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A Practical Guide for Global Health Workers
Written by authors who speak directly from their years of personal and professional experience with health projects in Africa, this book provides an integrated historical, social, political, economic, and health introduction to a series of African countries. It also offers a comprehensive view of major health issues for those aiming to undertake humanitarian and global health work in Africa.
In the introductory chapter, the editors discuss the concepts of globalism and humanitarianism, and provide a framework for thinking about global health. They introduce readers to significant aspects of African history and agencies that play major roles in global health work in Africa. The "Tips for Travelers to Africa" chapter provides a wealth of information on preparing for travel to Africa and working successfully and effectively in African cultures.
Individual chapters on Botswana, Ghana, The Maghreb, Rwanda, South Africa, Tanzania, and Uganda focus on key health or environmental issues, projects, and solutions unique to each country. Written jointly by U.S. and African medical personnel participating in major health initiatives, the chapters offer vibrant accounts of work on leading causes of disease and death or environmental problems.
Video Art and Media Populism
Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which “the people” were ideologically figured by the commercial mass media. During this time, artists and organizations including Nam June Paik, Juan Downey, and the Women’s Video News Service challenged the existing limits of the one-to-many model of televisual broadcasting while simultaneously constructing more democratic, bottom-up models in which the people mediated themselves. Operating at the intersection between art history and media studies, Against Immediacy connects early video art and the rise of the media screen in gallery-based art to discussions about participation and the activation of the spectator in art and electronic media, moving from video art as an early form of democratic media practice to its canonization as a form of high art.
A Deleuzian Approach
A reflection on the metaphor of the body politic throughout American history Bernd Herzogenrath’s An American Body|Politic is a study of the intersection between the material, biological body and body as political and cultural metaphor in American politics, religion, literature, and popular culture. Deeply influenced by the thought of Gilles Deleuze, Herzogenrath’s approach to American culture encompasses endless possibilities and potentials, eschewing the mechanic and structural. He traipses through American history and culture, pausing to examine such varied facets as the Puritans’ “two bodies,” Anne Hutchinson and the Antinomian Controversy, Cotton Mather and smallpox, the poetics|politics of Whitman, Henry Adams’s stroll along the shores of complexity, and the Detroit-based techno music of today.
A Directory of the Paper Trade with Notes on Products, Watermarks, Distribution Methods, and Manufacturing Techniques
Unprecedented in size and scope, this directory describes more than 500 paper mills on the basis of census records, archival sources, local histories, and watermark evidence. It traces economic developments and technological changes in the American paper trade from the colonial period to the industrial era, with special reference to its close connections with the printing business, which depended on local sources of supply for newsprint, book paper, and plate paper for engraved illustrations. Newly discovered and reattributed watermarks make it possible to identify these products and provide a more reliable means of dating and localizing works on paper.
This fully documented survey of paper mills also contains biographical information about members of the trade and a succinct history of papermaking in America with essays on manufacturing methods, mechanization, business practices, and distribution networks. Among the illustrations in this volume are hitherto unrecorded woodcut and engraved views of manufactories, used in the packaging art of that period.
Turning toward the Transpacific
This wide-ranging collection brings together an eclectic group of scholars to reflect upon the transnational configurations of the field of American studies and how these have affected its localizations, epistemological perspectives, ecological imaginaries, and politics of translation. The volume elaborates on the causes of the transnational paradigm shift in American studies and describes the material changes that this new paradigm has effected during the past two decades. The contributors hail from a variety of postcolonial, transoceanic, hemispheric, and post-national positions and sensibilities, enabling them to theorize a “crossroads of cultures” explanation of transnational American studies that moves beyond the multicultural studies model.
Offering a rich and rewarding mix of essays and case studies, this collection will satisfy a broad range of students and scholars.
The similes in Homer are treasure troves. They describe scenes of Greek life that are not presented in their simplest form anywhere else: landscapes and seascapes, storms and calm weather, fighting among animals, civic disputes, athletic contests, horse races, community entertainment, women involved in their daily tasks, men running their farms and orchards. These basic paratactic additions to the narrative show how the Greeks found and developed parallels between two scenes--each of which elucidated and interpreted the other--then expressed those scenes in effective poetic language.
In The Artistry of the Homeric Simile, Scott explores the variations and modifications that Homer employs in order to make similes blend expressively with the larger context. This engaging study will help unlock the richness of Homer for the modern reader.
Newcomers to Rousseau's works and those who are familiar with his writings will find something to surprise them both in this wide variety of short pieces from every period of his life.
