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Arthur Carhart (1892 -1978), America's first champion of wilderness, the first Forest Service landscape architect, and the most popular conservation writer of mid-century America, won none of the titan status of his contemporary Aldo Leopold. A political maverick, he refused to side with any major advocacy group and none has made him its saint. Carhart was a grassroots thinker in a top-down era. Arthur Carhart, the first biography of this Republican environmentalist and major American thinker, writer, and activist, reveals the currency of his ideas. Tom Wolf elucidates Carhart 's vision of conservation as "a job for all of us," with citizens, municipal authorities, and national leaders all responsible for the environmental effects of their decisions. Carhart loved the local and decried interest groups - from stockmens' associations to wilderness lobbies - as cliques attempting blanket control. He pressured land management agencies to base decisions on local ecology and local partnerships. A lifelong wilderness advocate who proposed the first wilderness preserve at Trappers Lake, Colorado, in 1919, Carhart chose to oppose the Wilderness Act, heartsick at its compromises with lobbies. Because he shifted his stance and changed his views in response to new information, Carhart is not an easy subject for a biography. Wolf traces Carhart's twists and turns to show a man whose voice was distinctive and contrary, who spoke from a passionate concern for the land and couldn't be counted on for anything else. Readers of American history and outdoor writing will enjoy this portrait of a historic era in conservation politics and the man who so often eschewed politics in favor of the land and people he loved.
"Aztec Ceremonial Landscapes provides a pregnant opportunity to integrate specific Mesoamerican materials into the wider discussions of major theoretical issues in the general and comparative history of religions."—History of Religions
A result of four years of cooperative research between the University of Colorado and the Templo Mayor Project of Mexico's National Institute of Anthropology and History, Aztec Ceremonial Landscapes (formerly available as To Change Place) offers new interpretive models from the fields of archaeoastronomy, history of religion, anthropology, art history, and archaeology.
Understanding a World in Motion
Judge Benjamin Barr Lindsey's exposé of big business's influence on Colorado and Denver politics caused a sensation when serialized in Everybody's Magazine 1909-1910. When published as a book later in 1910, The Beast was considered every bit the equal of Upton Sinclair's The Jungle. Now back in print, the book reveals the plight of working-class Denver citizens - in particular, those Denver youths who ended up in Lindsey's court day after day. These encounters led him to create Denver's Juvenile Court, one of the first courts in the country set up to deal specifically with young delinquents. In addition, Lindsey exposes the darker sides of many well-known figures in Colorado history, including Mayor Robert W. Speer, industrialist and Senator Simon Guggenheim, and Denver tramway czar William Gray Evans. More than just a fascinating slice of Denver history, this book - and Lindsey's court - inspired widespread social change in the United States.
The Evolution of a City
"A comprehensive, chronological, architectural perspective of Boulder, including photography worthy of inclusion in university history classes. . . . the softbound book presents a meaningful overview of how Boulder has grown. . . . Boulder: Evolution of a City is as gripping a page—turner as anything you'll find on the mystery shelves. For leisure readers or for history buffs, Pettem's work is genuine, relevant and absorbing."— Boulder Daily Camera
"[Boulder] is a delight. It provides a welcome experience in nostalgia for old—time Boulderites and is a fascinating introduction to the city for newcomers."— Jane Valentine Barker, author, Boulder, Colorado
"Photographer and historian Silvia Pettem's book, Boulder: Evolution of a City, offers an interesting look at Boulder as it was in its early days, how it's changed over the years, and how it hasn't. . . . Each photograph, whether it be old or new, is accompanied by thoughtful and detailed descriptions that provide context to the images."— Five Magazine
"The heart of this book is the numerous pages of historic photographs presented next to contemporary shots of the same site. Pettem has scoured the photo archives for pertinent images, sometimes providing several successive pictures of a single site."— Janet Ore, Colorado State University; New Mexico Historical Review
Boulder: Evolution of a City has captivated newcomers, tourists, and longtime residents for years with its dramatic visual and narrative presentation of the birth and development of Boulder. In this updated edition, 322 photographs — more than 90 of them current — capture landmarks, buildings, major events, and quiet moments from the 1860s to 2006. Photographs showing the same locations at several intervals in history reveal Boulder's continuum from past to present.
The Conquistador Expeditions of Francisco Vásquez de Coronado and Don Juan de Oñate
Guided by myths of golden cities and worldly rewards, policy makers, conquistador leaders, and expeditionary aspirants alike came to the new world in the sixteenth century and left it a changed land. Came Men on Horses follows two conquistadors— Francisco Vásquez de Coronado and Don Juan de Oñate—on their journey across the southwest.
