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Mining China's Revolutionary Tradition
How do we explain the surprising trajectory of the Chinese Communist revolution? Why has it taken such a different route from its Russian prototype? An answer, Elizabeth Perry suggests, lies in the Chinese Communists’ creative development and deployment of cultural resources – during their revolutionary rise to power and afterwards. Skillful "cultural positioning" and "cultural patronage," on the part of Mao Zedong, his comrades and successors, helped to construct a polity in which a once alien Communist system came to be accepted as familiarly "Chinese." Perry traces this process through a case study of the Anyuan coal mine, a place where Mao and other early leaders of the Chinese Communist Party mobilized an influential labor movement at the beginning of their revolution, and whose history later became a touchstone of "political correctness" in the People’s Republic of China. Once known as "China’s Little Moscow," Anyuan came over time to symbolize a distinctively Chinese revolutionary tradition. Yet the meanings of that tradition remain highly contested, as contemporary Chinese debate their revolutionary past in search of a new political future.
Islam and the Making of Modern Europe, 1798-1831
Many think of Muslims in Europe as a twentieth century phenomenon, but this book brings to life a lost community of Arabs who lived through war, revolution, and empire in early nineteenth century France. Ian Coller uncovers the surprising story of the several hundred men, women, and children—Egyptians, Syrians, Greeks, and others—who followed the French army back home after Napoleon’s occupation of Egypt. Based on research in neglected archives, on the rediscovery of forgotten Franco-Arab authors, and on a diverse collection of visual materials, the book builds a rich picture of the first Arab France—its birth, rise, and sudden decline in the age of colonial expansion. As he excavates a community that was nearly erased from the historical record, Coller offers a new account of France itself in this pivotal period, one that transcends the binary framework through which we too often view history by revealing the deep roots of exchange between Europe and the Muslim world, and showing how Arab France was in fact integral to the dawn of modernity.
Consumption, Entanglement, and Violence in Ancient Mediterranean France
This book presents a theoretically informed, up-to-date study of interactions between indigenous peoples of Mediterranean France and Etruscan, Greek, and Roman colonists during the first millennium BC. Analyzing archaeological data and ancient texts, Michael Dietler explores these colonial encounters over six centuries, focusing on material culture, urban landscapes, economic practices, and forms of violence. He shows how selective consumption linked native societies and colonists and created transformative relationships for each. Archaeologies of Colonialism also examines the role these ancient encounters played in the formation of modern European identity, colonial ideology, and practices, enumerating the problems for archaeologists attempting to re-examine these past societies.
The Discipline of Things
Archaeology has always been marked by its particular care, obligation, and loyalty to things. While archaeologists may not share similar perspectives or practices, they find common ground in their concern for objects monumental and mundane. This book considers the myriad ways that archaeologists engage with things in order to craft stories, both big and small, concerning our relations with materials and the nature of the past.
Literally the "science of old things," archaeology does not discover the past as it was but must work with what remains. Such work involves the tangible mediation of past and present, of people and their cultural fabric, for things cannot be separated from society. Things are us. This book does not set forth a sweeping new theory. It does not seek to transform the discipline of archaeology. Rather, it aims to understand precisely what archaeologists do and to urge practitioners toward a renewed focus on and care for things.
Race and Sexuality in Colonial San Francisco
This innovative work of historical archaeology illuminates the genesis of the Californios, a community of military settlers who forged a new identity on the northwest edge of Spanish North America. Since 1993, Barbara L. Voss has conducted archaeological excavations at the Presidio of San Francisco, founded by Spain during its colonization of California's central coast. Her research at the Presidio forms the basis for this rich study of cultural identity formation, or ethnogenesis, among the diverse peoples who came from widespread colonized populations to serve at the Presidio. Through a close investigation of the landscape, architecture, ceramics, clothing, and other aspects of material culture, she traces shifting contours of race and sexuality in colonial California.
Photographs and Illustrations for U.S. Surveys, 1850-1890
This imaginative study of American visual culture reveals how the political predicaments of a few small bureaucracies once fostered pictures of an extraordinary style. U.S. geographical and geological surveys of the late nineteenth century produced photographs and drawings of topography, American Indians, geologic features, botanical specimens, and specialists at work in the field. Some of these pictures have long been celebrated for their anticipation of a modernist aesthetic, but Robin Kelsey, in this abundantly illustrated volume, traces their modernistic qualities to archival ingenuity. The technical and promotional needs of surveys, Kelsey argues, fostered the emergence of a taut, graphic pictorial style that imitated the informational clarity of diagrams and maps. As this book demonstrates, these pictures became sites of struggle as well as innovation when three brilliant survey artists and photographers subtly resisted the programs they were hired to serve. Discovering a politics of style behind the modernist look of survey pictures, Kelsey offers a fresh interpretation of canonical western expedition photographs by Timothy H. O'Sullivan and introduces two exceptional but largely forgotten sets of pictures: views of the U.S.-Mexico boundary from the 1850s by Arthur Schott and photographs of the Charleston earthquake of 1886 by C. C. Jones.
