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A Social Portrait
This book is about the Irish District Court which is a key linchpin in the Irish criminal justice system: the District Court is the court in which all persons charged with criminal offences are initially processed and, despite its limited jurisdiction, it accounts for the majority of committals to Irish prisons. The book presents courtroom based research which unveils the largely hidden decisions and processes of the District Court while also providing valuable insights into Irish policing priorities and practices. The numerous extracts of court proceedings which are interspersed throughout this book provide a detailed and nuanced picture of courtroom actors and courtroom practices and ensure readers acquire an in depth understanding of sentencing decisions and practices. The book describes the increased presence of foreign defendants in the District Court and considers how this local court has adapted to deal with global citizens. The account presented illustrates that while penal institutions and practices are fashioned to fit the fabric of local societies, in the current era of movement and flux these institutions and practices are also shaped by exogenous forces such as migration, increased mobility and transnational crime.
This book is a survey of the nineteenth-century Irish novel, consisting of thirty chronologically arranged essays which are supplemented by bibliographical material relevant to each author and title, and the book also includes a comprehensive bibliography of primary and secondary references pertaining to the field as a whole.
The increased visibility of the Irish novel in recent years has been one of the outstanding developments in contemporary Irish literature. This development has coincided with a period of significant change in Ireland as a whole. The Irish Novel 1960-2010 is the first book to study how the novel has been involved in discussing the seeds of change and the response to change as it evolved. The result is a wide-ranging survey, accessible and rewarding for both the student and the general public. Original and insightful it is written with a distinctive blend of sympathy and engagement. The Irish Novel 1960-2010 is an invaluable guide to an important cultural phenomenon.Authors covered:Edna O’Brien, Sam Hanna Bell, John Broderick, Michael Farrell, Samuel Beckett, Brian Moore, Aidan Higgins, Flann O’Brien, Anthony C. West, James Plunkett, J.G. Farrell,Francis Stuart, Jennifer Johnston, Vincent Banville, Ian Cochrane, Maurice Leitch, Caroline Blackwood, Benedict Kiely, Patrick McGinley, John McGahern, Julia O’Faolain, John Banville, Dorothy Nelson, Bernard MacLaverty, Desmond Hogan, Mary Leland, J.M. O’Neill, Carlo Gébler, William Trevor, Timothy O’Grady, Dermot Bolger, Hugo Hamilton, Patrick McCabe, Roddy Doyle, Dermot Healy, Emma Donoghue, Seamus Deane, Anne Haverty, Joseph O’Connor, Glenn Patterson, Mary Morrissy, Eoin McNamee, Deirdre Madden, Keith Ridgway, Colm Tóibín, Sebastian Barry, Gerard Donovan, Anne Enright, Joseph O’Neill, Colum McCann, Paul Murray
An Anthology of Verse in English from the Tudors to the Romantics
This annotated anthology of poems makes available a rich variety of Irish texts depicting the relationship between humans and the environment between the years 1580 and 1820. More than a hundred poems are printed here, together with an extensive critical introduction, notes on each text, and a full bibliography. All the poets whose work is represented were born in Ireland or are identified as Irish.As well as re-publishing the work of major poets such as Oliver Goldsmith, Laurence Whyte and William Drummond, this anthology includes many works by little known or anonymous authors. This volume also reflects current scholarship on the relationship between literature and the environment, enriching our understanding of attitudes in pre-Romantic Ireland towards changing landscapes and agricultural practices, towards human responsibility for the non-human world, and towards the relationship between nature and aesthetics. As well as adding considerably to existing knowledge of the printing and reading of poetry in Ireland during the seventeenth and eighteenth centuries, this anthology also traces the developments in sensibility in Irish poetry during this period, offering new perspectives on the advent of Romanticism in England and on the ways in which this revolutionised the relationship between nature and representation.
The Irish Football Association (IFA) was founded in Belfast in 1880. It was the governing body for soccer for the whole of the island of Ireland. Soccer in Ireland was united for over forty years. It was, though, an uneasy alliance. Many in the south believed the governing body was heavily biased towards Ulster. Most internationals were played in Belfast, most players selected were from the North-East. With the country moving politically towards partition, soccer in Ireland was arguably affected more by the political environment than any other sport. As tensions rose between unionist and nationalist communities, soccer, with strong support bases in both communities, became embroiled in the conflict, playing host to many ugly sectarian incidents.Divisions in the sport reached a climax after the First World War, culminating in the split of 1921 when Leinster seceded from the IFA and formed the Football Association of Ireland (FAI).Making use of extensive primary sources from the IFA, FAI, the English FA and the Leinster Football Association as well as contemporary newspaper sources, The Irish Soccer Split details the events and causes that led to the split in soccer in Ireland. It compares soccer to other sports that remained or became united after partition. The Irish Soccer Split recounts the early years of the FAI and its attempts to gain international recognition. Many efforts were made to heal the division throughout the 1920s and the early 1930s. Efforts were renewed during the Troubles in the 1970s and 1980s to bring about an all-Ireland international team. Some came very close, all ultimately failed, leaving soccer in Ireland today, as it is politically, divided North and South.
