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Dartmouth College Press

Website: http://www.upne.com/dartmouth.html

Dartmouth College Press is a member press of the University Press of New England (UPNE). Dartmouth College’s unique focus on personalized arts and science learning has made it a global leader in liberal education. This unique focus is reflected in the books that Dartmouth College Press publishes. DCP’s interdisciplinary approach to publishing touches on everything from the fine and visual arts, to cross-cultural criticisms of American Studies, to global health and medicine.

Interfaces: Studies in Visual Culture is a perfect representation of Dartmouth's ever-growing commitment to the study of visual culture. Similarly, Donald Pease, as founder and director of The Futures of American Studies Institute, has created the new series Remapping the Trans-National: A Dartmouth Series in American Studies, which serves as a forum for Dartmouth's leadership in charting the future course of American Studies throughout the world.

Other important series include Reencounters with Colonialism and The Collected Writings of Rousseau.


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Dartmouth College Press

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On Suffering Cover

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On Suffering

Pathways to Healing and Health

Beverley M. Clarke

Currently in medicine, theories of pain regard pain and suffering as one and the same. It is assumed that if pain ceases, suffering stops. These theories are not substantiated in clinical practice, where some patients report little pain and extreme suffering and other individuals have a lot of pain and virtually no suffering.

Based on the results of a scientific questionnaire, as well as evidence from and conversations with hundreds of patients, Beverley M. Clarke argues convincingly that suffering is often separate from pain, has universal measurable characteristics, and requires suffering-specific treatments that are sensitive to the patient's individual psychology and cultural background. According to Clarke, suffering occurs when individuals who have experienced a life change because of medical issues perceive a threat to their idea of self and personhood. This kind of suffering, based on a lost "dream of self," affects every aspect of an individual's life. Treating the patient as a whole person--an approach that Clarke strongly advocates--is an issue overlooked in the majority of chronic care and traumatic injury treatments, focused as they are on pain reduction.

Clarke believes passionately that the management of suffering in medicine is the responsibility of all health care practitioners. Until they come to identify and understand suffering as distinct from pain, the entire health care system will continue to carry the financial and moral burden of incomplete diagnoses, inappropriate referrals for care, ineffective treatment interventions, and lost human potential.

On the Sleeve of the Visual Cover

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On the Sleeve of the Visual

Race as Face Value

Alessandra Raengo

In this landmark work of critical theory, black studies, and visual culture studies, Alessandra Raengo boldly reads race as a theory of the image. By placing emphasis on the surface of the visual as the repository of its meaning, race presents the most enduring ontological approach to what images are, how they feel, and what they mean. Having established her theoretical concerns, the author's eclectic readings of various artifacts of visual culture, fine arts, cinema, and rhetorical tropes provoke and destabilize readers' visual comfort zone, forcing them to recognize the unstated racial aspects of viewing and the foundational role of race in informing the visual.

Re-Framing the Transnational Turn in American Studies Cover

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Re-Framing the Transnational Turn in American Studies

Winfried Fluck

This volume is the outcome of a transatlantic conversation on the topic "Transnational America," in which more than sixty scholars from universities in the United States and Germany gathered to assess the historical significance of and examine the academic prospects for the "transnational turn" in American studies.

This development has brought about the most significant re-imagining of the field since its inception. The "transnational" has subsumed competing spatial and temporal orientations to the subject and has dismantled the foundational tenets and premises informing the methodology, periodization, pedagogy, and geographical locations of U.S. American studies, but transnational American studies scholars have not yet provided a coherent portrait of their field. This volume constitutes an effort to produce this needed portrait. The editors have gathered work from a host of senior and up-and-coming Americanists to compile a field-defining project that will influence both scholars and students of American studies for many years to come.

Rousseau, Judge of Jean-Jacques: Dialogues Cover

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Rousseau, Judge of Jean-Jacques: Dialogues

Dialogues

Jean-Jacques Rousseau

One of Rousseau's later and most puzzling works and never before available in English, this neglected autobiographical piece was the product of the philosopher's old age and sense of persecution. Long viewed simply as evidence of his growing paranoia, it consists of three dialogues between a character named "Rousseau" and one identified only as "Frenchman" who discuss the bad reputation and works of an author named "Jean-Jacques." Dialogues offers a fascinating retrospective of his literary career.

Shock and Awe Cover

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Shock and Awe

American Exceptionalism and the Imperatives of the Spectacle in Mark Twain's A Connecticut Yankee in King Arthur's Court

William V. Spanos

Inspired by the foreign policy entanglements of recent years, William V. Spanos offers a dramatic interpretation of Twain's classic A Connecticut Yankee in King Arthur's Court, offering a heretofore unexplored assessment of American exceptionalism and the place of a global America in the American imaginary. Spanos insists that Twain identifies with his protagonist, particularly in his defining use of the spectacle, and thus with an American exceptionalism that uncannily anticipates the George W. Bush administration's normalization of the state of exception and the imperial policy of "preemptive war," unilateral "regime change," and "shock and awe" tactics. Equally stimulating is Spanos's thoroughly original ontology of American exceptionalism and imperialism and his tracing of these forces through a chronological examination of Twain studies and criticism over the past century.