Among the important theoretical writings found here are the "Fiction or Allegorical Fragment on Revelation" and the "Moral Letters," which are among Rousseau's clearest statements about the nature and limits of philosophic reasoning. In the early "Idea of a Method for the Composition of a Book," Rousseau lays out in advance his understanding of how to present his ideas to the public. He ponders the possibilities for and consequences of air travel in "The New Daedalus." This volume also contains both his first and last autobiographical statements.
Some of these writings show Rousseau's lesser-known playful side. A comic fairy tale, "Queen Whimsical", explores the consequences--both serious and ridiculous--for a kingdom when the male heir to the throne, endowed with the frivolous characteristics of his mother, has a sister with all the characteristics of a good monarch. When Rousseau was asked whether a fifty-year old man could write love letters to a young woman without appearing ridiculous, he responded with "Letters to Sophie," which attempt to demonstrate that such a man could write as many as four--but not as many as six--letters before he became a laughingstock. In "The Banterer," he challenges readers to guess whether the work they are reading was written by an author who is "wisely mad" or by one who is "madly wise." When Rousseau was challenged to write a merry tale, "without intrigue, without love, without marriage, and without lewdness," he produced a work considered too daring to be published in France.
The Story of the Tragic Moffatt Canoe Trip
In 1955 Arthur Moffatt led an expedition consisting of young college students and recent graduates to the Inuit lands of Nunavut, Canada, to follow the path of the 1893 Tyrrell expedition and to film and photograph the group’s progress. The expedition, a 900-mile epic journey across the Barren Lands of Arctic Canada, has stirred controversy and criticism for over fifty years. The trip has been variously described as “the pioneering venture in modern recreational canoe travel” and as “an excellent example of how not to conduct a canoe trip.” Delays took their toll on the adventurers, exhausted by the seemingly endless paddling through unknown rivers and lakes, the trek across the windswept tundra, and torment by voracious insects. Threatened with diminishing food reserves and increasingly harsh weather, the members of the expedition were forced to travel with greater speed and less caution, and ultimately a fatal mistake was made. Two of the canoes capsized, dumping four men into the frigid waters. Moffatt, the leader, died of exposure. It took the survivors ten days of arduous travel with minimum food and equipment to reach the safety of the Hudson’s Bay Company post.
Barren Grounds features passages from the journals of two young Moffatt party members and excerpts about the 1893 expedition of Joseph Burr Tyrrell, along with entries from the journal of Art Moffatt himself.
Part cautionary tale, part nail-biting adventure, the book will appeal to outdoorsmen and armchair adventurers alike.
Geographic Imaginings of Race and Empire between the World Wars
The Black Pacific Narrative: Geographic Imaginings of Race and Empire between the World Wars chronicles the profound shift in geographic imaginings that occurred in African American culture as the United States evolved into a bioceanic global power. The author examines the narrative of the “black Pacific” the literary and cultural production of African American narratives in the face of America’s efforts to internationalize the Pacific and to institute a “Pacific Community,” reflecting a vision of a hemispheric regional order initiated and led by the United States. The black Pacific was imagined in counterpoint to this regional order in the making, which would ultimately be challenged by the Pacific War. The principal subjects of study include such literary and cultural figures as James Weldon Johnson, George S. Schuyler, artists of the black Federal Theatre Project, Langston Hughes, W. E. B. Du Bois, and Walter White, all of whom afford significant points of entry to a critical understanding of the stakes of the black Pacific narrative. Adopting an approach that mixes the archival and the interpretive, the author seeks to recover the black Pacific produced by African American narratives, narratives that were significant enough in their time to warrant surveillance and suspicion, and hence are significant enough in our time to warrant scholarly attention and reappraisal.
A compelling study that will appeal to a broad, international audience of students and scholars of American studies, African American studies, American literature, and imperialism and colonialism.
A Guide for Global Health Workers
Students and health practitioners traveling abroad seek insightful, culturally relevant background material to orient them to the environment in which they will be living and working. No single book currently provides this contextual background and global health perspective.
These essays emphasize building partnerships and were written by United States medical and dental professionals, in collaboration with social scientists and Latin American medical personnel. The authors provide the historical, political, and cultural background for contemporary health care challenges, especially related to poverty. Combining personal insights with broader discussion of country contexts, this volume serves as an essential guide for anyone--from medical professionals to undergraduate students--heading to Mexico, Central America, or the Caribbean to do health care-related work.