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From "Godless Colleges" to the Celtic Tiger
Science and Roman Catholicism have both acted as powerful agents of change in Ireland and elsewhere. But the interaction between Catholicism and science in Ireland has received very little attention from historians to date. The purpose of this book, therefore, is to address this longstanding deficiency in Irish historical literature. There is a strong international dimension to this study. The period of interest is from the Famine to the “Celtic Tiger.”The subject matter encompasses a diverse range of topics. Issues indigenous to Ireland include recurring controversies about university education, the relative paucity of Catholic scientists in nineteenth-century Ireland, the perception of science as a trait of a Protestant and colonial mindset, anti-Catholicism and science, the economic and political conditions in the Irish Free State which worked against the growth of science in Ireland, and the impact of science and technology on Irish Catholicism in recent decades. These subjects are interwoven with topics which extend far beyond Irish interest - such as evolutionary debates, the question of whether or not Catholicism was compatible with science, anti-modernism in the Catholic Church, Vatican pronouncements on science, the theological implications of extra-terrestrial life and of Big Bang cosmology, whether human freewill is real or not, and the importance of science in arguments about the existence of God.
Cultural Politics and Identities 1900-2000
This book engages with the role of dance in Irish culture and society over the course of the twentieth century. It adopts a perspective that sees dance as a prism through which to view key aspects of Irish society over the period under review. In terms of its academic provenance, it can be located broadly in the fields of Irish Cultural History/Sociology and Irish Cultural Studies. It selects a number of key moments or eras to explore the role of dance in constructing and reflecting a number of specific cultural identities, namely national identity, gender, ethnic, postmodern and global. Each chapter focuses on one specific kind of cultural identity though themes of gender and social class run through many of the chapters.
The increased visibility of the Irish novel in recent years has been one of the outstanding developments in contemporary Irish literature. This development has coincided with a period of significant change in Ireland as a whole. The Irish Novel 1960-2010 is the first book to study how the novel has been involved in discussing the seeds of change and the response to change as it evolved. The result is a wide-ranging survey, accessible and rewarding for both the student and the general public. Original and insightful it is written with a distinctive blend of sympathy and engagement. The Irish Novel 1960-2010 is an invaluable guide to an important cultural phenomenon.Authors covered:Edna O’Brien, Sam Hanna Bell, John Broderick, Michael Farrell, Samuel Beckett, Brian Moore, Aidan Higgins, Flann O’Brien, Anthony C. West, James Plunkett, J.G. Farrell,Francis Stuart, Jennifer Johnston, Vincent Banville, Ian Cochrane, Maurice Leitch, Caroline Blackwood, Benedict Kiely, Patrick McGinley, John McGahern, Julia O’Faolain, John Banville, Dorothy Nelson, Bernard MacLaverty, Desmond Hogan, Mary Leland, J.M. O’Neill, Carlo Gébler, William Trevor, Timothy O’Grady, Dermot Bolger, Hugo Hamilton, Patrick McCabe, Roddy Doyle, Dermot Healy, Emma Donoghue, Seamus Deane, Anne Haverty, Joseph O’Connor, Glenn Patterson, Mary Morrissy, Eoin McNamee, Deirdre Madden, Keith Ridgway, Colm Tóibín, Sebastian Barry, Gerard Donovan, Anne Enright, Joseph O’Neill, Colum McCann, Paul Murray
An Anthology of Verse in English from the Tudors to the Romantics
This annotated anthology of poems makes available a rich variety of Irish texts depicting the relationship between humans and the environment between the years 1580 and 1820. More than a hundred poems are printed here, together with an extensive critical introduction, notes on each text, and a full bibliography. All the poets whose work is represented were born in Ireland or are identified as Irish.As well as re-publishing the work of major poets such as Oliver Goldsmith, Laurence Whyte and William Drummond, this anthology includes many works by little known or anonymous authors. This volume also reflects current scholarship on the relationship between literature and the environment, enriching our understanding of attitudes in pre-Romantic Ireland towards changing landscapes and agricultural practices, towards human responsibility for the non-human world, and towards the relationship between nature and aesthetics. As well as adding considerably to existing knowledge of the printing and reading of poetry in Ireland during the seventeenth and eighteenth centuries, this anthology also traces the developments in sensibility in Irish poetry during this period, offering new perspectives on the advent of Romanticism in England and on the ways in which this revolutionised the relationship between nature and representation.