As an examination of an overlooked text and a critical history of American studies from its origins in the nation-oriented "Myth and Symbol" school of the Cold War era into its present globalizing or transnationalizing perspective, Shock and Awe will appeal to a broad audience of American literature scholars and beyond.

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Stardust Monuments

The Saving and Selling of Hollywood

Alison Trope

Hollywood is placeless, timeless, and iconic, a key fabricator and forger of American cultural myths and stories. How, then, will the history of Hollywood be written? Stardust Monuments spotlights the enduring efforts to memorialize and canonize the history and meaning of Hollywood and American film culture. In this engaging analysis, Alison Trope explores the tensions between art and commerce as they intersect in a range of nonprofit and for-profit institutions and products. An insightful tour of Hollywood’s past, present, and future, Stardust Monuments examines the establishment of film libraries and museums beginning in the mid 1930s, the many failed attempts to open a Hollywood museum ranging from the 1960s to today, and the more successful recent corporate efforts to use Hollywood’s past in theme restaurants and parks, classic movie channels, and DVD boxed sets. This fascinating narrative details the ongoing struggle to champion and codify Hollywood’s legacy, a struggle engaged in by Hollywood stars and corporate executives, as well as memorabilia collectors and users of IMDb.

Technologies of History: Visual Media and the Eccentricity of the Past Cover

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Technologies of History: Visual Media and the Eccentricity of the Past

Visual Media and the Eccentricity of the Past

Steve F. Anderson

Technologies of History is an engrossing and innovative consideration of how history is constructed today, exploring our most basic relationship to history and the diverse contributions of visual and computational media to conceptions of the past. Embracing the varieties of history offered by experimental film, television, video games, and digital media, Steve F. Anderson mines the creative and discursive potential of this profane and esoteric historiography. He offers a highly readable and consistently fascinating discussion of historiography in visual media, with an emphasis on alternate or fantastic histories, including Star Trek time travel episodes, fake documentaries, films created from home movies and found footage, and video games about cultural traumas such as the siege at Waco and the assassination of President John F. Kennedy. Examining artifacts from the most commercial Hollywood product to the modernist avant-garde, this bold and ambitious polemic seeks to address historians, media scholars, and general readers alike, encouraging all to recognize, engage with, and perhaps even learn from these heterodox histories and the powerful sway they hold over our historical consciousness.

Time and the Digital Cover

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Time and the Digital

Connecting Technology, Aesthetics, and a Process Philosophy of Time

An original consideration of the temporal in digital art and aesthetics Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker’s Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Invoking the process philosophy of Whitehead and Deleuze, Barker strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity. Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies.

Transcendental Resistance Cover

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Transcendental Resistance

The New Americanists and Emerson's Challenge

Johannes Voelz

A timely and engrossing critique of the New Americanists Johannes Voelz offers a critique of the New Americanists through a stimulating and original reexamination of the iconic figure of Ralph Waldo Emerson. Voelz argues against the prevailing tendency among Americanists to see Emerson as the product of an “all-pervasive scope of cultural power.” Instead he shows Emerson’s philosophy to be a deft response to the requirements of lecturing professionally at the newly built lyceums around the country. Voelz brings to light a fascinating organic relationship between Emerson’s dynamic style of thinking and the uplifting experience demanded by his public. This need for an audience-directed philosophy, the author argues, reveals the function of Emerson’s infamous inconsistencies on such issues as representation, identity, and nation. It also poses a major counter-argument to the New Americanists’ dim view of Emerson’s individualism and his vision of the private man in public. Challenging the fundamental premises of the New Americanists, this study is an important, even pathbreaking guide to the future of American studies.

Travels in Intermedia[lity] Cover

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Travels in Intermedia[lity]

ReBlurring the Boundaries

Bernd Herzogenrath

How do fiction, film, music, the Internet, and plastic, performative, and fine arts negotiate their shapes, formats, and contents in our contemporary world? More important, how does their interaction shape their techniques of representation, strategies of communication, and forms of reception? In the light of these ongoing interactive (and intermedial) processes, the fields of cultural studies and American studies are challenged to restructure and reorganize themselves. Less interested in the mere fact of traditional art forms meeting new media such as film, video, and digital arts, the collection concentrates on the ways in which the fundamental theoretical constructs of the media have forever changed. This book offers the latest in global intermedial studies, including discussions of digital photography, comics and graphic novels, performance art, techno, hypertext, and video games.

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