Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
James Wm. McClendon, Jr. was the most important “baptist” theologian of the twentieth century. McClendon crafted a systematic theology that refused to succumb to the pressures of individualism, grew out of the immediacy of preaching the text, and lamented the stunted public witness of a fractured Protestant ecclesiology. This two-volume set mixes previously unpublished and published lectures and essays with rare and little known works to form a representative collection of the essential themes of McClendon’s work. The first volume focuses on the philosophical and theological shifts leading to McClendon’s articulation of the baptist vision. The second volume specifically elucidates the more philosophical themes that informed McClendon’s work, including ways in which these themes had immediate theological import. Taken together, the set provides the most comprehensive presentation of McClendon’s work now available, revealing the sustained and systematic character of his vision over the course of his life. These two volumes will provide scholars, preachers, and students with McClendon’s radical, narrative, and connective theology.
Mary and the Politics of Seventeenth-Century Spanish Theater
Few characters were as ubiquitous in the collective consciousness of early modern Spain as the Virgin Mary. By the 1600s, the cult of the Immaculate Conception had become so popularized that the Hapsburg monarchy issued a decree in defense of the Virgin's purity. In a climate of political disharmony, however, this revered icon—often pictured as the passive, chaste, and pious mother of God—would become an archetype of paradox within the Spanish imagination. In The Comedia of Virginity, Mirzam Perez underscores how the character of the Virgin Mary was represented on the theater stage. Following a concise account of the historical, academic, and political forces operating within Hapsburg Spain, Perez dissects three comedias—three-act productions featuring both drama and comedy—and draws out their multivalent interpretations of Mary. In their own ways, these secular comedias reproduced an uncommonly empowering feminine vision while making light of the Virgin's purity. The Mary of the stage was an active, sinuous, even sensual force whom playwrights would ultimately use to support a fracturing monarchy.
Baptist Prophetesses in Seventeenth-Century England
When the Baptist movement began four centuries ago, revolutionary forces had destabilized the centers of social control that had long kept women in their place. In the early seventeenth century, Baptist women began to speak their minds. Through their prophetic writings, these women came to exercise considerable influence and authority among the early churches. When Baptists became more institutionalized later in the century, the egalitarian distinction dissipated and women’s voices again, for a long history, were silenced. However, long ago, in early Baptist life in England, women did preach—well and often. In A Company of Women Preachers, Curtis Freeman collects and presents a critical edition of these prophetic women’s texts, retrieving their voices so that their messages and contributions to the tradition may once again be recognized.
Religious and Political Bias in American Higher Education
Conservative and liberal commentators alike have long argued that social bias exists in American higher education. Yet those arguments have largely lacked much supporting evidence. In this first systematic attempt to substantiate social bias in higher education, George Yancey embarks on a quantitative and qualitative analysis of the social biases and attitudes of faculties in American universities—surveying professors in disciplines from political science to experimental biology and then examining the blogs of 42 sociology professors. In so doing, Yancey finds that politically—and, even more so, religiously—conservative academics are at a distinct disadvantage in our institutions of learning, threatening the free exchange of ideas to which our institutions aspire and leaving many scientific inquiries unexplored.
The Axial Age, Dark Green Religion, and the World That Never Was
The contemporary world has been shaped by two important and potent myths. Karl Jaspers’ construct of the “axial age” envisions the common past (800-200 BC), the time when Western society was born and world religions spontaneously and independently appeared out of a seemingly shared value set. Conversely, the myth of the “dark green golden age” as narrated by David Suzuki and others asserts that the axial age, and the otherworldliness that accompanied the emergence of organized religion, ripped society from a previously deep communion with nature. Both myths contend that to maintain balance we must return to the idealized past. In Convenient Myths, Iain Provan illuminates the influence of these two deeply entrenched and questionable myths, warns of their potential dangers, and forebodingly maps the implications of a world founded on such myths.
Christianity and Political Culture in Contemporary Hong Kong
Lida V. Nedilsky captures the public ramifications of a personal, Christian faith at the time of Hong Kong’s pivotal political turmoil. From 1997 to 2008, in the much-anticipated reintegration of Hong Kong into Chinese sovereignty, she conducted detailed interviews of more than fifty Hong Kong people and then followed their daily lives, documenting their involvement at the intersection of church and state.
Citizens of Hong Kong enjoy abundant membership options, both social and religious, under Hong Kong’s free market culture. Whether identifying as Catholic or Protestant, or growing up in religious or secular households, Nedilsky’s interviewees share an important characteristic: a story of choosing faith. Across the spheres of family and church, as well as civic organizations and workplaces, Nedilsky shows how individuals break and forge bonds, enter and exit commitments, and transform the public ends of choice itself. From this intimate, firsthand vantage point, Converts to Civil Society reveals that people’s independent movements not only invigorate and shape religious community but also enliven a wider public life.
The Lost Essay of Rhode Island’s Founding Father
Near the end of his life, Roger Williams, Rhode Island founder and father of American religious freedom, scrawled an encrypted essay in the margins of a colonial-era book. For more than 300 years those shorthand notes remained indecipherable... ...until a team of Brown University undergraduates led by Lucas Mason-Brown cracked Williams’ code after the marginalia languished for over a century in the archives of the John Carter Brown Library. At the time of Williams’ writing, a trans-Atlantic debate on infant versus believer’s baptism had taken shape that included London Baptist minister John Norcott and the famous Puritan “Apostle to the Indians,” John Eliot. Amazingly, Williams’ code contained a previously undiscovered essay, which was a point-by-point refutation of Eliot’s book supporting infant baptism. History professors Linford D. Fisher and J. Stanley Lemons immediately recognized the importance of what turned out to be theologian Roger Williams’ final treatise. Decoding Roger Williams reveals for the first time Williams’ translated and annotated essay, along with a critical essay by Fisher, Lemons, and Mason-Brown and reprints of the original Norcott and Eliot tracts.
Blake, Byron, and the Adversary
Does the Devil lie at the heart of the creative process? In The Devil as Muse, Fred Parker offers an entirely fresh reflection on the age-old question, echoing William Blake’s famous statement: “the true poet is of the Devil’s party." Expertly examining three literary interpretations of the Devil and his influence upon the artist—Milton’s Satan in Paradise Lost, the Mephistopheles of Goethe’s Faust, and the one who offers daimonic creativity in Thomas Mann’s Doctor Faustus—Parker unveils a radical tension between the ethical and the aesthetic. While the Devil is the artist’s necessary collaborator and liberating muse, from an ethical standpoint the price paid for such creativity is nothing less damnable than the Faustian pact—and the artist who is creative in that way is seen as accursed, alienated, morally disturbing. In their own different ways, Parker shows, Blake, Byron, and Mann all reflect and acknowledge that tension in their work, and model ways to resolve it through their writing. Linking these literary conceptions with scholarship on the genesis of the historical conception of the Devil and recent work on the role of “otherness” in creativity, Parker insightfully suggests how creative literature can feel its way back along the processes—both theological and psychological—that lie behind such constructions of the Adversary.