The Making of a Writer
This new, expanded edition of the widely praised biography of the Booker Prize-winning author JG Farrell is timely. His literary achievement is still in the ascendent, as proved by the posthumous award in 2010 of the ‘Lost’ Booker for ‘Troubles’, decided by international e-vote. That made him a double Booker winner, and the publicity given to his renowned Empire Trilogy novels has left the general reading public wanting to know more. Lavinia Greacen has uncovered fresh material and additional photographs since the publication of the first edition, shedding further light on Farrell’s short life and tragic death, as well as the development of his writing career. The result is a fascinating and compelling story about the man described by the latest Estudios Irlandeses as ‘one of the English language’s most accomplished and enigmatic figures’.The life of the novelist J.G. Farrell (1935 – 1979) is almost stranger than fiction. He was a schoolboy sporting hero struck down by polio, a dedicated writer living on a shoestring who was awarded the Booker Prize in 1973, and, with his literary reputation secure and a newly-converted house on the scenic west Cork coastline, he was drowned at the age of 44 while fishing from rocks nearby. This expanded biography, interweaving letters and interviews from sources previously unknown, tells the moving story of his peripatetic life. It ranges from his childhood in Ireland to public school and university in England; from his base in London, where most of his novels took shape, to extended stays in France and the United States, and to periods spent in Mexico, India, Vietnam and Singapore. Readers will discover that Farrell’s celebrated Empire Trilogy, which includes Troubles, The Siege of Krishnapur and The Singapore Grip, reflects his own travels and personal experiences, as well as his unique wit and imagination. This biography reveals the very private man behind the celebrated literary novelist. ‘After reading it’, wrote Gerald Dawe, Senior Lecturer in English at Trinity College, Dublin, ‘I felt not only that I knew J.G. Farrell, but that I, too, mourned his loss as if he were a friend.’
Selected Letters and Diaries
The novelist J.G. Farrell – known to his friends as Jim – was drowned on August 11, 1979 when he was swept off rocks by a sudden storm while fishing in the West of Ireland. He was in his early forties. “Had he not sadly died so young,” remarked Salman Rushdie in 2008, “there is no question that he would today be one of the really major novelists of the English language. The three novels that he did leave are all in their different way extraordinary.”
Landscape and Society in Contemporary Ireland
This book is both about exceptional Irish landscapes like the Burren and also the everyday landscape experience in Ireland. The aim of the book is to give an account of contemporary Irish landscape and to describe and explain how it has changed over the last forty years and how it continues to change
Aistí in Ómós do Ghearóid Ó Crualaoich
This collection of fourteen essays covers a wide range of material that reflects the current range of enquiry within the traditional discipline of folklore, the range of interaction between it and various other disciplines, and indeed the breadth of Gearóid Ó Crualaoich’s own interests. Areas covered include the history and practice of fieldwork / collection, the historical and current interaction between the oral and written traditions in Ireland, the use of oral sources for historiography, the ideologies underlying the establishment of museums in Ireland and internationally, and individual studies of oral and material phenomena, an Ghaeilge agus an idé-eolaíocht pholaitiúil .
Studies in Medieval Word and Image in honour of Jennifer O'Reilly
This interdisciplinary collection, which brings together new research on a range of patristic and medieval texts and visual materials, sets the cultural transformation of early medieval Ireland and Britain in the context of these islands’ inheritance from late antiquity and their engagement with the wider medieval world. It testifies to the imaginative ways in which scholars and artists assimilated and creatively re-interpreted the Christian and Mediterranean culture they encountered through the coming of Christianity, a central theme in the work of Dr Jennifer O’Reilly.
Presence of Absence
Through the lens of infertility, this book is a cultural account of shifting meanings of conception, fertility, motherhood and family in the current climate of changing Irish social life. This book portrays how the taken for granted associations between nature, reproduction, marriage, family and morality are also shaping the production of new kinds of reproductive knowledge and the use of reproductive technologies in Ireland.