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Chinese University Press

Chinese University Press

Website: http://www.chineseupress.com/

The Chinese University Press was established in 1977 as the publishing house of The Chinese University of Hong Kong. It is a non-profit organization devoted to the advancement, conservation and dissemination of knowledge, as well as the promotion of scholastic interchange between the Chinese and other cultures.


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Chinese University Press

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The Dead in the Garden

by Ghassan Zaqtan

This pocket-sized paperback is one of the twenty-two titles published for 2015 Hong Kong International Poetry Nights. The theme of IPHHK2015 is “Poetry and Conflict”. 21 international poets from 18 different places are invited to participate in recitations, symposia and sharing sessions of the Poetry Nights. A recitation focusing on 10 local Hong Kong poets, “Hong Kong Cantonese Poetry Night” is included. This collection seeks to make accessible the best of contemporary international poetry with outstanding translations.

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Democracy on Trial

Social Movements and Cultural Politics in Postauthoritarian Taiwan

By Ya-Chung Chuang

Democracy on Trial is an attempt to begin to negotiate the problem of writing about and understanding democracy and social movements in Taiwan, and what they can tell us about a place and country that for me is both home and the field, an object of study and yet also an area of hope and engagement. "Democracy on Trial is as impressive for its conceptual sophistication as it is for its ethnographic depth. Chuang’s personal experiences and engagement with the movements he describes and analyzes bring to life the wealth of documentary and ethnographic data. The study should be of interest not just to Taiwan scholars and readers, but also those interested in issues of democracy in China and East Asia, the politics of Taiwan-PRC relations, and social movement scholars and activists." -- Arif Dirlik, Author of Culture and History in Postrevolutionary China: The Perspective of Global Modernity

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A Designer's Decade of Contemporary Art in China

The Book Designs of He Hao, 2003-2013

by He Hao

Almost a Hundred Design Projects: Ai Weiwei, Xu Bing, Araki Nobuyoshi, Lin Tianmiao, Wang Gongxin, RongRong & inri, Liu Zheng, Yue Minjun, Miao Xiaochun, Xu Weixin, Zhang Dali, Yang Fudong, Tim Yip, Chen Wenji, Zhan Wang, Yu Hong... An Asian Trend in Contemporary Graphic Design An independent print-media practitioner, He Hao has been working with distinctive and representative artists in the Chinese contemporary art world, including Ai Weiwei, Xu Bing, etc., and designed more than 100 high-quality books and catalogs since 2003. Recording the current state of art development in China, his works have become an archive of significance. He Hao’s practice shows an Asian trend in today’s graphic design: the replacement of transplanted Modernism with a contemporaneity informed by the culture and lifestyle of contemporary China and the East. An independent print-media practitioner, He Hao has been working with distinctive and representative artists in the Chinese contemporary art world, including Ai Weiwei, Xu Bing, etc., and designed more than 100 high-quality books and catalogs since 2003. Recording the current state of art development in China, his works have become an archive of significance. He Hao’s practice shows an Asian trend in today’s graphic design: the replacement of transplanted Modernism with a contemporaneity informed by the culture and lifestyle of contemporary China and the East. He Hao’s designs grow organically from the content. His sole concern is the discovery and presentation of the content, and his designs show no trace of his hand. This approach might best be called “essential design.” — Xu Bing He Hao is a designer infatuated with the dialogue between space and time. Sensitive to both the pressures of history and the endless transformations of all life forms, he remains in deep and focused meditation, a lone sojourner outside the commercial realm. — Bei Dao

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Dimensions of Originality

Essays on Seventeenth-Century Chinese Art Th eory and Criticism

By Katharine P. Burnett

This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi" 奇, literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.

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A Door in Epynt

Menna Elfyn, Edited by Bei Dao, Shelby Chan, Gilbert Fong, Lucas Klein, and Christopher Mattison

Following the convening of Hong Kong International Poetry Nights 2013, The World of Words is a collection of selected works by some of the most internationally acclaimed poets today. The poem of "A Door in Epynt" by Menna Elfyn (Wales) is finest contemporary poetry in trilingual or bilingual presentation.

