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Christian missionaries in China have been viewed as agents of Western imperialist values. Yang Huilin, leading scholar of Sino-Christian studies, has dedicated himself to re-evaluating the history of Christianity in China and sifting through intellectual and religious results of missionary efforts in China. Yang focuses upon local histories of Christianity to chronicle its enduring good. China, Christianity, and the Question of Culture illuminates the unexplored links between Christianity and Chinese culture, from Christianity and higher education in China to the rural acculturation of Christian ideology by indigenous communities. In a distinctly Chinese voice, Yang presents the legacy of Western missionaries in a new light, contributing greatly to now vigorous Sino-Christian theology.
A Cultural History of Afro-Atlantic Identity, 1774-1903
During the 18th century, American Puritans introduced migrant and enslaved Africans to the Exodus story. In contrast to the ways white Americans appropriated the texts to defend the practice of slavery, African migrants and slaves would recast the Exodus in defense of freedom and equality, creating narratives that would ultimately propel abolition and result in a wellspring of powerful writing. Drawing on a broad collection of Afro-Atlantic authors, Rhondda Robinson Thomas shows how writers such as Absalom Jones, Daniel Coker, and W.E.B. Du Bois employed the Exodus metanarrative to ask profound, difficult questions of the African experience. These writers employed it as a literary muse, warranting, Thomas contends, that they be classified and studied as a unique literary genre. Through an arresting reading of works renowned to the largely unknown, Claiming Exodus uncovers in these writings a robust foundation for enacting political change and a stimulating picture of Africans constructing their own identity in a new and unfamiliar land.
From George Washington to George W. Bush
Although most prevalent and obvious during the early decades of the Republic, the influence of classical antiquity on American politics persists even into the 21st century. This study tracks the movement of classicism throughout U.S. history and illustrates how the ancient Greeks and Romans continue to influence political theory and determine policy in the United States, from the education of the Founders to the War in Iraq.
Racial Passing and the Color of Cultural Identity
Everybody passes. Not just racial minorities. As Marcia Dawkins explains, passing has been occurring for millennia, since intercultural and interracial contact began. And with this profound new study, she explores its old limits and new possibilities: from women passing as men and able-bodied persons passing as disabled to black classics professors passing as Jewish and white supremacists passing as white.
Clearly Invisible journeys to sometimes uncomfortable but unfailingly enlightening places as Dawkins retells the contemporary expressions and historical experiences of individuals called passers. Along the way these passers become people—people whose stories sound familiar but take subtle turns to reveal racial and other tensions lurking beneath the surface, people who ultimately expose as much about our culture and society as they conceal about themselves.
Both an updated take on the history of passing and a practical account of passing’s effects on the rhetoric of multiracial identities, Clearly Invisible traces passing’s legal, political, and literary manifestations, questioning whether passing can be a form of empowerment (even while implying secrecy) and suggesting that passing could be one of the first expressions of multiracial identity in the U.S. as it seeks its own social standing.
Certain to be hailed as a pioneering work in the study of race and culture, Clearly Invisible offers powerful testimony to the fact that individual identities are never fully self-determined—and that race is far more a matter of sociology than of biology.
For more, including photos, author interviews, news, and author appearances, visit ClearlyInvisibleBook.com.
Mary and the Politics of Seventeenth-Century Spanish Theater
Few characters were as ubiquitous in the collective consciousness of early modern Spain as the Virgin Mary. By the 1600s, the cult of the Immaculate Conception had become so popularized that the Hapsburg monarchy issued a decree in defense of the Virgin's purity. In a climate of political disharmony, however, this revered icon—often pictured as the passive, chaste, and pious mother of God—would become an archetype of paradox within the Spanish imagination. In The Comedia of Virginity, Mirzam Perez underscores how the character of the Virgin Mary was represented on the theater stage. Following a concise account of the historical, academic, and political forces operating within Hapsburg Spain, Perez dissects three comedias—three-act productions featuring both drama and comedy—and draws out their multivalent interpretations of Mary. In their own ways, these secular comedias reproduced an uncommonly empowering feminine vision while making light of the Virgin's purity. The Mary of the stage was an active, sinuous, even sensual force whom playwrights would ultimately use to support a fracturing monarchy.
Baptist Prophetesses in Seventeenth-Century England
When the Baptist movement began four centuries ago, revolutionary forces had destabilized the centers of social control that had long kept women in their place. In the early seventeenth century, Baptist women began to speak their minds. Through their prophetic writings, these women came to exercise considerable influence and authority among the early churches. When Baptists became more institutionalized later in the century, the egalitarian distinction dissipated and women’s voices again, for a long history, were silenced. However, long ago, in early Baptist life in England, women did preach—well and often. In A Company of Women Preachers, Curtis Freeman collects and presents a critical edition of these prophetic women’s texts, retrieving their voices so that their messages and contributions to the tradition may once again be recognized.
Religious and Political Bias in American Higher Education
Conservative and liberal commentators alike have long argued that social bias exists in American higher education. Yet those arguments have largely lacked much supporting evidence. In this first systematic attempt to substantiate social bias in higher education, George Yancey embarks on a quantitative and qualitative analysis of the social biases and attitudes of faculties in American universities—surveying professors in disciplines from political science to experimental biology and then examining the blogs of 42 sociology professors. In so doing, Yancey finds that politically—and, even more so, religiously—conservative academics are at a distinct disadvantage in our institutions of learning, threatening the free exchange of ideas to which our institutions aspire and leaving many scientific inquiries unexplored.
The Axial Age, Dark Green Religion, and the World That Never Was
The contemporary world has been shaped by two important and potent myths. Karl Jaspers’ construct of the “axial age” envisions the common past (800-200 BC), the time when Western society was born and world religions spontaneously and independently appeared out of a seemingly shared value set. Conversely, the myth of the “dark green golden age” as narrated by David Suzuki and others asserts that the axial age, and the otherworldliness that accompanied the emergence of organized religion, ripped society from a previously deep communion with nature. Both myths contend that to maintain balance we must return to the idealized past. In Convenient Myths, Iain Provan illuminates the influence of these two deeply entrenched and questionable myths, warns of their potential dangers, and forebodingly maps the implications of a world founded on such myths.