Browse Results For:
The Axial Age, Dark Green Religion, and the World That Never Was
The contemporary world has been shaped by two important and potent myths. Karl Jaspers’ construct of the “axial age” envisions the common past (800-200 BC), the time when Western society was born and world religions spontaneously and independently appeared out of a seemingly shared value set. Conversely, the myth of the “dark green golden age” as narrated by David Suzuki and others asserts that the axial age, and the otherworldliness that accompanied the emergence of organized religion, ripped society from a previously deep communion with nature. Both myths contend that to maintain balance we must return to the idealized past. In Convenient Myths, Iain Provan illuminates the influence of these two deeply entrenched and questionable myths, warns of their potential dangers, and forebodingly maps the implications of a world founded on such myths.
Christianity and Political Culture in Contemporary Hong Kong
Lida V. Nedilsky captures the public ramifications of a personal, Christian faith at the time of Hong Kong’s pivotal political turmoil. From 1997 to 2008, in the much-anticipated reintegration of Hong Kong into Chinese sovereignty, she conducted detailed interviews of more than fifty Hong Kong people and then followed their daily lives, documenting their involvement at the intersection of church and state.
Citizens of Hong Kong enjoy abundant membership options, both social and religious, under Hong Kong’s free market culture. Whether identifying as Catholic or Protestant, or growing up in religious or secular households, Nedilsky’s interviewees share an important characteristic: a story of choosing faith. Across the spheres of family and church, as well as civic organizations and workplaces, Nedilsky shows how individuals break and forge bonds, enter and exit commitments, and transform the public ends of choice itself. From this intimate, firsthand vantage point, Converts to Civil Society reveals that people’s independent movements not only invigorate and shape religious community but also enliven a wider public life.
The Lost Essay of Rhode Island’s Founding Father
Near the end of his life, Roger Williams, Rhode Island founder and father of American religious freedom, scrawled an encrypted essay in the margins of a colonial-era book. For more than 300 years those shorthand notes remained indecipherable... ...until a team of Brown University undergraduates led by Lucas Mason-Brown cracked Williams’ code after the marginalia languished for over a century in the archives of the John Carter Brown Library. At the time of Williams’ writing, a trans-Atlantic debate on infant versus believer’s baptism had taken shape that included London Baptist minister John Norcott and the famous Puritan “Apostle to the Indians,” John Eliot. Amazingly, Williams’ code contained a previously undiscovered essay, which was a point-by-point refutation of Eliot’s book supporting infant baptism. History professors Linford D. Fisher and J. Stanley Lemons immediately recognized the importance of what turned out to be theologian Roger Williams’ final treatise. Decoding Roger Williams reveals for the first time Williams’ translated and annotated essay, along with a critical essay by Fisher, Lemons, and Mason-Brown and reprints of the original Norcott and Eliot tracts.
Blake, Byron, and the Adversary
Does the Devil lie at the heart of the creative process? In The Devil as Muse, Fred Parker offers an entirely fresh reflection on the age-old question, echoing William Blake’s famous statement: “the true poet is of the Devil’s party." Expertly examining three literary interpretations of the Devil and his influence upon the artist—Milton’s Satan in Paradise Lost, the Mephistopheles of Goethe’s Faust, and the one who offers daimonic creativity in Thomas Mann’s Doctor Faustus—Parker unveils a radical tension between the ethical and the aesthetic. While the Devil is the artist’s necessary collaborator and liberating muse, from an ethical standpoint the price paid for such creativity is nothing less damnable than the Faustian pact—and the artist who is creative in that way is seen as accursed, alienated, morally disturbing. In their own different ways, Parker shows, Blake, Byron, and Mann all reflect and acknowledge that tension in their work, and model ways to resolve it through their writing. Linking these literary conceptions with scholarship on the genesis of the historical conception of the Devil and recent work on the role of “otherness” in creativity, Parker insightfully suggests how creative literature can feel its way back along the processes—both theological and psychological—that lie behind such constructions of the Adversary.
The Social Construction of Taint
Dirty Work profiles a number of occupations that society deems tainted. The volume's vivid, ethnographic reports focus on the communication that helps workers manage the moral, social, and physical stains that derive from engaging in such occupations. The creative ways that those who perform such dirty work learn to communicate with each other, and with outsiders, regulate the negative aspects of the work itself and emphasize the positives so that workers can maintain a sense of self-value even while performing devalued occupations.
Contending for Christian Faith in Today's Academic Setting
Disputed Issues is a collection of essays reflecting Professor Steven Davis’s thinking—developed over a long and illustrious career—on a host of widely-contested issues essential to Christian philosophy, theology, and belief. These thoughtful and highly readable essays explore a range of topics, from those central to basic Christian belief (such as issues about resurrection and the survival of death), to others focused on more specific questions (such as whether Mark copied Homer and whether exegesis should be presuppositionless). Intended as a useful, instructive resource for believers and unbelievers alike, Disputed Issues is essential to understanding what a thoughtful orthodox Christian believes—and why.
Meanings, Virtues, and Practices in a Post-Religious Age
In The Ecology of Spirituality, Lucy Bregman surveys the many and varied religious, psychological, and sociological definitions of spirituality on offer. Spirituality has been made and remade many times over in the hope of fitting it to some new cultural need. Bregman argues that a better understanding of spirituality is instead rooted in specific professions and practices, and she demonstrates that it is not an irrevocably ambiguous pop cultural phenomenon, but is embodied in historic virtues and practices of a craft.