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Dartmouth College Press

Website: http://www.upne.com/dartmouth.html

Dartmouth College Press is a member press of the University Press of New England (UPNE). Dartmouth College’s unique focus on personalized arts and science learning has made it a global leader in liberal education. This unique focus is reflected in the books that Dartmouth College Press publishes. DCP’s interdisciplinary approach to publishing touches on everything from the fine and visual arts, to cross-cultural criticisms of American Studies, to global health and medicine.

Interfaces: Studies in Visual Culture is a perfect representation of Dartmouth's ever-growing commitment to the study of visual culture. Similarly, Donald Pease, as founder and director of The Futures of American Studies Institute, has created the new series Remapping the Trans-National: A Dartmouth Series in American Studies, which serves as a forum for Dartmouth's leadership in charting the future course of American Studies throughout the world.

Other important series include Reencounters with Colonialism and The Collected Writings of Rousseau.


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Dartmouth College Press

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Imaginary and Its Worlds Cover

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Imaginary and Its Worlds

American Studies after the Transnational Turn

Laura Bieger

The Imaginary and Its Worlds collects essays that boldly rethink the imaginary as a key concept for cultural criticism. Addressing both the emergence and the reproduction of the social, the imaginary is ideally suited to chart the consequences of the transnational turn in American studies. Leading scholars in the field from the United States and Europe address the literary, social, and political dimensions of the imaginary, providing a methodological and theoretical groundwork for American studies scholarship in the transnational era and opening new arenas for conceptualizing formations of imaginary belonging and subjectivity. This important state-of-the-field collection will appeal to a broad constituency of humanists working to overcome methodological nationalism.

The Imaginary and Its Worlds: An Introduction * LITERARY IMAGINARIES * Imagining Cultures: The Transnational Imaginary in Postrace America - Ramon Saldivar * The Necessary Fragmentation of the (U.S.) Literary-Cultural Imaginary - Lawrence Buell * Imaginaries of American Modernism - Heinz Ickstadt * SOCIAL IMAGINARIES * William James versus Charles Taylor: Philosophy of Religion and the Confines of the Social and Cultural Imaginaries - Herwig Friedl * The Shaping of We-Group Identities in the African American Community: A Perspective of Figurational Sociology on the Cultural Imaginary - Christa Buschendorf * Russia's Californio Romance: The Other Shores of Whitman's Pacific - Lene Johannessen * Form Games: Staging Life in the Systems Epoch - Mark Seltzer * POLITICAL IMAGINARIES * Real Toads - Walter Benn Michaels * Obama Unwound: The Romanticism of Victory and the Defeat of Compromise - Christopher Newfield * Barack Obama's Orphic Mysteries - Donald E. Pease * Coda. The Imaginary and the Second Narrative: Reading as Transfer - Winfried Fluck * Contributors * Index

The Indian History of an American Institution Cover

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The Indian History of an American Institution

Native Americans and Dartmouth

Colin G. Calloway

A history of the complex relationship between a school and a people Dartmouth College began life as an Indian school, a pretense that has since been abandoned. Still, the institution has a unique, if complicated, relationship with Native Americans and their history. Beginning with Samson Occom’s role as the first “development officer” of the college, Colin G. Calloway tells the entire, complex story of Dartmouth’s historical and ongoing relationship with Native Americans. Calloway recounts the struggles and achievements of Indian attendees and the history of Dartmouth alumni’s involvements with American Indian affairs. He also covers more recent developments, such as the mascot controversies, the emergence of an active Native American student organization, and the partial fulfillment of a promise deferred. This is a fascinating picture of an elite American institution and its troubled relationship— at times compassionate, at times conflicted—with Indians and Native American culture.

Insourced Cover

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Insourced

How Importing Jobs Impacts the Healthcare Crisis Here and Abroad

Dr. Kate Tulenko

For years, opponents of outsourcing have argued that offshoring American jobs destroys our local industries, lays waste to American job creation, and gives foreigners the good jobs and income that would otherwise remain on our shores. Yet few Americans realize that a parallel dynamic is occurring in the healthcare sector--previously one of the most consistent sources of stable, dependable living-wage jobs in the entire nation.

