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Shock, Nerves, and German Modernity
Berlin Electropolis ties the German discourse on nervousness in the late nineteenth and early twentieth centuries to Berlin's transformation into a capital of the second industrial revolution. Focusing on three key groups—railway personnel, soldiers, and telephone operators—Andreas Killen traces the emergence in the 1880s and then later decline of the belief that modernity caused nervous illness. During this period, Killen explains, Berlin became arguably the most advanced metropolis in Europe. A host of changes, many associated with breakthroughs in technologies of transportation, communication, and leisure, combined to radically alter the shape and tempo of everyday life in Berlin. The resulting consciousness of accelerated social change and the shocks and afflictions that accompanied it found their consummate expression in the discourse about nervousness.
Wonderfully researched and clearly written, this book offers a wealth of new insights into the nature of the modern metropolis, the psychological aftermath of World War I, and the operations of the German welfare state. Killen also explores cultural attitudes toward electricity, the evolution of psychiatric thought and practice, and the status of women workers in Germany's rapidly industrializing economy. Ultimately, he argues that the backlash against the welfare state that occurred during the late Weimar Republic brought about the final decoupling of modernity and nervous illness.
Psychoanalysis and Culture in Weimar Republic Germany and Beyond
One hundred years after the Berlin Psychoanalytic Institute was established, this book recovers the cultural and intellectual history connected to this vibrant organization and places it alongside the London Bloomsbury group, the Paris Surrealist circle, and the Viennese fin-de-siècle as a crucial chapter in the history of modernism. Taking us from World War I Berlin to the Third Reich and beyond to 1940s Palestine and 1950s New York—and to the influential work of the Frankfurt School—Veronika Fuechtner traces the network of artists and psychoanalysts that began in Germany and continued in exile. Connecting movements, forms, and themes such as Dada, multi-perspectivity, and the urban experience with the theory and practice of psychoanalysis, she illuminates themes distinctive to the Berlin psychoanalytic context such as war trauma, masculinity and femininity, race and anti-Semitism, and the cultural avant-garde. In particular, she explores the lives and works of Alfred Döblin, Max Eitingon, Georg Groddeck, Karen Horney, Richard Huelsenbeck, Count Hermann von Keyserling, Ernst Simmel, and Arnold Zweig.
Michael Jackson extends his path-breaking work in existential anthropology by focusing on the interplay between two modes of human existence: that of participating in other peoples’ lives and that of turning inward to one’s self. Grounding his discussion in the subtle shifts between being acted upon and taking action, Jackson shows how the historical complexities and particularities found in human interactions reveal the dilemmas, conflicts, cares, and concerns that shape all of our lives. Through portraits of individuals encountered in the course of his travels, including friends and family, and anthropological fieldwork pursued over many years in such places as Sierra Leone and Australia, Jackson explores variations on this theme. As he describes the ways we address and negotiate the vexed relationships between "I" and "we"—the one and the many—he is also led to consider the place of thought in human life.
Gender and Body Politics in Southeast Asia
This impressive array of essays considers the contingent and shifting meanings of gender and the body in contemporary Southeast Asia. By analyzing femininity and masculinity as fluid processes rather than social or biological givens, the authors provide new ways of understanding how gender intersects with local, national, and transnational forms of knowledge and power.
Contributors cut across disciplinary boundaries and draw on fresh fieldwork and textual analysis, including newspaper accounts, radio reports, and feminist writing. Their subjects range widely: the writings of feminist Filipinas; Thai stories of widow ghosts; eye-witness accounts of a beheading; narratives of bewitching genitals, recalcitrant husbands, and market women as femmes fatales. Geographically, the essays cover Singapore, Indonesia, Malaysia, Thailand, and the Philippines. The essays bring to this region the theoretical insights of gender theory, political economy, and cultural studies.
