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Boglands in the Irish Postcolonial Gothic
This book provides a political and geographical history of how boglands (or bogs) are represented in modern and contemporary Irish literature and culture (1880s-present). Drawing on a range of Irish writers, including Bram Stoker, Frank O’Connor, Sean O’Faolain, Daniel Corkery, Seamus Heaney, Marina Carr, Deirdre Kinahan, Erin Hart, and Tim Robinson, Contentious Terrains argues that the destabilizing capacities of the bog provide a space to explore historically fraught colonial tensions and social struggles through the postcolonial Gothic form.This study shows how bogs are more than mere landforms in the Irish landscape, but a kind of narrative that reveal some of the potentially unanswered questions in Irish literary history. Cultural and literary Gothic writings featuring bogs uncover some of the underlying questions during and after colonization in Ireland, and show how they relate to the larger social process in the development of modern Irish literary history, particularly during the Land Wars of the 1880s, the Irish War of Independence (1919-1921), the Troubles (1960s and 1970s), and the Celtic Tiger (1990s and 2000s). Contentious Terrains employs a cross-disciplinary scope and examines a diverse range of Irish writers in various literary genres, thus testifying to the pervasiveness and range of the bog’s allure in Irish literary history and culture
Daniel Corkery was the most influential and provocative cultural critic of the early Irish Free State. Since the 1960s, Corkery’s name, however, has become increasingly synonymous with a narrow-gauge nationalism that, in the eyes of many, has sought to stifle an emerging ‘modern’ Ireland. This publication makes the case for a reassessment of Corkery’s cultural criticism, and reveals that the commonplace depiction of a parochial and racist Corkery, while not entirely groundless, is based on a reading of his critical writings that is both selective and reductive. Corkery’s cultural criticism is viewed in this book, not as the product of a backward-looking and insular nationalism, but as intellectual work within an international context of anti-colonialism.
the Development of Gaelic Games in Donegal, 1884–1934
This book looks at the development of the GAA in Donegal from 1884-1934 and is the first book to give a full-length examination of the rivalry between organisers of Gaelic football and soccer in an Irish county. It is also the first to look at the geography of these sports.
Ireland since the 1990s
This timely collection of essays, Documentary in a Changing State: Ireland since the 1990s, examines the role of Irish documentary in film and television as Ireland experienced dramatic shifts in its social and political make-up in recent decades. Bringing together a diverse range of perspectives, this book tells it from the standpoint of the documentary-maker, the academic and the policy-maker. It reveals the role of documentary in telling stories that challenge the hierarchies of church and state, at the same time reflecting and representing the change brought about as a result in shifts to the political and social landscape.Documentaries discussed in this collection include the work of independents such as Alan Gilsenan, Louis Lentin, Mary Raftery, Donald Taylor Black and Ken Wardrop alongside television series including Would You Believe and Prime Time Investigates. Post-conflict and multi cultural Ireland is explored through the reflective practice of academics working in the medium of documentary. The impact of cultural policy and technological change to the landscape of documentary is considered through an examination of the output of TG4, changes to the commissioning process and the effects of digital media. This book looks back over the last two decades through the prism of documentary to get a snap shot of the dramatic shifts and upheavals in Irish society, socially, culturally and politically.
At the beginning of the First World War, Irish separatists in the city of Cork were marginalised and without political power. By the war’s end, they had supplanted the local elite and launched a bloody war for independence. Using Cork as a case study, this book considers how the First World War brought about political revolution in Ireland, examining: wartime failures of constitutional nationalism; anxieties over food shortages; explosions in trade unionism; the effects of government repression; rising expectations for self-determination; the creation of a mass independence movement; and strident opposition to military conscription. For the first time, the Irish Revolution is viewed through a First World War prism, yielding results that will surprise students of both subjects.
female authorship and literary collaboration
This book explores the remarkable collaboration of one of the most prominent and successful female literary partnerships at work in the late nineteenth century; Irish authors, Edith Somerville (1858–1949) and Violet Martin/Martin Ross (1862–1915).Based on extensive and original archival research, it reorients traditional thinking about Somerville and Ross’s partnership and rethinks the collaboration beyond a purely domestic and personal affair. The collaboration is here viewed as a significant part of the two women’s lifelong but always complex feminist ethic, as well as a defiant and oft-times subversive cultural position within Irish and Victorian literary society more generally. Taking its cue from the legal aesthetics of nineteenth- century definitions of authorship and copyright, this book significantly expands the existing parameters of debate surrounding these authors and argues for their dual artistic practice to be understood as a type of authorial dissidence. Sidestepping Somerville and Ross’s major texts, the book sheds new light on the two women’s lesser studied, but equally important, travel writing, essays, short fiction, life writing, and extensive personal archival material, opening up new avenues of enquiry into the complexities of gender, class, and nationality in nineteenth-century Ireland. The book thus significantly interrogates the idea of collaboration both from the point of view of the authors, their publishers and readers, as well as their texts, and both deepens, as well as challenges, current literary history’s broader understanding and treatment of nineteenth-century female authorship and literary production in particularly resonant ways.
The Environmental Imagination of James Joyce
This collection introduces and examines the overarching ecological consciousness evinced in the writings of James Joyce. Reading Joyce with a keen attention to the manner in which the natural and built environment functions as context, horizon, threat, or site of liberation in Joyce’s writing offers an engaging and fruitful way into the dense, demanding, and usually encyclopedic formation of knowledge that comprises Joyce’s literary legacy.
This anthology of the Irish writings of the Anglo-Irish novelist, Elizabeth Bowen 1899-1973 gathers together, for the first time, her Irish writings including her lectures, essays, reviews and reports and includes an extensive introductory essay by the editor as well as annotations and a critical bibliography .
Ethics and Law
This book offers an Ethical Framework for end-of-life decision making in healthcare settings. The Framework, consisting of eight Modules of Learning, is a set of educational resources for health professionals, allied professionals, healthcare ethics and law lecturers and students. It aims to foster and support ethically and legally sound clinical practice in end-of-life treatment and care in Ireland.
This is a six chapter study of the image of the female in Ní Chuilleanáin’s poetry emphasizing the ways in which she revises conventional cultural images of women in order to challenge stereotypical images and create a more multidimensional perspective on women’s lives and achievements. It explores the way in which she uses history, myth and folklore, religion and ritual, and architectural space to revise and create alternative female figures.