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An Anthology of Verse in English from the Tudors to the Romantics
This annotated anthology of poems makes available a rich variety of Irish texts depicting the relationship between humans and the environment between the years 1580 and 1820. More than a hundred poems are printed here, together with an extensive critical introduction, notes on each text, and a full bibliography. All the poets whose work is represented were born in Ireland or are identified as Irish.As well as re-publishing the work of major poets such as Oliver Goldsmith, Laurence Whyte and William Drummond, this anthology includes many works by little known or anonymous authors. This volume also reflects current scholarship on the relationship between literature and the environment, enriching our understanding of attitudes in pre-Romantic Ireland towards changing landscapes and agricultural practices, towards human responsibility for the non-human world, and towards the relationship between nature and aesthetics. As well as adding considerably to existing knowledge of the printing and reading of poetry in Ireland during the seventeenth and eighteenth centuries, this anthology also traces the developments in sensibility in Irish poetry during this period, offering new perspectives on the advent of Romanticism in England and on the ways in which this revolutionised the relationship between nature and representation.
Selected Letters and Diaries
The novelist J.G. Farrell – known to his friends as Jim – was drowned on August 11, 1979 when he was swept off rocks by a sudden storm while fishing in the West of Ireland. He was in his early forties. “Had he not sadly died so young,” remarked Salman Rushdie in 2008, “there is no question that he would today be one of the really major novelists of the English language. The three novels that he did leave are all in their different way extraordinary.”
The Making of a Writer
This new, expanded edition of the widely praised biography of the Booker Prize-winning author JG Farrell is timely. His literary achievement is still in the ascendent, as proved by the posthumous award in 2010 of the ‘Lost’ Booker for ‘Troubles’, decided by international e-vote. That made him a double Booker winner, and the publicity given to his renowned Empire Trilogy novels has left the general reading public wanting to know more. Lavinia Greacen has uncovered fresh material and additional photographs since the publication of the first edition, shedding further light on Farrell’s short life and tragic death, as well as the development of his writing career. The result is a fascinating and compelling story about the man described by the latest Estudios Irlandeses as ‘one of the English language’s most accomplished and enigmatic figures’.The life of the novelist J.G. Farrell (1935 – 1979) is almost stranger than fiction. He was a schoolboy sporting hero struck down by polio, a dedicated writer living on a shoestring who was awarded the Booker Prize in 1973, and, with his literary reputation secure and a newly-converted house on the scenic west Cork coastline, he was drowned at the age of 44 while fishing from rocks nearby. This expanded biography, interweaving letters and interviews from sources previously unknown, tells the moving story of his peripatetic life. It ranges from his childhood in Ireland to public school and university in England; from his base in London, where most of his novels took shape, to extended stays in France and the United States, and to periods spent in Mexico, India, Vietnam and Singapore. Readers will discover that Farrell’s celebrated Empire Trilogy, which includes Troubles, The Siege of Krishnapur and The Singapore Grip, reflects his own travels and personal experiences, as well as his unique wit and imagination. This biography reveals the very private man behind the celebrated literary novelist. ‘After reading it’, wrote Gerald Dawe, Senior Lecturer in English at Trinity College, Dublin, ‘I felt not only that I knew J.G. Farrell, but that I, too, mourned his loss as if he were a friend.’
John McGahern (1934-2006) has been widely acknowledged as one of the foremost Irish prose writers of the twentieth and the early twenty-first century. McGahern has traditionally been regarded as a ‘chronicler’ of the lives of farmers, teachers and policemen in the Irish midlands in the twentieth century. The social and historical veracity which so many readers admire in his novels and stories accounts for his popular success in his native country. It has also been the subject of a significant body of criticism of his work. This new book on McGahern’s fiction argues how he was not only an acute social commentator but also an intelligent and perceptive reader interested in the nature and function of literature. It presents McGahern as a highly literary writer aware of the various literary traditions he had inherited, and shows how his imagination was shaped by his lifelong immersion in Irish, English and European literature. Drawing on archival material as well as on original close readings of his fiction, Stanley van der Ziel examines how McGahern’s reading of classic books and authors determined the concerns of his novels and stories, by placing some key elements of McGahern’s aesthetic in their appropriate literary contexts.
Aistí in Ómós do Ghearóid Ó Crualaoich
This collection of fourteen essays covers a wide range of material that reflects the current range of enquiry within the traditional discipline of folklore, the range of interaction between it and various other disciplines, and indeed the breadth of Gearóid Ó Crualaoich’s own interests. Areas covered include the history and practice of fieldwork / collection, the historical and current interaction between the oral and written traditions in Ireland, the use of oral sources for historiography, the ideologies underlying the establishment of museums in Ireland and internationally, and individual studies of oral and material phenomena, an Ghaeilge agus an idé-eolaíocht pholaitiúil .
This book is both about exceptional Irish landscapes like the Burren and also the everyday landscape experience in Ireland. The aim of the book is to give an account of contemporary Irish landscape and to describe and explain how it has changed over the last forty years and how it continues to change
This book is the first study of the Irish composer James Wilson (1922–2005). A founding member of Aosdana in the 1950s and 60s, Wilson was a key figure in the Music Associatoon of Ireland and played an important role in developing the structures that support composers and musicians in Ireland today.
A Prelude to the Digital Age
This book, aimed at the general reader and now available in paperback for the first time, is the first full-length biography of George Boole (1815–1864) who has been variously described as the founder of pure mathematics, one of the fathers of computer science and discoverer of symbolic logic. Boole is mostly remembered as a mathematician and logician whose work found application in computer science long after his death, but this biography reveals Boole as much more than a mathematical genius; he was a child prodigy, self-taught linguist and practical scientist, turbulent academic and devoted teacher, social reformer and poet, psychologist and humanitarian, religious thinker and good family man – truly a nineteenth-century polymath.
Studies in Medieval Word and Image in honour of Jennifer O'Reilly
This interdisciplinary collection, which brings together new research on a range of patristic and medieval texts and visual materials, sets the cultural transformation of early medieval Ireland and Britain in the context of these islands’ inheritance from late antiquity and their engagement with the wider medieval world. It testifies to the imaginative ways in which scholars and artists assimilated and creatively re-interpreted the Christian and Mediterranean culture they encountered through the coming of Christianity, a central theme in the work of Dr Jennifer O’Reilly.
Irish Women’s Emigration to America
Models for Movers is a unique collection of Irish migrant women's oral histories spanning three waves of twentieth-century emigration, 1920s, 1950s, 1980s. Each woman describes how she created a new life in America, often in the face of multiple challenges there. The women inspire us to have the courage to act.The women's voices speak to and against the regulated silences surrounding both emigration and the reality of Irish women's lives. They also provide a multigenerational tapestry of experience into which women leaving Ireland today can weave their stories.