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Baylor University Press

Baylor University Press

Website: http://www.baylorpress.com/Home

We at Baylor University Press are passionate about books that have a vocation, ones that seek to do "good". In an age that is obsessed with information, we publish, promote, and cultivate wisdom, wisdom that will help better humanity today and usher in a more promising tomorrow.

Established in 1897, Baylor University Press publishes thirty-five new books each year for scholars, students, and intellectually curious general readers. With a leading program in religious studies, Baylor University Press also boasts stellar works of social criticism, publishing in the areas of cultural studies, sociology, rhetoric, political science, history, popular culture, and literary criticism. Baylor University Press is a member of the Association of American University Presses.


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Baylor University Press

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China, Christianity, and the Question of Culture Cover

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China, Christianity, and the Question of Culture

Yang Huilin

Christian missionaries in China have been viewed as agents of Western imperialist values. Yang Huilin, leading scholar of Sino-Christian studies, has dedicated himself to re-evaluating the history of Christianity in China and sifting through intellectual and religious results of missionary efforts in China. Yang focuses upon local histories of Christianity to chronicle its enduring good. China, Christianity, and the Question of Culture illuminates the unexplored links between Christianity and Chinese culture, from Christianity and higher education in China to the rural acculturation of Christian ideology by indigenous communities. In a distinctly Chinese voice, Yang presents the legacy of Western missionaries in a new light, contributing greatly to now vigorous Sino-Christian theology.

Claiming Exodus Cover

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Claiming Exodus

A Cultural History of Afro-Atlantic Identity, 1774-1903

Rhondda Robinson Thomas

During the 18th century, American Puritans introduced migrant and enslaved Africans to the Exodus story. In contrast to the ways white Americans appropriated the texts to defend the practice of slavery, African migrants and slaves would recast the Exodus in defense of freedom and equality, creating narratives that would ultimately propel abolition and result in a wellspring of powerful writing. Drawing on a broad collection of Afro-Atlantic authors, Rhondda Robinson Thomas shows how writers such as Absalom Jones, Daniel Coker, and W.E.B. Du Bois employed the Exodus metanarrative to ask profound, difficult questions of the African experience. These writers employed it as a literary muse, warranting, Thomas contends, that they be classified and studied as a unique literary genre. Through an arresting reading of works renowned to the largely unknown, Claiming Exodus uncovers in these writings a robust foundation for enacting political change and a stimulating picture of Africans constructing their own identity in a new and unfamiliar land.

Classical Antiquity and the Politics of America Cover

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Classical Antiquity and the Politics of America

From George Washington to George W. Bush

Edited by Michael Meckler

Although most prevalent and obvious during the early decades of the Republic, the influence of classical antiquity on American politics persists even into the 21st century. This study tracks the movement of classicism throughout U.S. history and illustrates how the ancient Greeks and Romans continue to influence political theory and determine policy in the United States, from the education of the Founders to the War in Iraq.

Clearly Invisible Cover

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Clearly Invisible

Racial Passing and the Color of Cultural Identity

By Marcia Alesan Dawkins

Everybody passes. Not just racial minorities. As Marcia Dawkins explains, passing has been occurring for millennia, since intercultural and interracial contact began. And with this profound new study, she explores its old limits and new possibilities: from women passing as men and able-bodied persons passing as disabled to black classics professors passing as Jewish and white supremacists passing as white.

Clearly Invisible journeys to sometimes uncomfortable but unfailingly enlightening places as Dawkins retells the contemporary expressions and historical experiences of individuals called passers. Along the way these passers become people—people whose stories sound familiar but take subtle turns to reveal racial and other tensions lurking beneath the surface, people who ultimately expose as much about our culture and society as they conceal about themselves.

Both an updated take on the history of passing and a practical account of passing’s effects on the rhetoric of multiracial identities, Clearly Invisible traces passing’s legal, political, and literary manifestations, questioning whether passing can be a form of empowerment (even while implying secrecy) and suggesting that passing could be one of the first expressions of multiracial identity in the U.S. as it seeks its own social standing.

Certain to be hailed as a pioneering work in the study of race and culture, Clearly Invisible offers powerful testimony to the fact that individual identities are never fully self-determined—and that race is far more a matter of sociology than of biology.

