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The Interior of Words
This is the first collection of essays solely dedicated to the achievement of this remarkable Irish poet. The book contains eleven essays by internationally known scholars, a new interview with McGuckian herself, and a detailed bibliography. McGuckian’s critical reputation has grown dramatically over the last decade and she is now a poet with an international reputation. This collection provides a timely and engaging appraisal of her work.
New Plays and Performances from Ireland
Queer Notions is a seminal anthology of new plays and performance documentation from Ireland. This collection is a record of some of the most important performative ideas and embodied interventions that have shaped queer culture and theatre and performance practice in Ireland in recent times, principally in the years following the decriminalization of homosexuality in 1993, up to and including the present. The anthology includes plays, experimental performance documentation, and a visual essay that reveal the impassioned creativity that illuminates and invigorates the margins of culture.
James Joyce and Cinema
Roll Away the Reel World traces Joyce’s involvement in early modern cinema, his thematic and formal borrowing from this genre, and the impact of his writings on later avant-garde and mainstream cinema ranging from Godard to Rossellini to Scorsese. Written by an international group of leading Joyce and film studies scholars, the first section of the book provides a revealing account of the writer’s central involvement in 1909-10 in setting up the Volta cinema, the first specifically-designated cinematic space opened in Dublin.
A Social and Cultural History
This study is the first book-length academic treatment of rugby football in Ireland. Covering the period from the game’s origins in Ireland in the 1870s through to the onset of professional rugby in the twenty-first century, this book seeks to examine Munster rugby within the context of broader social, cultural and political trends in Irish society. As well as providing a thorough chronological survey of the game’s development, key themes such as violence, masculinity, class and politics are subject to more detailed treatment.
In the wake of the Counter Reformation and more intensely after the French Revolution, religious communities of women sprang up with astonishing rapidity in France. Today their form of life is coming to an end, at least in Europe, and it is the culmination of more than three hundred years of religious life, which provided companionship for women and enabled them contribute effective social activity in society. Such a phenomenon invites analysis, both of the origins and the motivations for such an upsurge of women’s communities.The aim of this book is to bring together aspects of the private and public life of members of the Society of the Sacred Heart in 19th century France by using the extensive community and personal archives of the Society, as well as the collection of 14,000 letters of Madeleine Sophie Barat. By combining rigorous research and writing within the perspective of women’s history, the lives and achievements, the successes and failures, of these French women are shifted out of hagiography into history. This book is unique. It breaks with the tradition of religious hagiography so prevalent when writing the history of religious women in the Catholic Church. It addresses the complexity of their personal/ community lives along with their public contribution to society.
New Plays and Practitioner Perspectives
The Celtic Tiger era witnessed a dramatic increase in the number of transnational migrants entering Ireland. By the 2011 Census, 17% of the population was born outside Ireland and much of what had been assumed about Irish identity (and theatre) could no longer hold. This groundbreaking anthology brings together six interviews and eight plays by migrant and Irish-born theatre artists who probe the impact of inward-migration and interculturalism in post-1990s Ireland. The interviews and plays collected here, all available in print for the first time, model a range of devising strategies, dramaturgical frameworks, and literary forms.
Meaning, memory and the fiftieth anniversary of the Easter Rising
The fiftieth anniversary of the Easter Rising has been held responsible for everything from the outbreak of conflict in Northern Ireland to the alienation of an entire generation in the Republic of Ireland. This book examines the myths behind the most elaborate commemoration of the Rising to date.Transforming 1916 explores the meaning and memory of the Easter Rising in 1966 and the way in which history operated in Ireland at a moment of rapid change. Transforming 1916 looks at the commemorative process through parades, statues, pageants, television programmes, exhibitions and documentary film; and considers the tensions present north and south of the border. It argues that the fiftieth anniversary of the Easter Rising was not, in fact, an unrestrained celebration of Ireland’s past but represented instead an attempt by the Irish government to convey a message of modernisation and economic progress. Transforming 1916 casts light on what 1916 means in Ireland and illuminates the politics of commemoration as the centenary of the Rising approaches.
Social Exclusion and Change
Understanding Limerick is an edited collection featuring contributions from leading Irish scholars in the fields of Sociology, Social Policy, Criminology and Urban Geography. Limerick city has some of the most severely disadvantaged neighbourhoods in the Republic of Ireland. The city has also experienced a range of problems in relation to organized crime, gangland feuding and community violence. This collection seeks to explore how profound social exclusion and poverty-related criminality emerged in Limerick city.
Theoretical Perspectives on Irish Visual Texts
Over the last twenty years, Ireland has undergone significant transformation and, as a consequence, notions of Irish identity and nationality have been in constant flux. For this reason, it is a timely moment to consider visual representations, both past and present, of Irish cultural life, and contribute to conversations about questions such as: What kind of iconic currencies does Ireland have? How should we see them? Are there specific ideological frameworks operating when we imagine Ireland? Can we imagine Irishness differently?