Instead of outsourcing high-paying jobs overseas--as the manufacturing and service sectors do--hospitals and other healthcare companies insource healthcare labor from developing countries, giving the jobs to people who are willing to accept lower pay and worse working conditions than U.S. healthcare workers. As Dr. Tulenko shows, insourcing has caused tens of thousands of high-paying local jobs in the healthcare sector to effectively vanish from the reach of U.S. citizens, weakened the healthcare systems of developing nations, and constricted the U.S. health professional education system. She warns Americans about what she's seeing--a stunning story they're scarcely aware of, which impacts all of us directly and measurably--and describes how to create better American health professional education, more high-paying healthcare jobs, and improved health for the poor in the developing world.

Julie, or the New Heloise Cover

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Julie, or the New Heloise

Letters of Two Lovers Who Live in a Small Town at the Foot of the Alps

Jean-Jacques Rousseau

An elegant translation of one of the most popular novels of its time.

Rousseau's great epistolary novel, Julie, or the New Heloise, has been virtually unavailable in English since 1810. In it, Rousseau reconceptualized the relationship of the individual to the collective and articulated a new moral paradigm. The story follows the fates and smoldering passions of Julie d'Etange and St. Preux, a one-time lover who re-enters Julie's life at the invitation of her unsuspecting husband, M. de Wolmar.

The complex tones of this work made it a commercial success and a continental sensation when it first appeared in 1761, and its embodiment of Rousseau's system of thought, in which feelings and intellect are intertwined, redefined the function and form of fiction for decades. As the characters negotiate a complex maze of passion and virtue, their purity of soul and honest morality reveal, as Rousseau writes in his preface, "the subtleties of heart of which this work is full."

A comprehensive introduction and careful annotations make this novel accessible to contemporary readers, both as an embodiment of Rousseau's philosophy and as a portrayal of the tension and power inherent in domestic life.

Letter to Beaumont, Letters Written from the Mountain, and Related Writings Cover

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Letter to Beaumont, Letters Written from the Mountain, and Related Writings

Jean-Jacques Rousseau

Published between 1762 and 1765, these writings are the last works Rousseau wrote for publication during his lifetime. Responding in each to the censorship and burning of Emile and Social Contract, Rousseau airs his views on censorship, religion, and the relation between theory and practice in politics.

The Letter to Beaumont is a response to a Pastoral Letter by Christophe de Beaumont, Archbishop of Paris (also included in this volume), which attacks the religious teaching in Emile. Rousseau's response concerns the general theme of the relation between reason and revelation and contains his most explicit and boldest discussions of the Christian doctrines of creation, miracles, and original sin.

In Letters Written from the Mountain, a response to the political crisis in Rousseau's homeland of Geneva caused by a dispute over the burning of his works, Rousseau extends his discussion of Christianity and shows how the political principles of the Social Contract can be applied to a concrete constitutional crisis. One of his most important statements on the relation between political philosophy and political practice, it is accompanied by a fragmentary "History of the Government of Geneva."

Finally, "Vision of Peter of the Mountain, Called the Seer" is a humorous response to a resident of Motiers who had been inciting attacks on Rousseau during his exile there. Taking the form of a scriptural account of a vision, it is one of the rare examples of satire from Rousseau's pen and the only work he published anonymously after his decision in the early 1750s to put his name on all his published works. Within its satirical form, the "Vision" contains Rousseau's last public reflections on religious issues.

Neither the Letter to Beaumont nor the Letters Written from the Mountain has been translated into English since defective translations that appeared shortly after their appearance in French. These are the first translations of both the "History" and the "Vision."

