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Interviews with Screenwriters of the 1990s
Patrick McGilligan continues his celebrated interviews with exceptional screenwriters in Backstory 5, focusing on the 1990s. The thirteen featured writers—Albert Brooks, Jean-Claude Carrière, Nora Ephron, Ronald Harwood, John Hughes, David Koepp, Richard LaGravenese, Barry Levinson, Eric Roth, John Sayles, Tom Stoppard, Barbara Turner, and Rudy Wurlitzer—are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan’s words, "a snapshot of a profession in motion." Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges. Backstory 5 explores how these writers come up with their ideas, how they go about adapting a stage play or work of fiction, how they organize and structure their work, and much more.
Youth Culture in the Global City
In this timely examination of children of immigrants in New York and London, Natasha Kumar Warikoo asks, Is there a link between rap/hip-hop-influenced youth culture and motivation to succeed in school? Warikoo challenges teachers, administrators, and parents to look beneath the outward manifestations of youth culture -- the clothing, music, and tough talk -- to better understand the internal struggle faced by many minority students as they try to fit in with peers while working to lay the groundwork for successful lives. Using ethnographic, survey, and interview data in two racially diverse, low-achieving high schools, Warikoo analyzes seemingly oppositional styles, tastes in music, and school behaviors and finds that most teens try to find a balance between success with peers and success in school.
Case Studies in the Intersection of Modernity and Nationality
It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartók that acknowledges the composer’s debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók’s graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer’s artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartók’s relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.
Chasing El Duende
The euphoria of discovery is the only motivation many scientists need for studying nature and its secrets. Yet euphoria is rarely expressed in scientific publications. This book, a personal account of more than thirty years of fieldwork by one of the world’s leading bat biologists, wonderfully conveys the thrill of scientific discovery. Theodore Fleming’s work to document the lives and ecological importance of plant-visiting bats has taken him to the tropical forests of Panama, Costa Rica, and Australia, and to the lush Sonoran Desert of northwest Mexico and Arizona. This book tells the story of his fascinating career and recounts his many adventures in the field.
Fleming weaves autobiographical reflections together with information on the natural history and ecology of bats and describes many other animals and plants he has encountered. His book details the stresses and rewards of life in scientific field camps, gives portraits of prominent biologists such as Dan Janzen and Peter Raven, and traces the development of modern tropical biology. A witness to the destruction and development of many of the forests he has visited throughout his career, Fleming makes a passionate plea for the conservation of these wild places.
Aquaculture and the Domestication of a Fish
Becoming Salmon is the first ethnographic account of salmon aquaculture, the most recent turn in the human history of animal domestication. In this careful and nuanced study, Marianne Elisabeth Lien explores how the growth of marine domestication has blurred traditional distinctions between fish and animals, recasting farmed fish as sentient beings, capable of feeling pain and subject to animal-welfare legislation.
Drawing on fieldwork on and off salmon farms, Lien traces farmed Atlantic salmon through contemporary industrial husbandry, exposing how salmon are bred to be hungry, globally mobile, and "alien" in their watersheds of origin. Attentive to both the economic context of industrial food production and the embodied materiality of human-animal relations, this book highlights the fragile and contingent relational practices that constitute salmon aquaculture and the multiple ways of "becoming salmon" that emerge as a result.
Political Romanticism in the Late Works
In this provocative analysis of Beethoven's late style, Stephen Rumph demonstrates how deeply political events shaped the composer's music, from his early enthusiasm for the French Revolution to his later entrenchment during the Napoleonic era. Impressive in its breadth of research as well as for its devotion to interdisciplinary work in music history, Beethoven after Napoleon challenges accepted views by illustrating the influence of German Romantic political thought in the formation of the artist's mature style. Beethoven's political views, Rumph argues, were not quite as liberal as many have assumed. While scholars agree that the works of the Napoleonic era such as the Eroica Symphony or Fidelio embody enlightened, revolutionary ideals of progress, freedom, and humanism, Beethoven's later works have attracted less political commentary. Rumph contends that the later works show clear affinities with a native German ideology that exalted history, religion, and the organic totality of state and society. He claims that as the Napoleonic Wars plunged Europe into political and economic turmoil, Beethoven's growing antipathy to the French mirrored the experience of his Romantic contemporaries. Rumph maintains that Beethoven's turn inward is no pessimistic retreat but a positive affirmation of new conservative ideals.
