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This volume offers a fascinating look at the complex relationship between Jews and Europe during the past two hundred years, and how the European Jewish and non-Jewish intelligentsia interpreted the modern Jewish experience, primarily in Germany, Russia, and Central and Eastern Europe. Beginning with premodern European attitudes toward Jews, Reinharz and Shavit move quickly to "the glorious nineteenth century," a period in which Jewish dreams of true assimilation came up against modern antisemitism. Later chapters explore the fin-de-siecle "crisis of modernity"; the myth of the modern European Jew; expectations and fears in the interwar period; differences between European nations in their attitude toward Jews; the views of Zionists and early settlers of Palestine and Israel toward the Europe left behind; and views of contemporary Israeli intellectuals toward Europe, including its new Muslim population--the latest incarnation of the Jewish Question in Europe.
A History and Guide
What is Holocaust literature? When does it begin and how is it changing? Is there an essential core that consists of diaries, eyewitness accounts of the concentration camps, and tales of individual survival? Is it the same everywhere: West and East, in Australia as in the Americas, in poetry as in prose? Is this literature sacred and separate, or can it be studied alongside other responses to catastrophe? What works of Holocaust literature will be read a hundred years from now--and why?
Here, for the first time, is a historical survey of Holocaust literature in all genres, countries, and major languages. Beginning in wartime, it proceeds from the literature of mobilization and mourning in the Free World to the vast literature produced in Nazi-occupied ghettos, bunkers and places of hiding, transit and concentration camps. No less remarkable is the new memorial literature that begins to take shape within weeks and months of the liberation. Moving from Europe to Israel, the United States, and beyond, the authors situate the writings by real and proxy witnesses within three distinct postwar periods: "communal memory," still internal and internecine; "provisional memory" in the 1960s and 1970s, when a self-conscious Holocaust genre is born; and "authorized memory," in which we live today.
Twenty book covers--first editions in their original languages--and a guide to the "first hundred books" show the multilingual scope, historical depth, and artistic range of this extraordinary body of writing.
Family, History, and Trauma
In this brave and original work, Federica Clementi focuses on the mother-daughter bond as depicted in six works by women who experienced the Holocaust, sometimes with their mothers, sometimes not. The daughters' memoirs, which record the "all-too-human" qualities of those who were persecuted and murdered by the Nazis, show that the Holocaust cannot be used to neatly segregate lives into the categories of before and after. Clementi's discussions of differences in social status, along with the persistence of antisemitism and patriarchal structures, support this point strongly, demonstrating the tenacity of trauma--individual, familial, and collective--among Jews in twentieth-century Europe.
The Two-State Imperative
Since 1921, the Zionist movement, the Hashemites, and Palestinian nationalists have been vying for regional control. In this book, Asher Susser analyzes the evolution of the one- and two-state options and explores why a two-state solution has failed to materialize. He provides an in-depth analysis of Jordan's positions and presents an updated discussion of the two-state imperative through the initiatives of Israel and the Palestinian Authority. Susser argues that Israelis, Palestinians, and Jordanians have cohesive collective identities that violently collide with each other. Because of these entrenched differences, a single-state solution cannot be achieved.
American Celebrity and Jewish Identity—Sandy Koufax, Lenny Bruce, Bob Dylan, and Barbra Streisand
A lively look at four major Jewish celebrities of early 1960s America, who together made their mark on both American culture and Jewish identity Sandy Koufax, Lenny Bruce, Bob Dylan, and Barbra Streisand first came to public attention in the early 1960s, a period Kaufman identifies as historically ripe for American Jews to reexamine their (Jewish) identities. All four achieved extraordinary success in their respective fields and became celebrities within an American context, while at the same time they were clearly identifiable as Jews—although they were perceived to be Jewish in very different ways. Kaufman investigates these celebrities’ rise to fame, the specific brand of Jewishness each one represented, and how their fans and the public at large perceived their ethnic identity as Jews. Situating Koufax, Bruce, Dylan, and Streisand within the larger history of American Jewish celebrity, Kaufman argues that the four early 1960s figures represent a turning point between celebrity Jews of the past—such as Hank Greenberg, Groucho Marx, Irving Berlin, and Fanny Brice—and those of the present, such as Jon Stewart, Matisyahu, and Natalie Portman. Providing an entry into Jewish celebrity studies, this lively narrative explores the intersection between popular celebrity and Jewish identity and thereby examines the cultural construction of Jewishness in the latter half of the twentieth century.
In the late 1870s, shaken by rapid socioeconomic change, internal crises, and the rise of antisemitism, young Jews assumed leadership, created dozens of organizations, and inspired masses of followers. These organizations helped define the nineteenth-century Jewish awakening: cultural and religious renewal, and the promotion of Jewish education. Expanding upon the unfinished work of Leah Levitz Fishbane, this volume seeks to broaden our understanding of this period, which paved the way for new developments in American Jewish communal, cultural, and religious life.
Life History, Politics, and Culture
This fascinating interdisciplinary collection of essays brings gender issues to the foreground in order to redress a profound imbalance in the historiography of the Yishuv, the Jewish community in Palestine, and in the early years of the State of Israel. Although male discourse still dominates this field, some initial studies have begun to create an authentic and multifaceted Hebrew-Israeli voice by examining the activities and contributions of women.
This research has led to a number of basic questions: What was the reality of life for women in Jewish society in Ottoman and Mandatory Palestine (Eretz Israel), and in the early years of the State? What was the contribution of women to the renewal of Israeli society and culture? What is the place of gender perceptions in the study of the new local identity? The original articles in this anthology forge an innovative response to one or more of these questions, and reflecting the state of research in the field.
Writings on Identity and Difference, 1880-1940
Many people think of Jews as victims of a particular sort of racism, not as active participants in the development of racial thinking in the nineteenth and twentieth centuries. Yet many Jews did take up racial discourse and used it to analyze Judaism, Jewish history, and the contemporary condition of world Jewry. Race discourse generated by Jews was in part apologetic, a response to racial antisemitism; however, it also served other political and ideological needs.
Focusing primarily on works written at the height of the racial hygiene and eugenics movements in Europe and North America, this diverse anthology shows how Jewish scholars and popular writers in Europe, North America, and Palestine developed racial interpretations of Judaism and Jewish history, thereby raising fascinating and thorny issues about the nature and history of racial discourse in Europe and America. Designed for class adoption, the volume contains annotations and an introduction by the editor.