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Duke University Press

Duke University Press

Website: http://www.dukeupress.edu

Duke University Press offers more than forty journals that span a stimulating range of disciplines in mathematics, the humanities, and the social sciences, from East Asian cultural studies to French history, from lesbian and gay studies to the history of economic thought, from African literature and politics to medieval and early modern studies. Duke University Press has a strong reputation in the interdisciplinary area of theory and history of cultural production and is known as a publisher willing to take chances on nontraditional publications.

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Duke University Press

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Vol. 27 (2012) through current issue

Named after the Jewish concept of mending and transforming a fragmented world, the magazine Tikkun offers analysis and commentary that strive to bridge the cultural divide between religious and secular progressives. By bringing together voices from many disparate religious and secular humanist communities to talk about social transformation, political change, and the evolution of our religious traditions, Tikkun creates space for the emergence of a religious Left to respond to the influence of the religious Right and the distortions of global capitalism, while simultaneously critiquing reductionist views that sometimes prevail in liberal and progressive circles. The magazine, which began as a progressive Jewish publication, provides intellectually rigorous, psychologically sophisticated, and unconventional critiques of politics, spirituality, social theory, and culture and is known for its coverage of the Israel/Palestine conflict, social justice issues, and the environment.

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Twentieth-Century Literature

Vol. 61 (2015) through current issue

Focusing on literary-cultural production emerging from or responding to the twentieth century, broadly construed, Twentieth-Century Literature offers essays, grounded in a variety of approaches, that interrogate and enrich the ways we understand the literary cultures of the times. This includes work considering how cultures are bound up with the crucial intellectual, social, aesthetic, political, economic, and environmental developments that shaped the early twenty-first century as well.

¡Venceremos? Cover

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The Erotics of Black Self-Making in Cuba

Jafari Allen

Venezuela’s Bolivarian Democracy Cover

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Venezuela’s Bolivarian Democracy

Participation, Politics, and Culture under Chávez

Edited by David Smilde and Daniel C. Hellinger

We Created Chávez Cover

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We Created Chávez

A People’s History of the Venezuelan Revolution

by George Ciccariello-Maher

Since being elected president in 1998, Hugo Chávez has become the face of contemporary Venezuela and, more broadly, anticapitalist revolution. George Ciccariello-Maher contends that this focus on Chávez has obscured the inner dynamics and historical development of the country’s Bolivarian Revolution. In We Created Chávez, by examining social movements and revolutionary groups active before and during the Chávez era, Ciccariello-Maher provides a broader, more nuanced account of Chávez’s rise to power and the years of activism that preceded it.

Based on interviews with grassroots organizers, former guerrillas, members of neighborhood militias, and government officials, Ciccariello-Maher presents a new history of Venezuelan political activism, one told from below. Led by leftist guerrillas, women, Afro-Venezuelans, indigenous people, and students, the social movements he discusses have been struggling against corruption and repression since 1958. Ciccariello-Maher pays particular attention to the dynamic interplay between the Chávez government, revolutionary social movements, and the Venezuelan people, recasting the Bolivarian Revolution as a long-term and multifaceted process of political transformation.

Where the River Ends Cover

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Where the River Ends

Contested Indigeneity in the Mexican Colorado Delta

by Shaylih Muehlmann

Living in the northwest of Mexico, the Cucapá people have relied on fishing as a means of subsistence for generations, but in the last several decades, that practice has been curtailed by water scarcity and government restrictions. The Colorado River once met the Gulf of California near the village where Shaylih Muehlmann conducted ethnographic research, but now, as a result of a treaty, 90 percent of the water from the Colorado is diverted before it reaches Mexico. The remaining water is increasingly directed to the manufacturing industry in Tijuana and Mexicali. Since 1993, the Mexican government has denied the Cucapá people fishing rights on environmental grounds. While the Cucapá have continued to fish in the Gulf of California, federal inspectors and the Mexican military are pressuring them to stop. The government maintains that the Cucapá are not sufficiently "indigenous" to warrant preferred fishing rights. Like many indigenous people in Mexico, most Cucapá people no longer speak their indigenous language; they are highly integrated into nonindigenous social networks. Where the River Ends is a moving look at how the Cucapá people have experienced and responded to the diversion of the Colorado River and the Mexican state's attempts to regulate the environmental crisis that followed.

Writing in the Air Cover

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Writing in the Air

Heterogeneity and the Persistence of Oral Tradition in Andean Literatures

by Antonio Cornejo-Polar

Originally published in 1994, Writing in the Air is one of the most significant books of modern Latin American literary and cultural criticism. In this seminal work, the influential Latin American literary critic Antonio Cornejo Polar offers the most extended articulation of his efforts to displace notions of hybridity or "mestizaje" dominant in Latin American cultural studies with the concept of heterogeneity: the persistent interaction of cultural difference that cannot be resolved in synthesis. He reexamines encounters between Spanish and indigenous Andean cultural systems in the New World from the Conquest into the 1980s. Through innovative readings of narratives of conquest and liberation, homogenizing nineteenth- and twentieth-century discourses, and contemporary Andean literature, he rejects the dominance of the written word over oral literature. Cornejo Polar decenters literature as the primary marker of Latin American cultural identity, emphasizing instead the interlacing of multiple narratives that generates the heterogeneity of contemporary Latin American culture.

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