Genealogies of the Afghan Jihad
In this powerful book, David B. Edwards traces the lives of three recent Afghan leaders in Afghanistan's history--Nur Muhammad Taraki, Samiullah Safi, and Qazi Amin Waqad--to explain how the promise of progress and prosperity that animated Afghanistan in the 1960s crumbled and became the present tragedy of discord, destruction, and despair. Before Taliban builds on the foundation that Edwards laid in his previous book, Heroes of the Age, in which he examines the lives of three significant figures of the late nineteenth century--a tribal khan, a Muslim saint, and a prince who became king of the newly created state.
In the mid twentieth century, Afghans believed their nation could be a model of economic and social development that would inspire the world. Instead, political conflict, foreign invasion, and civil war have left the country impoverished and politically dysfunctional. Each of the men Edwards profiles were engaged in the political struggles of the country's recent history. They hoped to see Afghanistan become a more just and democratic nation. But their visions for their country were radically different, and in the end, all three failed and were killed or exiled. Now, Afghanistan is associated with international terrorism, drug trafficking, and repression. Before Taliban tells these men's stories and provides a thorough analysis of why their dreams for a progressive nation lie in ruins while the Taliban has succeeded. In Edwards's able hands, this culturally informed biography provides a mesmerizing and revealing look into the social and cultural contexts of political change.
This innovative volume is the first collective effort by archaeologists and ethnographers to use concepts and models from human behavioral ecology to explore one of the most consequential transitions in human history: the origins of agriculture. Carefully balancing theory and detailed empirical study, and drawing from a series of ethnographic and archaeological case studies from eleven locations—including North and South America, Mesoamerica, Europe, the Near East, Africa, and the Pacific—the contributors to this volume examine the transition from hunting and gathering to farming and herding using a broad set of analytical models and concepts. These include diet breadth, central place foraging, ideal free distribution, discounting, risk sensitivity, population ecology, and costly signaling. An introductory chapter both charts the basics of the theory and notes areas of rapid advance in our understanding of how human subsistence systems evolve. Two concluding chapters by senior archaeologists reflect on the potential for human behavioral ecology to explain domestication and the transition from foraging to farming.
Ethics, Environment, and Our Place in the World
Being Human examines the complex connections among conceptions of human nature, attitudes toward non-human nature, and ethics. Anna Peterson proposes an "ethical anthropology" that examines how ideas of nature and humanity are bound together in ways that shape the very foundations of cultures. Peterson discusses mainstream Western understandings of what it means to be human, as well as alternatives to these perspectives, and suggests that the construction of a compelling, coherent environmental ethics will revise our ideas not only about nature but also about what it means to be human.
The Fieldwork Encounter and the Making of Truth
Challenges to ethnographic authority and to the ethics of representation have led many contemporary anthropologists to abandon fieldwork in favor of strategies of theoretical puppeteering, textual analysis, and surrogate ethnography. In Being There, John Borneman and Abdellah Hammoudi argue that ethnographies based on these strategies elide important insights. To demonstrate the power and knowledge attained through the fieldwork experience, they have gathered essays by anthropologists working in Morocco, Saudi Arabia, Syria, Tanzania, the Canadian Arctic, India, Germany, and Russia that shift attention back to the subtle dynamics of the ethnographic encounter. From an Inuit village to the foothills of Kilimanjaro, each account illustrates how, despite its challenges, fieldwork yields important insights outside the reach of textual analysis.