Gender and other forms of inequality and difference emerge as changing systems of symbols and meanings. Bodies are explored as sites of political, economic, and cultural transformation. The issues raised in these pages make important connections between behavior, bodies, domination, and resistance in this dynamic and vibrant region.
Hidden Children and Postwar Families in Holland
The image of the Jewish child hiding from the Nazis was shaped by Anne Frank, whose house—the most visited site in the Netherlands— has become a shrine to the Holocaust. Yet while Anne Frank's story continues to be discussed and analyzed, her experience as a hidden child in wartime Holland is anomalous—as this book brilliantly demonstrates. Drawing on interviews with seventy Jewish men and women who, as children, were placed in non-Jewish families during the Nazi occupation of Holland, Diane L. Wolf paints a compelling portrait of Holocaust survivors whose experiences were often diametrically opposed to the experiences of those who suffered in concentration camps.
Although the war years were tolerable for most of these children, it was the end of the war that marked the beginning of a traumatic time, leading many of those interviewed here to remark, "My war began after the war." This first in-depth examination of hidden children vividly brings to life their experiences before, during, and after hiding and analyzes the shifting identities, memories, and family dynamics that marked their lives from childhood through advanced age. Wolf also uncovers anti-Semitism in the policies and practices of the Dutch state and the general population, which historically have been portrayed as relatively benevolent toward Jewish residents. The poignant family histories in Beyond Anne Frank demonstrate that we can understand the Holocaust more deeply by focusing on postwar lives.
Essays on Religion in a Post-Traditionalist World
Beyond Belief collects fifteen celebrated, broadly ranging essays in which Robert Bellah interprets the interplay of religion and society in concrete contexts from Japan to the Middle East to the United States. First published in 1970, Beyond Belief is a classic in the field of sociology of religion.
The Branching of a Paradigm
Cladistics, or phylogenetic systematics—an approach to discovering, unraveling, and testing hypotheses of evolutionary history—took hold during a turbulent and acrimonious time in the history of systematics. During this period—the 1960s and 1970s—much of the foundation of modern systematic methodology was established as cladistic approaches became widely accepted. Virtually complete by the end of the 1980s, the wide perception has been that little has changed. This volume vividly illustrates that cladistic methodologies have continued to be developed, improved upon, and effectively used in ever widening analytically imaginative ways.
Social and Political Aspects of Palestinian Food in Israel
Beyond Hummus and Falafel is the story of how food has come to play a central role in how Palestinian citizens of Israel negotiate life and a shared cultural identity within a tense political context. At the household level, Palestinian women govern food culture in the home, replicating tradition and acting as agents of change and modernization, carefully adopting and adapting mainstream Jewish culinary practices and technologies in the kitchen. Food is at the center of how Arab culture minorities define and shape the boundaries and substance of their identity within Israel.
Second Cities and Modern Life in Interwar Japan
In Beyond the Metropolis, Louise Young looks at the emergence of urbanism in the interwar period, a global moment when the material and ideological structures that constitute "the city" took their characteristic modern shape. In Japan, as elsewhere, cities became the staging ground for wide ranging social, cultural, economic, and political transformations. The rise of social problems, the formation of a consumer marketplace, the proliferation of streetcars and streetcar suburbs, and the cascade of investments in urban development reinvented the city as both socio-spatial form and set of ideas. Young tells this story through the optic of the provincial city, examining four second-tier cities: Sapporo, Kanazawa, Niigata, and Okayama. As prefectural capitals, these cities constituted centers of their respective regions. All four grew at an enormous rate in the interwar decades, much as the metropolitan giants did. In spite of their commonalities, local conditions meant that policies of national development and the vagaries of the business cycle affected individual cities in diverse ways. As their differences reveal, there is no single master narrative of twentieth century modernization. By engaging urban culture beyond the metropolis, this study shows that Japanese modernity was not made in Tokyo and exported to the provinces, but rather co-constituted through the circulation and exchange of people and ideas throughout the country and beyond.
Representing Music in Cinema
This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role—and many do much more—music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.