Selected Letters and Diaries
The novelist J.G. Farrell – known to his friends as Jim – was drowned on August 11, 1979 when he was swept off rocks by a sudden storm while fishing in the West of Ireland. He was in his early forties. “Had he not sadly died so young,” remarked Salman Rushdie in 2008, “there is no question that he would today be one of the really major novelists of the English language. The three novels that he did leave are all in their different way extraordinary.”
The Making of a Writer
This new, expanded edition of the widely praised biography of the Booker Prize-winning author JG Farrell is timely. His literary achievement is still in the ascendent, as proved by the posthumous award in 2010 of the ‘Lost’ Booker for ‘Troubles’, decided by international e-vote. That made him a double Booker winner, and the publicity given to his renowned Empire Trilogy novels has left the general reading public wanting to know more. Lavinia Greacen has uncovered fresh material and additional photographs since the publication of the first edition, shedding further light on Farrell’s short life and tragic death, as well as the development of his writing career. The result is a fascinating and compelling story about the man described by the latest Estudios Irlandeses as ‘one of the English language’s most accomplished and enigmatic figures’.The life of the novelist J.G. Farrell (1935 – 1979) is almost stranger than fiction. He was a schoolboy sporting hero struck down by polio, a dedicated writer living on a shoestring who was awarded the Booker Prize in 1973, and, with his literary reputation secure and a newly-converted house on the scenic west Cork coastline, he was drowned at the age of 44 while fishing from rocks nearby. This expanded biography, interweaving letters and interviews from sources previously unknown, tells the moving story of his peripatetic life. It ranges from his childhood in Ireland to public school and university in England; from his base in London, where most of his novels took shape, to extended stays in France and the United States, and to periods spent in Mexico, India, Vietnam and Singapore. Readers will discover that Farrell’s celebrated Empire Trilogy, which includes Troubles, The Siege of Krishnapur and The Singapore Grip, reflects his own travels and personal experiences, as well as his unique wit and imagination. This biography reveals the very private man behind the celebrated literary novelist. ‘After reading it’, wrote Gerald Dawe, Senior Lecturer in English at Trinity College, Dublin, ‘I felt not only that I knew J.G. Farrell, but that I, too, mourned his loss as if he were a friend.’
John McGahern (1934-2006) has been widely acknowledged as one of the foremost Irish prose writers of the twentieth and the early twenty-first century. McGahern has traditionally been regarded as a ‘chronicler’ of the lives of farmers, teachers and policemen in the Irish midlands in the twentieth century. The social and historical veracity which so many readers admire in his novels and stories accounts for his popular success in his native country. It has also been the subject of a significant body of criticism of his work. This new book on McGahern’s fiction argues how he was not only an acute social commentator but also an intelligent and perceptive reader interested in the nature and function of literature. It presents McGahern as a highly literary writer aware of the various literary traditions he had inherited, and shows how his imagination was shaped by his lifelong immersion in Irish, English and European literature. Drawing on archival material as well as on original close readings of his fiction, Stanley van der Ziel examines how McGahern’s reading of classic books and authors determined the concerns of his novels and stories, by placing some key elements of McGahern’s aesthetic in their appropriate literary contexts.
Aistí in Ómós do Ghearóid Ó Crualaoich
This collection of fourteen essays covers a wide range of material that reflects the current range of enquiry within the traditional discipline of folklore, the range of interaction between it and various other disciplines, and indeed the breadth of Gearóid Ó Crualaoich’s own interests. Areas covered include the history and practice of fieldwork / collection, the historical and current interaction between the oral and written traditions in Ireland, the use of oral sources for historiography, the ideologies underlying the establishment of museums in Ireland and internationally, and individual studies of oral and material phenomena, an Ghaeilge agus an idé-eolaíocht pholaitiúil .
This book is both about exceptional Irish landscapes like the Burren and also the everyday landscape experience in Ireland. The aim of the book is to give an account of contemporary Irish landscape and to describe and explain how it has changed over the last forty years and how it continues to change