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Double Shadows

Selected Poetry of Ouyang Jianghe

Translated by Austin Woerner

Ouyang Jianghe played a central role in the 1980s underground Sichuanese poetry scene that gave rise to the Chinese poetic avant-garde, and during that time he became known as one of the “Five Masters from Sichuan.” Since then he has emerged as one of China’s most prominent literary figures, authoring four books of poetry and essays and publishing numerous works of criticism on art, music, and literature. He is also a noted calligrapher. In 2010 he was awarded the Chinese Literature Media Award for poetry. He lives in Beijing and travels frequently to the U.S. and Germany. Doubled Shadows is his first poetry collection in English.

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The Empress and the Heavenly Masters

A Study of the Ordination Scroll of Empress Zhang (1493)

Luk Yu-ping

Over twenty-seven meters long, the Ordination Scroll of Empress Zhang (1493) is an important Ming Dynasty Daoist artifact from the San Diego Museum of Art’s collection that records the imperial ordination of Empress Zhang (1470–1541), consort of the Ming Dynasty Hongzhi emperor (r. 1488–1505), by Zhang Xuanqing (d. 1509), the forty-seventh Heavenly Master of the Zhengyi institution. This book uncovers the history of imperial ordinations through a detailed examination of the scroll’s transcriptions and the meticulously-painted images of celestial beings, as well as the influences of the Daoist leaders known as the Zhengyi Heavenly Masters.

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Ethics Unbound

Chinese and Western Perspectives on Morality

By Katrin Froese

This book closely examines texts from Chinese and Western traditions that hold up ethics as the inviolable ground of human existence, as well as those that regard ethics with suspicion. The negative notion of morality contends that because ethics cannot be divorced from questions of belonging and identity, there is a danger that it can be nudged into the domain of the unethical, since ethical virtues can become properties to be possessed with which the recognition of others is solicited. Ethics thus fosters the very egoism it hopes to transcend, and risks excluding the unfamiliar and the stranger. The author argues inspirationally that the unethical underbelly of ethics must be recognized in order to ensure that it remains vibrant.

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Facility Siting in the Asia-Pacific

Perspectives on Knowledge Production and Application

Edited by Tung Fung, S. Hayden Lesbirel, and Kin-che Lam

This volume explores the management of conflicts arising from the siting of unwanted projects in the Asia-Pacific, a region inadequately explored by the relevant literature. The work includes studies on a variety of locations, including Hong Kong, Japan, Mainland China, Taiwan, Vietnam, Singapore, and others. Contributions are drawn from several leading scholars intimately familiar with the locations under study, and employ theoretical, comparative, and policy-based approaches to analysis of environmental conflict, risk management, and public participation. The editors also provide introductory and concluding sections in which the siting issues under discussion are summarized and contextualized. The result is a collection that serves as an invaluable aid and source of information for policymakers, environmentalists, and scholars of the Asia-Pacific and elsewhere.

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Financial Analysis in Hong Kong

Qualitative Examination of Financial Statements (2nd edition) for CEOs and Board Members

By Benny K. B. Kwok

Financial statements facilitate the communication between corporations and various stakeholders. The integrity, stability and transparency of such communication help preserving Hong Kong as a top global financial centre.To many laypersons, looking through financial statements can be like reading novels in a foreign language, with a sea of jargon obscuring the statements’ true meaning. Financial Analysis in Hong Kong 2nd Edition is a product of experience, feedback and chapter review as well as an update of the changes in practices, guidelines, standards and legislations since its 1st edition in 2008. This 2nd edition provides a clear, concise reference for analysing corporations’ financial statements.Based on the evaluations of published financials, this book is a convenient standalone guide for both novices and financial professionals in the boardroom and beyond.

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