Being Alone
This extensive selection of Tanikawa Shuntaro's poetry reflects the full depth and breadth of his work, from his appearance as a fresh new voice to the mastery of his later poetry. It traces his artistic development and his shift in focus from man's cosmic destiny to the pathos of everyday life and a more internalized struggle with the nature of human expression. Lovers of poetry will find the experience exhilarating. The only such collection in English, this volume will prove indispensable to students and scholars of Japanese literature, as it opens a valuable new perspective on postware Japanese literature. The Introduction clarifies the social and artistic background of Tanikawa's extraordinary work and career, illuminating major themes as his poetry evolves over time.
Single Sickness and Other Stories by Masuda Mizuko opens a window onto the intriguing fictional world of award-winning author Masuda Mizuko. Masuda explores themes of female subjectivity and biology, selfhood and autonomy, loneliness and desire, and the deep tensions inherent in female-male relations. The seven stories in this volume tap into a powerful undercurrent of disquiet pervading contemporary urban life. Masuda subtly evokes an air of menace underlying the mundane and a whiff of danger in the domestic.
Chinese Martial Arts Literature and Postcolonial History
Known in the West primarily through poorly subtitled films, Chinese martial arts fiction is one of the most iconic and yet the most understudied form of modern sinophone creativity. Current scholarship on the subject is characterized by three central assumptions that I will argue against in this book: first, that martial arts fiction is the representation of a bodily spectacle that historically originated in Hong Kong cinema; second, that the genre came into being as an escapist fantasy that provided psychological comfort to people during the height of imperialism; and third, that martial arts fiction reflects a patriotic attitude that celebrates the greatness of Chinese culture, which in turn is variously described as the China-complex, colonial modernity, essentialized identity, diasporic consciousness, anxieties about globalization, or other psychological and ideological difficulties experienced by the Chinese people.