Driven by their search for gold and silver, both Coronado and Oñate committed atrocious acts of violence against the Native Americans, and fell out of favor with the Spanish monarchy. Examining the legacy of these two conquistadors Hoig attempts to balance their brutal acts and selfish motivations with the historical significance and personal sacrifice of their expeditions. Rich human details and superb story-telling make Came Men on Horses a captivating narrative scholars and general readers alike will appreciate.
Carnegie Institution of Washington Current Reports, 1952-1957
"Thanks to Weeks, Masson, and the University Press of Colorado, Maya scholars now have an invaluable integrated resource. A vital resource for Maya specialists and Mesoamerican reserach libraries."—.C. Kolb, CHOICE
2006, the University Press of Colorado published The Carnegie Maya: The Carnegie Institution of Washington Maya Research Program, 1913-1957. This volume made available once again to scholars the extensive data published in the CIW Year Book series. The Carnegie Maya II: Carnegie Institution of Washington Current Reports, 1952-1957 continues this project by republishing the CIW Current Reports series. The final CIW field project took place in July of 1950, in the Maya region of Mayapán, where extensive and detailed investigations were conducted for five years. To ensure the rapid dissemination of the results of the Mayapán Project, two series of papers described the work being undertaken and reported the preliminary findings. These were volumes 50 through 57 of the Year Books and numbers 1 through 41 of the Current Reports. A total of forty one Current Reports were published by the Carnegie Institution of Washington from 1952 to 1957. All of these are reproduced in The Carnegie Maya II, accompanied by an introduction by John Weeks, a forward by Marilyn Masson, and a summary table of data compiled by Marilyn Masson regarding artifacts unearthed at Mayapán.
Carnegie Institution of Washington Notes on Middle American Archaeology and Ethnology, 1940-1957
The third in a series of volumes intended to republish the primary data and interpretive studies produced by archaeologists and anthropologists in the Maya region under the umbrella of the Carnegie Institute of Washington's Division of Historical Research, The Carnegie Maya III makes available the series Notes on Middle American Archaeology and Ethnology. The series began in 1940 as an outlet for information that may have been considered too unimportant, brief, or restricted to be submitted for formal publication. However, these notes are often of great interest to the specialists for whom they are designed and to whom their distribution is restricted. The majority of the essays-most of which are on the Maya-are on archaeological subjects, epigraphy, ethnohistory and ethnography, and linguistics. As few original copies of the Notes series are known to exist in U.S. and Canadian libraries, the book will make these essays easily accessible to students, academics, and researchers in the field. The e-book contains the complete set of The Carnegie Maya, The Carnegie Maya II, and The Carnegie Maya III, thus making hundreds of documents from the Carnegie Institution's Maya program available in one source.
The Carnegie Institute of Washington Theoretical Approaches to Problems
The Carnegie Maya IV is the fourth in a series of volumes that make available the primary data and interpretive studies originally produced by archaeologists and anthropologists in the Maya region under the umbrella of the Carnegie Institute of Washington’s Division of Historical Research. Collected together here are the Theoretical Approaches to Problems papers, a series that published preliminary conclusions to advance thought processes and stimulate debate. Although two of the three theories published in these reports have since been proven wrong, the theories themselves remain significant because of their impact on the direction of archaeology. Only a few sets of these three contributions to the Theoretical Approaches to Problems series are known to have survived, making The Carnegie Maya IV an essential reference and research resource. The corresponding ebook contains the complete set of The Carnegie Maya, The Carnegie Maya II, The Carnegie Maya III, and The Carnegie Maya IV, thus making hundreds of documents from the Carnegie Institution’s Maya program available in one source.
The Concheros Dance in Mexico City
In Carrying the Word: The Concheros Dance in Mexico City, the first full length study of the Concheros dancers, Susanna Rostas explores the experience of this unique group, whose use of dance links rural religious practices with urban post-modern innovation in distinctive ways even within Mexican culture, which is rife with ritual dances. The Concheros blend Catholic and indigenous traditions in their performances, but are not governed by a predetermined set of beliefs; rather they are bound together by long standing interpersonal connections framed by the discipline of their tradition. The Concheros manifest their spirituality by means of the dance. Rostas traces how they construct their identity and beliefs, both individual and communal, by its means. The book offers new insights into the experience of dancing as a Conchero while also exploring their history, organization and practices. Carrying the Word provides a new way for audiences to understand the Conchero's dance tradition, and will be of interest to students and scholars of contemporary Mesoamerica. Those studying identity, religion, and tradition will find this social-anthropological work particularly enlightening.