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Following the convening of Hong Kong International Poetry Nights 2013, The World of Words is a collection of selected works by some of the most internationally acclaimed poets today. The poem of "amazing, how amazing it is, every night of the shining sun" by Lee Seong-bok (South Korea) is finest contemporary poetry in trilingual or bilingual presentation.
Over a ten-year period, Professor Ma carried out cross-disciplinary research in Hong Kong focused on the effectiveness of structural family therapy for Chinese patients suffering from anorexia nervosa. She found that although the Chinese patients received the same diagnosis as their Western counterparts, their experiences throughout the stages of the disease differed significantly due to interpersonal contexts and subjective cultural factors. The present collection synthesizes this clinical experience into a culturally specific, socially relevant, and clinically useful family treatment model for patients.
Drama and the Qing Imperial Court
"On an autumn morning in 1793, Lord Macartney waited to be ushered into the imperial summer retreat to take part in the celebration of the Qianlong Emperor's 82nd birthday. It was a long day; the celebration drama, Ascendant Peace in the Four Seas, lasted five hours. There were many scenes of fish, turtles and other sea creatures, and Macartney guessed it must have had something to do with the marriage between the ocean and land. He could not have been more wrong…" For the Qing court, entertaining foreign visitors was only one of the numerous ritual and political purposes dramas served. Delving into a rich collection of first-hand materials, the author meticulously excavates and combs historical data including court records, eunuchs' memoirs, pictorial archives of opera costumes, and period news. She investigates the development of imperial drama and its influence on the Peking Opera, as well as the function and system of imperial organizations responsible for drama. Also discussed are the complex roles of the actors on and off stage, and the broader issues of cultural and political influence intertwined with the performances themselves. The book thus presents us not only an art history of Peking Opera, but also a vivid scroll-painting of the social-cultural life both in and beyond the Forbidden City.
Vol. 23 (2013) through current issue
"Asian Journal of English Language Teaching" includes articles that integrate theory, research, and pedagogy, and relate to teaching English to Asians at the university level. Book reviews and reports of ongoing projects are also included. It is a member of the Council of the Editors of Learned Journals (CELJ)and is also recognized as an important academic publication by the international organization, Teachers of English to Speakers of Other Languages (TESOL).
Protective and Risk Factors in the Rehabilitation of Chronic Drug Abusers in Hong Kong
Despite the increase of research investigating various aspects of the drug problem in Hong Kong in the past decade, little was known about the pathway to continuous drug use or recovery of chronic drug abusers. This book reports upon a pioneer longitudinal study of chronic drug abusers in Hong Kong that used an analytical framework consisting of sociological, psychological and treatment variables to explore the protective and risk factors affecting the relapse or abstinence of chronic drug abusers. The findings of the study have significant implications for theories of drug use and rehabilitation, especially highlighting the roles of social capital, self-efficacy, short-term abstinence and harm reduction in the chronic drug abuser’s road to recovery.
The tenderness of Lan Lan’s poetry is steely and perfectly judged. She shows us a world of subtle adjustments and intelligent beauty—although the stakes she deals in could not be higher. As its title suggests, Canyon in the Body uncovers both existential and domestic meanings, writ both large and small in the human environment. Fiona Sze-Lorrain’s limpid, unforced translations do the poet, and her Anglophone readers, a great service. —Fiona Sampson, Editor of Poem and Professor of Poetry, Roehampton University Lan Lan is discussing happiness with us. She cuts time, our faces, our dreams, our crystal gaze. So how does this happen: when we leave her, washed, new, mellow, happy that she conducted us, drowned us, left us hovering in this . . . what? nothing? Blessed be the day I discovered her writing. —Tomaž Šalamun
Selected poetry of Zhai Yongming
The author of six volumes of poetry, Zhai Yongming first became prominent in the mid-1980s with the publication of her twenty-poem cycle, "Woman," a work that forcefully articulated a female point-of-view in China??s largely patriarchal society. Her powerful imagery and forthright voice resonated with many readers. Zhai has continued to hone her critique of tranditional attitudes towards women, quickly becoming one of China??s foremost feminist voices and a major force in the contemporary literary scene. She is also an installation artist and prolific essayist, and stages poetry readings and other cultural events at the bar she owns in her native Chengdu.
Vol. 13 (2013) through current issue
The China Review is a continuation of the China Review, an annual publication of Chinese University Press since 1990. It publishes twice a year in April and October since 2001; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies.
It is the only China-based English journal devoted to the study of Greater China.
Presented in English for the first time in this book are two plays by Gao Xingjian originally written in Chinese: City of the Dead and Song of the Night. City of the Dead is the first of Gao Xingjian’s plays to focus fully on the male-female relationship. In this work, he transforms a wellknown ancient morality tale, “Zhuangzi Tests His Wife”, which had been used to caution women against being unfaithful to their husbands, into a modern play that is in keeping with his own sympathetic stance towards women in male-female relationships. In a certain sense, City of the Dead may be regarded as defining Gao’s fundamental view that men possess a flippant and cavalier attitude to their female sexual partner or partners, and that women who become involved in sexual relationships with men are therefore doomed to suffer. Among Gao Xingjian’s theatrical portrayals of the female psyche, Song of the Night is his most ambitious and most detailed one. Gao’s articulation of the female psyche is embedded in a solid substratumbedrock of his autobiographical impulses. It is through female actors, and his range of ingenious theatrical innovations that Gao succeeds in convincingly portraying his personal view of the power dynamics generated in male-female sexual relationships, and how these are played out. Together, these two plays advance Gao Xingjian’s innovative theatrical experiments in dramatic prose across linguistic and cultural boundaries. The English translations of City of the Dead and Song of the Night in the present volume will lead to significant English-language productions of these plays, and concomitantly a greater understanding of Gao’s plays.
Towards a Sustainable Regional and Sub-regional Future
Against the background of accelerating globalization and growing economic interdependence in Northeast Asia over the past two decades, including the recent global economic crisis, this book sets out to examine the status and prospect of cross-border cooperation. It has synthesized diverse strands of discussion and different country perspectives to highlight the challenges and opportunities of collaborative regional development in Northeast Asia. Distinct from previous studies, this book attempts to capture international, national, and local viewpoints in regional development. Practical experience across countries has been analyzed and consolidated to form the basis of a policy agenda for cross-border cooperation. Combining an intimate knowledge of the region and different disciplinary perspectives, this book offers a wealth of information, statistical and illustrative materials, and analyses across topics and countries of the region. Editors include Won Bae Kim, Research Advisor of the Gyeonggi Research Institute and former Senior Fellow at the Korean Research Institute for Human Settlements, Yue-man Yeung, Emeritus Professor of Geography and Honorary Fellow of The Chinese University of Hong Kong, and Sang- Chuel Choe, former Chairman of the Presidential Committee on Regional Development in South Korea and Professor Emeritus of Seoul National University.