The Maltese Touch of Evil Cover

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The Maltese Touch of Evil

Film Noir and Potential Criticism

Part thinking-man’s fan crush, part crazily inspired remix of the most beloved of film genres, this book will force scholars and film lovers alike to view film noir afresh Noir is among the most popular, acclaimed, and critically assessed film styles of all time. The unfortunate consequence is an ever-growing divergence between fans and scholars with regard to goals and methods for appreciating and studying noir. The Maltese Touch of Evil aims to bridge that gap. Based on a series of popular podcasts, this unique and deeply informed investigation of film noir sets out to examine the case of noir more closely, and in the process reconfigures the critical evidence on noir that has been presented to date. The Maltese Touch of Evil reproduces and re-sequences nearly 150 noir screen grabs from 31 great films, laying them out with the authors’ informed and entertaining insights into the significance of each shot. The result is a de facto meta–film noir, a celebration of the genre that shows how these films are themselves “constrained” texts whose carefully calculated visual forms simultaneously generate narrative and critical commentary on that narrative. You will never look at film noir the same way again.

Materializing New Media Cover

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Materializing New Media

Embodiment in Information Aesthetics

Anna Munster

In Materializing New Media, Anna Munster offers an alternative aesthetic genealogy for digital culture. Eschewing the prevailing Cartesian aesthetic that aligns the digital with the disembodied, the formless, and the placeless, Munster seeks to "materialize" digital culture by demonstrating that its aesthetics have reconfigured bodily experience and reconceived materiality.

Her topics range from artistic experiments in body-computer interfaces to the impact that corporeal interaction and geopolitical circumstances have on producing new media art and culture. She argues that new media, materiality, perception, and artistic practices now mutually constitute "information aesthetics." Information aesthetics is concerned with new modes of sensory engagement in which distributed spaces and temporal variation play crucial roles. In analyzing the experiments that new media art performs with the materiality of space and time, Munster demonstrates how new media has likewise changed our bodies and those of others in global information culture.

Materializing New Media calls for a re-examination of the roles of both body and affect in their relation to the virtual and to abstract codes of information. It offers a nonlinear approach to aesthetics and art history based on a concept of "folding" that can discern certain kinds of proximities and continuations across distances in time (in particular between the Baroque and the digital). Finally, it analyzes digital culture through a logic of the differential rather than of the binary. This allows the author to overcome a habit of futurism, which until now has plagued analyses of new media art and culture. Technology is now not seen as surpassing the human body but continually reconfiguring it and constitutive of it.

Migrant Sites Cover

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Migrant Sites

America, Place, and Diaspora Literatures

Dalia Kandiyoti

In Migrant Sites, Dalia Kandiyoti presents a compelling corrective to the traditional immigrant and melting pot story. This original and wide-ranging study embraces Jewish, European, and Chicana/o and Puerto Rican literatures of migration and diasporization through the literary works of Abraham Cahan, Willa Cather, Estela Portillo Trambley, Sandra Cisneros, Piri Thomas, and Ernesto Quinonez. The author offers a transformed understanding of the ways in which the sense of place shapes migration imaginaries in U.S. writing. Place is a crucial category, one that along with race, class, and gender, has a profound impact in shaping migration and diaspora identities and storytelling. Migrant Sites highlights enclosure as a prominent sense of place and translocality as its counterpart in diaspora experiences created in fiction. Repositioning national literature as diaspora literature, the author shows that migrant legacies such as colonialism, empire, borders, containment, and enclosure are part of the American story and constitute the "diaspora sense of place."

A More Conservative Place Cover

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A More Conservative Place

Intellectual Culture in the Bush Era

An intervention towards understanding the recent dark political and intellectual days

No Innocent Bystanders Cover

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No Innocent Bystanders

Performance Art and Audience

Frazer Ward

The changing role of the spectator in contemporary performance art At a moment when performance art and performance generally are at the center of the international art world, Frazer Ward offers us insightful readings of major performance pieces by the likes of Acconci, Burden, Abramović, and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. Ward contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like “public” and “community.” A thoughtful, even urgent discussion of the relationship between art and the audience that will appeal to a broad range of art historians, artists, and others interested in constructions of the public sphere.

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