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From George Washington to George W. Bush
Although most prevalent and obvious during the early decades of the Republic, the influence of classical antiquity on American politics persists even into the 21st century. This study tracks the movement of classicism throughout U.S. history and illustrates how the ancient Greeks and Romans continue to influence political theory and determine policy in the United States, from the education of the Founders to the War in Iraq.
Racial Passing and the Color of Cultural Identity
Everybody passes. Not just racial minorities. As Marcia Dawkins explains, passing has been occurring for millennia, since intercultural and interracial contact began. And with this profound new study, she explores its old limits and new possibilities: from women passing as men and able-bodied persons passing as disabled to black classics professors passing as Jewish and white supremacists passing as white.
Clearly Invisible journeys to sometimes uncomfortable but unfailingly enlightening places as Dawkins retells the contemporary expressions and historical experiences of individuals called passers. Along the way these passers become people—people whose stories sound familiar but take subtle turns to reveal racial and other tensions lurking beneath the surface, people who ultimately expose as much about our culture and society as they conceal about themselves.
Both an updated take on the history of passing and a practical account of passing’s effects on the rhetoric of multiracial identities, Clearly Invisible traces passing’s legal, political, and literary manifestations, questioning whether passing can be a form of empowerment (even while implying secrecy) and suggesting that passing could be one of the first expressions of multiracial identity in the U.S. as it seeks its own social standing.
Certain to be hailed as a pioneering work in the study of race and culture, Clearly Invisible offers powerful testimony to the fact that individual identities are never fully self-determined—and that race is far more a matter of sociology than of biology.
For more, including photos, author interviews, news, and author appearances, visit ClearlyInvisibleBook.com.
Mary and the Politics of Seventeenth-Century Spanish Theater
Few characters were as ubiquitous in the collective consciousness of early modern Spain as the Virgin Mary. By the 1600s, the cult of the Immaculate Conception had become so popularized that the Hapsburg monarchy issued a decree in defense of the Virgin's purity. In a climate of political disharmony, however, this revered icon—often pictured as the passive, chaste, and pious mother of God—would become an archetype of paradox within the Spanish imagination. In The Comedia of Virginity, Mirzam Perez underscores how the character of the Virgin Mary was represented on the theater stage. Following a concise account of the historical, academic, and political forces operating within Hapsburg Spain, Perez dissects three comedias—three-act productions featuring both drama and comedy—and draws out their multivalent interpretations of Mary. In their own ways, these secular comedias reproduced an uncommonly empowering feminine vision while making light of the Virgin's purity. The Mary of the stage was an active, sinuous, even sensual force whom playwrights would ultimately use to support a fracturing monarchy.
Baptist Prophetesses in Seventeenth-Century England
When the Baptist movement began four centuries ago, revolutionary forces had destabilized the centers of social control that had long kept women in their place. In the early seventeenth century, Baptist women began to speak their minds. Through their prophetic writings, these women came to exercise considerable influence and authority among the early churches. When Baptists became more institutionalized later in the century, the egalitarian distinction dissipated and women’s voices again, for a long history, were silenced. However, long ago, in early Baptist life in England, women did preach—well and often. In A Company of Women Preachers, Curtis Freeman collects and presents a critical edition of these prophetic women’s texts, retrieving their voices so that their messages and contributions to the tradition may once again be recognized.
Religious and Political Bias in American Higher Education
Conservative and liberal commentators alike have long argued that social bias exists in American higher education. Yet those arguments have largely lacked much supporting evidence. In this first systematic attempt to substantiate social bias in higher education, George Yancey embarks on a quantitative and qualitative analysis of the social biases and attitudes of faculties in American universities—surveying professors in disciplines from political science to experimental biology and then examining the blogs of 42 sociology professors. In so doing, Yancey finds that politically—and, even more so, religiously—conservative academics are at a distinct disadvantage in our institutions of learning, threatening the free exchange of ideas to which our institutions aspire and leaving many scientific inquiries unexplored.
The Axial Age, Dark Green Religion, and the World That Never Was
The contemporary world has been shaped by two important and potent myths. Karl Jaspers’ construct of the “axial age” envisions the common past (800-200 BC), the time when Western society was born and world religions spontaneously and independently appeared out of a seemingly shared value set. Conversely, the myth of the “dark green golden age” as narrated by David Suzuki and others asserts that the axial age, and the otherworldliness that accompanied the emergence of organized religion, ripped society from a previously deep communion with nature. Both myths contend that to maintain balance we must return to the idealized past. In Convenient Myths, Iain Provan illuminates the influence of these two deeply entrenched and questionable myths, warns of their potential dangers, and forebodingly maps the implications of a world founded on such myths.
Christianity and Political Culture in Contemporary Hong Kong
Lida V. Nedilsky captures the public ramifications of a personal, Christian faith at the time of Hong Kong’s pivotal political turmoil. From 1997 to 2008, in the much-anticipated reintegration of Hong Kong into Chinese sovereignty, she conducted detailed interviews of more than fifty Hong Kong people and then followed their daily lives, documenting their involvement at the intersection of church and state.
Citizens of Hong Kong enjoy abundant membership options, both social and religious, under Hong Kong’s free market culture. Whether identifying as Catholic or Protestant, or growing up in religious or secular households, Nedilsky’s interviewees share an important characteristic: a story of choosing faith. Across the spheres of family and church, as well as civic organizations and workplaces, Nedilsky shows how individuals break and forge bonds, enter and exit commitments, and transform the public ends of choice itself. From this intimate, firsthand vantage point, Converts to Civil Society reveals that people’s independent movements not only invigorate and shape religious community but also enliven a wider public life.
Blake, Byron, and the Adversary
Does the Devil lie at the heart of the creative process? In The Devil as Muse, Fred Parker offers an entirely fresh reflection on the age-old question, echoing William Blake’s famous statement: “the true poet is of the Devil’s party." Expertly examining three literary interpretations of the Devil and his influence upon the artist—Milton’s Satan in Paradise Lost, the Mephistopheles of Goethe’s Faust, and the one who offers daimonic creativity in Thomas Mann’s Doctor Faustus—Parker unveils a radical tension between the ethical and the aesthetic. While the Devil is the artist’s necessary collaborator and liberating muse, from an ethical standpoint the price paid for such creativity is nothing less damnable than the Faustian pact—and the artist who is creative in that way is seen as accursed, alienated, morally disturbing. In their own different ways, Parker shows, Blake, Byron, and Mann all reflect and acknowledge that tension in their work, and model ways to resolve it through their writing. Linking these literary conceptions with scholarship on the genesis of the historical conception of the Devil and recent work on the role of “otherness” in creativity, Parker insightfully suggests how creative literature can feel its way back along the processes—both theological and psychological—that lie behind such constructions of the Adversary.
The Social Construction of Taint
Dirty Work profiles a number of occupations that society deems tainted. The volume's vivid, ethnographic reports focus on the communication that helps workers manage the moral, social, and physical stains that derive from engaging in such occupations. The creative ways that those who perform such dirty work learn to communicate with each other, and with outsiders, regulate the negative aspects of the work itself and emphasize the positives so that workers can maintain a sense of self-value even while performing devalued occupations.