A Decade of Monitoring
Each year shorebirds from North and South America migrate thousands of miles to spend the summer in the Arctic. There they feed in shoreline marshes and estuaries along some of the most productive and pristine coasts anywhere. With so much available food they are able to reproduce almost explosively; and as winter approaches, they retreat south along with their offspring, to return to the Arctic the following spring. This remarkable pattern of movement and activity has been the object of intensive study by an international team of ornithologists who have spent a decade counting, surveying, and observing these shorebirds. In this important synthetic work, they address multiple questions about these migratory bird populations. How many birds occupy Arctic ecosystems each summer? How long do visiting shorebirds linger before heading south? How fecund are these birds? Where exactly do they migrate and where exactly do they return? Are their populations growing or shrinking? The results of this study are crucial for better understanding how environmental policies will influence Arctic habitats as well as the far-ranging winter habitats used by migratory shorebirds.
Public Health since 9/11
A contemporary history of a critical period, Are We Ready? analyzes the impact of 9/11, the anthrax attacks that followed, and preparations for a possible smallpox attack on the nation's public health infrastructure. David Rosner and Gerald Markowitz interviewed local, state, and federal officials to determine the immediate reactions of key participants in these events. The authors explore the extent to which these emergencies permanently altered the political, cultural, and organizational life of the country and consider whether the nation is now better prepared to withstand another potentially devastating attack. This well-reasoned and well-researched book presents compelling evidence that few with hands-on experience with disease and emergency preparedness believe that an adequate response to terrorism—whether biological, chemical, or radiological—is possible without a strong and vibrant infrastructure to provide everyday services as well as emergency responses.
Are We Ready? begins with an examination of the experiences of local New York officials who were the first responders to 9/11 and follows them as events unfolded and as state and national authorities arrived. It goes on to analyze how various states dealt with changing federal funding for a variety of public health services. Using oral histories of CDC and other federal officials, the book then focuses on the federal reaction to 9/11 and anthrax. What emerges is a picture of dedicated public servants who were overcome by the emotions of the moment yet who were able to react in ways that significantly reduced the public anxiety and public health threat. Despite the extraordinary opportunity to revitalize and reinvigorate the nation’s public health infrastructure, the growing federal and state budget deficits, the refocusing of national attention on the war in Iraq, and the passage of time all combined to undermine many of the needed reforms to the nation’s public health defenses.
Copub: Milbank Memorial Fund
Palestinian Collaboration with Zionism, 1917–1948
Inspired by stories he heard in the West Bank as a child, Hillel Cohen uncovers a hidden history in this extraordinary and beautifully written book—a history central to the narrative of the Israel-Palestine conflict but for the most part willfully ignored until now. In Army of Shadows, initially published in Israel to high acclaim and intense controversy, he tells the story of Arabs who, from the very beginning of the Arab-Israeli encounter, sided with the Zionists and aided them politically, economically, and in security matters. Based on newly declassified documents and research in Zionist, Arab, and British sources, Army of Shadows follows Bedouins who hosted Jewish neighbors, weapons dealers, pro-Zionist propagandists, and informers and local leaders who cooperated with the Zionists, and others to reveal an alternate history of the mandate period with repercussions extending to this day. The book illuminates the Palestinian nationalist movement, which branded these "collaborators" as traitors and persecuted them; the Zionist movement, which used them to undermine Palestinian society from within and betrayed them; and the collaborators themselves, who held an alternate view of Palestinian nationalism. Army of Shadows offers a crucial new view of history from below and raises profound questions about the roots of the Israel-Palestine conflict.
Secret Agents, Private I
Lynn Hershman Leeson's groundbreaking installation, performance, photography, video, digital, and film works have earned her an international reputation as a prodigious and innovative artist. This first historical and critical analysis of her work by prominent scholars and the artist herself brings nearly forty years of creative output into focus by tracking the development of her constant themes through each medium. The provocative essays in this volume, ranging from formal to theoretical to psychological to poetical analyses, establish her place at the forefront of contemporary art.
Hershman Leeson's work explores vision, spectatorship, and the construction of sexed subjectivity, touching on key feminist concerns relating to the lived experience of the physical body and the body as a medium on which social law and values are inscribed. Her projects of self-analysis and self mythification explode stable notions of identity. The Art and Films of Lynn Hershman Leeson demonstrates how Hershman Leeson's work uniquely mirrors fragmented human subjectivity at the beginning of the twenty-first century. Especially useful are the artist's updated chronology and a DVD with excerpts from several of her works.
Copub: Henry Art Gallery, University of Washington