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A New History of Race and Music in Brazil
The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
Vol. 10, no. 3 (1999); Vol. 11 (2000) through current issue
As the only journal that specifically addresses the problems of the Mediterranean region, the Mediterranean Quarterly is in a position to account for many of the crucial developments in international politics and policy that are redefining the world order. This unique publication delivers global issues with a Mediterranean slant and regional struggles of global impact. In the Mediterranean Quarterly, important voices from around the world speak with clarity and depth about the effects of history, culture, politics, and economics on the Mediterranean and the world.
No. 1 (1973)-no. 62 (2004), missing nos. 2,3,9,22,39-44,50-51,55-57,59-60; No. 75 (2010) through current issue
Publishing contemporary poetry and fiction as well as reviews, critical commentary, and interviews of leading intellectual figures, the minnesota review curates smart yet accessible collections of progressive new work. This eclectic survey provides lively and sophisticated signposts to navigating current critical discourse. Under the leadership of new editor Janell Watson, the review will maintain its tradition of exploring the most exciting literary and critical developments for both specialists and a general audience.
Vol. 60, no. 2 (1999); Vol. 61 (2000) - vol. 65 (2004)
The focus of MLQ is on change, both in literary practice and within the profession of literature itself. MLQ is open to papers on literary change from the Middle Ages to the present and welcomes theoretical reflections on the relationship of literary change or historicism to feminism, ethnic studies, cultural materialism, discourse analysis, and all other forms of representation and cultural critique. Seeing texts as the depictions, agents, and vehicles of change, MLQ targets literature as a commanding and vital force.
Vol. 1 (2000) - vol. 4 (2003)
Nepantla: Views from South is committed to fostering innovative reflection at the intersections of the humanities and the social sciences and of post-area studies and cultural studies. While inspired mainly by Latin American, Caribbean, and U.S. Latinidad perspectives, Nepantla's scope is in no way limited to these perspectives and/or regions. The linkages that define borders of all kinds serve as points of departure for exploration: borders of empire; borders of class, gender, and ethnicity; and the disciplinary borders that have traditionally defined scholarship.
Vol. 1 (1994) through current issue
Nka focuses on publishing critical work that examines the newly developing field of contemporary African and African Diaspora art within the modernist and postmodernist experience and therefore contributes significantly to the intellectual dialogue on world art and the discourse on internationalism and multiculturalism in the arts. Nka mainly includes scholarly articles, reviews (exhibits and books), interviews, and roundtable discussions.
The Politics of Waiting in Argentina
Patients of the State is a sociological account of the extended waiting that poor people seeking state social and administrative services must endure. It is based on ethnographic research in the waiting area of the main welfare office in Buenos Aires, in the line leading into the Argentine registration office where legal aliens apply for identification cards, and among people who live in a polluted shantytown on the capital’s outskirts, while waiting to be allocated better housing. Scrutinizing the mundane interactions between the poor and the state, as well as underprivileged people’s confusion and uncertainty about the administrative processes that affect them, Javier Auyero argues that while waiting, the poor learn the opposite of citizenship. They learn to be patients of the state. They absorb the message that they should be patient and keep waiting, because there is nothing else that they can do. Drawing attention to a significant everyday dynamic that has received little scholarly attention until now, Auyero considers not only how the poor experience these lengthy waits but also how making poor people wait works as a strategy of state control.
Vol. 1 (2001) through current issue
Pedagogy is an innovative journal that aims to build a new discourse around teaching in English studies. Reversing the long history of marginalization of teaching and the scholarship produced around it, it offers a forum for critical reflection and spirited debate. The journal publishes articles by senior scholars as well as more junior members of the profession, featuring voices from many subdisciplines and institutions. Pedagogy promises to stimulate new and exciting developments for undergraduate and graduate instruction in English studies.
Slavery and African Catholics in Eighteenth-Century Rio de Janeiro
Vol. 20, no. 3 (1999) - vol. 25 (2004)
Poetics Today brings together scholars from throughout the world who are concerned with developing systematic approaches to the study of literature (e.g., semiotics and narratology) and with applying such approaches to the interpretation of literary works. Poetics Today presents a remarkable diversity of methodologies and examines a wide range of literary and critical topics.