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Chinese University Press

Chinese University Press

Website: http://www.chineseupress.com/

The Chinese University Press was established in 1977 as the publishing house of The Chinese University of Hong Kong. It is a non-profit organization devoted to the advancement, conservation and dissemination of knowledge, as well as the promotion of scholastic interchange between the Chinese and other cultures.


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Chinese University Press

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Results 31-40 of 112

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Five Dynasties and Ten Kingdoms

Edited by Peter Lorge

The period of the Five Dynasties and Ten Kingdoms (907-960) has long been treated as an anomaly in the history of China, an age of great disunity between the empires of the Tang and the Song dynasties. Breaking with previous scholarship on China's middle period, this edited volume presents individual studies that focus on the art, culture, and politics of the interregnum, challenging underlying assumptions about the unitary nature of dynastic culture and its value as a category of historical analysis. It understands these decades as a time of important transition in which the incipient cultural shifts of the mature Tang dynasty turned into the foundations of Song society. Consequently it highlights the complex narrative processes that gave birth to Song culture.

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Flash Cards

Chinese and English Bilingual Version

Yu Jian, Translated from Chinese by Wang Ping and Ron Padgett

Flash Cards is a primer of modern Chinese life—constructing a complex philosophical vision from swatches of daily events and observations. As Yu Jian has written about his own work: "It is possible to see eternity—to see everything—in a teacup or a candy wrapper. Everything in the world is poetry." The JINTIAN [今天] series of contemporary literature features new and innovative writing from mainland China and abroad. Titles in the series are edited by Bei Dao, Lydia H. Liu, and Christopher Mattison. A collaborative venture between Zephyr Press, the Jintian Literary Foundation, and The Chinese University Press, each bilingual title highlights the ever-changing literary culture of China while simultaneously expanding the English language with a wave of new voices in translation.

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The Flower Princess

A Cantonese Opera by Tong Dik Sang

Translated, edited and introduced by Bell Yung

THE FLOWER PRINCESS (Dae Neui Fa or Din?hua in Mandarin) has become the most renowned Cantonese Opera since its 1957 premier in Hong Kong. The opera is a serious political drama played out between the Han and non-Han following the fall of the Ming dynasty, and the plot pits romantic love against the lofty Confucian ideals of social hierarchy and moral rectitude. This is the first complete English translation of the opera, featuring text, song titles, speech types, and choreographic and stage setting. It also contains a foreword by Pak Suet Sin (Bai Xuexian), the celebrated Cantonese Opera actress who created the role of the Princess in the original production.

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A Garden of One’s Own

A Collection of Modern Chinese Essays, 1919–1949

Edited and translated by Tam King-fai

This authoritative collection contains writings by some thirty of the most significant Chinese writers of the period between 1919 and 1949. The three decades from which these pieces are drawn encompass most of the Republican period, a tumultuous era in Chinese history in which modernization and republicanism coexisted with classical culture. Thematically, these xiaopin wen, or modern Chinese essays, differ significantly from the more social and political fiction of the May Fourth movement. Their scope varies, from ruminations on broader existential issues to more personal contemplations on everyday life, often delving into issues of morality and interpersonal relations. Although described as “essays,” they are not restrained by the formal, expository connotations of this English term; rather, their tone is more intimate, reflective, and at times witty or tinged with melancholy.

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The Gate of Darkness

Studies on the Leftist Literary Movement

Tsi-an Hsia

As one of the few foundational texts to provide a critical overview of the aesthetics and politics of the leftist literary movement in China, The Gate of Darkness was previously published by the University of Washington Press in 1968 to great critical acclaim. Posthumously edited by the author’s brother Professor C. T. Hsia, this book critiques the works of leftist Chinese writers including Lu Hsün, Chiang Kuang-tz’u, and the “Five Martyrs.” As one of the few foundational texts to provide a critical overview of the aesthetics and politics of China’s leftist literary movement, The Gate of Darkness examines the conflicting dilemmas between leftist authors’ own ideals and the strict ideological frameworks imposed by the propaganda policies of the Chinese Communist Party in the early twentieth century. Numerous reviews appearing in the leading East Asian studies journals have acknowledged the historical importance of the book which has few comparisons. The cultural critic Leo Ou-fan Lee believes that this book gives one of the most significant scholarly analyses of Lu Xun’s work towards the end of his life, revealing the “darkness” that pervaded his later works such as “Wild Grass.” He calls Tsi-an Hsia “a creative and compassionate scholar” who has opened Lu Hsün’s inner “gate of darkness” to unveil “a fascinating world of demons and ghosts as dramatized in village operas and popular superstitions.”