For more, including photos, author interviews, news, and author appearances, visit ClearlyInvisibleBook.com.

The Collected Works of James Wm. McClendon, Jr. Cover

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The Collected Works of James Wm. McClendon, Jr.

Volume 1

by James Wm. McClendon, Jr., with introduction by Nancey Murphy

The Collected Works of James Wm. McClendon, Jr. Cover

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The Collected Works of James Wm. McClendon, Jr.

Volume 2

James Wm. McClendon

James Wm. McClendon, Jr. was the most important “baptist” theologian of the twentieth century. McClendon crafted a systematic theology that refused to succumb to the pressures of individualism, grew out of the immediacy of preaching the text, and lamented the stunted public witness of a fractured Protestant ecclesiology. This two-volume set mixes previously unpublished and published lectures and essays with rare and little known works to form a representative collection of the essential themes of McClendon’s work. The first volume focuses on the philosophical and theological shifts leading to McClendon’s articulation of the baptist vision. The second volume specifically elucidates the more philosophical themes that informed McClendon’s work, including ways in which these themes had immediate theological import. Taken together, the set provides the most comprehensive presentation of McClendon’s work now available, revealing the sustained and systematic character of his vision over the course of his life. These two volumes will provide scholars, preachers, and students with McClendon’s radical, narrative, and connective theology.

The Comedia of Virginity Cover

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The Comedia of Virginity

Mary and the Politics of Seventeenth-Century Spanish Theater

Mirzam C. Perez

Few characters were as ubiquitous in the collective consciousness of early modern Spain as the Virgin Mary. By the 1600s, the cult of the Immaculate Conception had become so popularized that the Hapsburg monarchy issued a decree in defense of the Virgin's purity. In a climate of political disharmony, however, this revered icon—often pictured as the passive, chaste, and pious mother of God—would become an archetype of paradox within the Spanish imagination. In The Comedia of Virginity, Mirzam Perez underscores how the character of the Virgin Mary was represented on the theater stage. Following a concise account of the historical, academic, and political forces operating within Hapsburg Spain, Perez dissects three comedias—three-act productions featuring both drama and comedy—and draws out their multivalent interpretations of Mary. In their own ways, these secular comedias reproduced an uncommonly empowering feminine vision while making light of the Virgin's purity. The Mary of the stage was an active, sinuous, even sensual force whom playwrights would ultimately use to support a fracturing monarchy.

A Company of Women Preachers Cover

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A Company of Women Preachers

Baptist Prophetesses in Seventeenth-Century England

Curtis W. Freeman, editor

When the Baptist movement began four centuries ago, revolutionary forces had destabilized the centers of social control that had long kept women in their place. In the early seventeenth century, Baptist women began to speak their minds. Through their prophetic writings, these women came to exercise considerable influence and authority among the early churches. When Baptists became more institutionalized later in the century, the egalitarian distinction dissipated and women’s voices again, for a long history, were silenced. However, long ago, in early Baptist life in England, women did preach—well and often. In A Company of Women Preachers, Curtis Freeman collects and presents a critical edition of these prophetic women’s texts, retrieving their voices so that their messages and contributions to the tradition may once again be recognized.

Compromising Scholarship Cover

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Compromising Scholarship

Religious and Political Bias in American Higher Education

George Yancey

Conservative and liberal commentators alike have long argued that social bias exists in American higher education. Yet those arguments have largely lacked much supporting evidence. In this first systematic attempt to substantiate social bias in higher education, George Yancey embarks on a quantitative and qualitative analysis of the social biases and attitudes of faculties in American universities—surveying professors in disciplines from political science to experimental biology and then examining the blogs of 42 sociology professors. In so doing, Yancey finds that politically—and, even more so, religiously—conservative academics are at a distinct disadvantage in our institutions of learning, threatening the free exchange of ideas to which our institutions aspire and leaving many scientific inquiries unexplored.

The Constitution of Religious Freedom Cover

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The Constitution of Religious Freedom

God, Politics, and the First Amendment

Dennis J. Goldford

Uncovering what is really at stake in American religious identity

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