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At the beginning of the First World War, Irish separatists in the city of Cork were marginalised and without political power. By the war’s end, they had supplanted the local elite and launched a bloody war for independence. Using Cork as a case study, this book considers how the First World War brought about political revolution in Ireland, examining: wartime failures of constitutional nationalism; anxieties over food shortages; explosions in trade unionism; the effects of government repression; rising expectations for self-determination; the creation of a mass independence movement; and strident opposition to military conscription. For the first time, the Irish Revolution is viewed through a First World War prism, yielding results that will surprise students of both subjects.
The Environmental Imagination of James Joyce
This collection introduces and examines the overarching ecological consciousness evinced in the writings of James Joyce. Reading Joyce with a keen attention to the manner in which the natural and built environment functions as context, horizon, threat, or site of liberation in Joyce’s writing offers an engaging and fruitful way into the dense, demanding, and usually encyclopedic formation of knowledge that comprises Joyce’s literary legacy.
This anthology of the Irish writings of the Anglo-Irish novelist, Elizabeth Bowen 1899-1973 gathers together, for the first time, her Irish writings including her lectures, essays, reviews and reports and includes an extensive introductory essay by the editor as well as annotations and a critical bibliography .
Ethics and Law
This book offers an Ethical Framework for end-of-life decision making in healthcare settings. The Framework, consisting of eight Modules of Learning, is a set of educational resources for health professionals, allied professionals, healthcare ethics and law lecturers and students. It aims to foster and support ethically and legally sound clinical practice in end-of-life treatment and care in Ireland.
This is a six chapter study of the image of the female in Ní Chuilleanáin’s poetry emphasizing the ways in which she revises conventional cultural images of women in order to challenge stereotypical images and create a more multidimensional perspective on women’s lives and achievements. It explores the way in which she uses history, myth and folklore, religion and ritual, and architectural space to revise and create alternative female figures.
This book brings together a number of established Flann O’Brien scholars (Keith Hopper, Joseph Brooker, Jennika Baines, Neil Murphy, Thierry Robin) Joyceans (John McCourt, Thomas Jackson Rice), authors (Julian Gough), translators (Adrian Otoiu) and emerging Flann scholars to broaden and develop the critical space opened up by various conferences and events held during the Flann O’Brien centenary year. This will be achieved by re-drafting the Flann O’Brien canon, considering him in new and broader inter/national contexts and by testing the previously under-explored range of critical perspectives through which his work may be profitably approached.
The Seamus Ennis Field Diary 1942-1946
This is a translation of the diaries of Seamus Ennis, fulltime collector of music and song with the Irish Folklore Commission describing his day-to-day work, the people he met, the material he gathered and his constant communication with the head office of the commission in Dublin. In addition to presenting the history of folklore collecting, the book also illustrates life in the Gaeltacht during the Second World War. Although best known as a piper, Ennis was a collector par excellence. The book is a personal account of his field work during those years.
The Irish Olympic Journey, 1896-1924
The book focuses on the Irish and Irish diasporal involvement in the Olympic Games. It discusses in detail the sporting involvement but, even more so, the political and national battles which accompanied the Irish Olympic journey prior to independence. It challenges our traditional perceptions of sporting nationalism and places the Irish story in a quite unique international context, showing how decisions made in London, Lausanne and New York had a profound impact on the Irish sporting, and national, destiny.
Richard Stanihurst’s De Rebus in Hibernia Gestis
This is a translation of Richard Stanihurst’s De Rebus in Hibernia Gestis which was originally published at Leiden in the Netherlands by the famous Plantin press in 1584. It was the first history of Ireland to appear on continent. The core of book is five parts – four chapters called ‘books’ and an appendix. There is also a preface and index. Our edition will consist of the Latin text with a parallel translation plus a scholarly introduction and extensive annotation.
Olivia Manning’s Fictions of War
Olivia Manning (1908-1980) had a reputation as a difficult personality and this has threatened to obscure her reputation as a writer. The book aims to recover Manning’s place as a pre-eminent novelist of British wartime experience. Manning belonged to a British literary generation which held tenaciously to its diverse Irish connections in the wartime years, but, as with Cyril Connolly or Lawrence Durrell, her claims on Irishness were intermittent and often distinctly pragmatic.The book deals in depth with a diverse range of biographical, historical and literary detail. It examines the troubled interface between public and domestic narratives” and the ways in which Manning developed, through her experiences of living in Romania, Athens, Egypt and Jerusalem, her creative methods of politicising the refugee experience. As well as looking at Manning’s novels within their diverse settings the book also examines the varied literary modes Manning deploys and adapts – the gothic, autobiography and writing the self, the serial novel, the wartime and epic and more.Although interest in World War II literature has been proliferating over the past twenty years a full length study of Manning will be of great interest to scholars of modern British literature and cultural history. In the fields of postcolonial and transnational studies, Manning should be a necessary presence as she crosses geographical, political, and cultural borders in her life and writing. Her experiments with ‘the serial form’ also provide critical gloss to studies of modernism and realism as well as being of great import to the now burgeoning study of the Middlebrow.