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Gender, Discourse, and the Self in Literature

Issues in Mainland China, Taiwan, and Hong Kong

Edited by Kwok-kan Tam and

As a Cultural construct, gender is fictional and imagined, yet its ideological and representational effects on the formation of self and identity are quite real. The fiction behind the fictional, which many accepts as truth, is at the core of what is most intriguing about the problem of gender. Critiquing this narrative, Gender, Discourse, and the Self in Literature unravels the strategies that writers and filmmakers adopt in their (de)construction of the gendered self in three Chinese communities: mainland China, Taiwan, and Hong Kong. Writing from the vantage points of film, literature, and gender studies, contributors make an innovative marriage to Western gender discourse and the construction and representation of self and identity in contemporary China.

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Growing Your Own Food in Hong Kong

By Arthur van Langenberg

This book points the way, especially for beginners and those who may only have a balcony or a rooftop and are limited to growing in containers. It is not just about gardening in a narrow sense. It delves into the growing of plants as a multidisciplinary activity involving not only botany, but also zoology, geology, meteorology, philosophy, ornithology, and more. The book sends a strong environmental message for a reevaluation of modern lifestyle.

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Hong Kong Night

by Chan Chi Tak, Fan Sin Piu, Cheng Ching Hang, Ng Mei Kwan, Lau Wai Shing, Liu Wai Tong, Chris Song, Chow Hon Fai, Jacky Yuen, Zeit Fong

This pocket-sized paperback is one of the twenty-two titles published for 2015 Hong Kong International Poetry Nights. The theme of IPHHK2015 is “Poetry and Conflict”. 21 international poets from 18 different places are invited to participate in recitations, symposia and sharing sessions of the Poetry Nights. A recitation focusing on 10 local Hong Kong poets, “Hong Kong Cantonese Poetry Night” is included. This collection seeks to make accessible the best of contemporary international poetry with outstanding translations.

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Hong Kong Taxation

Law and Practice 2012–13 Edition

By Ayesha Macpherson Lau and Garry Laird

Wide Coverage: The book covers the major areas of Hong Kong taxation—Property Tax, Salaries Tax, Profits Tax, Personal Assessment and Stamp Duty. It explains the principles and practice of taxation law with relevant tax cases, Board of Review decisions and contains numerous practical examples. The current edition includes the 2011-12 budget changes and the latest developments in taxation. Included in the chapter which examines international tax issues is a new section on Hong Kong taxation issues for Mainland investors into Hong Kong. Distinguished Authorship: Originally written by David Flux, the book is updated annually by experienced tax professionals of KPMG, an international network of member firms offering audit, tax and advisory services. Conciseness: The text is written in a clear and concise manner. Technical jargon is kept to a minimum Quick and Easy Reference: Court cases, Board of Review decisions and relevant sections of the Inland Revenue Ordinance, Inland Revenue Rule and Stamp Duty Ordinance are indexed for quick and easy reference.

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Hong Kong Taxation

Law & Practice 201314 Edition

Ayesha Macpherson Lau and Garry Laird

Wide Coverage: The book covers the major areas of Hong Kong taxation—Property Tax, Salaries Tax, Profits Tax, Personal Assessment and Stamp Duty. It explains the principles and practice of taxation law with relevant tax cases, Board of Review decisions and contains numerous practical examples. The current edition includes the 2013-14 budget changes and the latest developments in taxation. Distinguished Authorship: Originally written by David Flux, the book is updated annually by experienced tax professionals of KPMG, an international network of member firms offering audit, tax and advisory services. Conciseness: The text is written in a clear and concise manner. Technical jargon is kept to a minimum. Quick and Easy Reference: Court cases, Board of Review decisions and relevant sections of the Inland Revenue Ordinance, Inland Revenue Rule and Stamp Duty Ordinance are indexed for quick and easy reference.

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