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George Whitefield and the Creation of America
Patriots. Founding Fathers. Revolutionaries. For many Americans, the colonial heroes deserve special celebratory reverence. Yet while Washington's leadership, Franklin's writings, and Revere's ride captivate us, the inspiration and influence George Whitefield instilled within the revolutionary spirits of early Americans is regrettably unknown.
In this refreshing biography, Jerome Dean Mahaffey deftly moves beyond Whitefield's colonial celebrity to show how his rhetoric and ministry worked for freedom, situating Whitefield alongside the most revolutionary founders. As this Anglican revivalist traveled among the colonies, he delivered exhilarating sermons deeply saturated with political implications—freedom from oppression, civil justice, communal cooperation. Whitefield helped to encourage in his listeners a longing for a new, uniquely American nationalism.
The Accidental Revolutionary tells the story of this forgotten founder, who may not have realized the repercussions of his words as he spoke them. Now, Mahaffey delicately shows that Whitefield converted colonists not just to Christianity but to a renewed sense of unification that ultimately made possible the American Revolution.
A New Translation
Francois Bovon and Christopher Matthews utilize manuscript evidence gathered within the last half-century to provide a new translation of the apocryphal Acts of Philip. Discovered by Bovon in 1974 at the Xenophontos monastery in Greece, the manuscript is widely known as one of the most unabridged copies of the Acts yet discovered. Bovon and Matthews' new translation incorporates this witness to the Greek text, which sheds new light on the history of earliest Christianity.
Secularity, Globalization, and the Reenchantment of the World
After Modernity? addresses a cluster of questions and issues found at the nexus of globalization and religion. This unique volume examine various religious-especially Christian-evaluations of and responses to globalization. In particular, the book considers the links among globalization, capitalism and secularization-and the ways in which"religion"is (or can be) deployed to address a range of"hot button"topics. With cross-disciplinary analyses, the collection argues consistently for the necessity of a"post-secular"evaluation of globalization that unapologetically draws on the resources of Christian faith. The"conservative radicalism"represented in these contributions will resonate with a broad audience of scholars and citizens who seek to put faith into action.
A Language for Our Biotechnological Future
Biotechnological advancements during the last half-century have forced humanity to come to grips with the possibility of a post-human future. The ever-evolving opinions about how society should anticipate this biotechnological frontier demand a language that will describe our new future and discuss its ethics. After the Genome brings together expert voices from the realms of ethics, rhetoric, religion, and science to help lead complex conversations about end-of-life care, the relationship between sin and medicine, and the protection of human rights in a post-human world. With chapters on the past and future of the science-warfare narrative, the rhetoric of care and its effect on those suffering, black rhetoric and biotechnology, planning for the end of life, regenerative medicine, and more, After the Genome yields great insight into the human condition and moves us forward toward a genuinely humane approach to who we are and who we are becoming.
Theology, Philosophy, and the Question of Life After Death
In After We Die, philosopher Stephen T. Davis subjects one of Christianity’s key beliefs—that Christians not only will survive death but also will enjoy bodily resurrection—to searching philosophical analysis. Facing each critique squarely, Davis contends that traditional, historic belief about the eschatological future is philosophically defensible. Davis examines personal extinction, reincarnation, and immortality of the soul. By juxtaposing two systems of salvation—reincarnation/karma and resurrection/grace—Davis explores the Christian claim that humans will be raised from the dead, as well as the radical Christian assertions of Jesus’ resurrection, ascension, and long-anticipated return. Davis finally addresses Christian thinking about heaven, hell, and purgatory. The philosophical defense of Christianity’s core beliefs enables Davis to render a reasonable answer to the eternal question of what happens to us after we die. After We Die is essential reading for teachers and students of philosophy, theology, and Bible, as well as anyone interested in a reasoned analysis of historic Christian faith, particularly as it pertains to the inevitable end of each and every human being.
John Wesley and the Foundations of Christian Belief
In his day, John Wesley offered important insights on how to obtain knowledge of God that readily bears fruit in our own times. As premiere Wesleyan scholar William Abraham shows, Wesley's most famous spiritual experience is rife with philosophical significance and implications. Throughout, Abraham brings Wesley's works into fruitful conversation with some of the most important work in contemporary epistemology. Lyrically and succinctly he explores the simultaneous epistemological quest and spiritual pilgrimage that were central to Wesley and the Evangelical Revival of the eighteenth century. In so doing, he provides a learned and eye-opening meditation upon the relationship between reason and faith.
Cosmos and Anthropos in Romans 5-8
Romans 5-8 revolve around God’s dramatic cosmic activity and its implications for humanity and all of creation. Apocalyptic Paul measures the power of Paul’s rhetoric about the relationship of cosmic power to the Law, interpretations of righteousness and the self, and the link between grace and obedience. A revealing study of Paul’s understanding of humanity in light of God’s apocalyptic action through Jesus Christ, Apocalyptic Paul illuminates Romans 5-8 and shows how critical this neglected part of Romans was to Paul’s literary project.
Media Technology and the Religious Imagination of Steve Jobs
Steve Jobs knew what he was doing. He watched as technology tightened its grip on the American psyche. Long before others understood the potential of the personal computer, he saw its power. But it was his visionary use of media to explain technology to a hungry culture that revealed his singular genius. As a result, even by today’s standards few inventions approach the worldwide religious devotion that tech users have lavished upon the products “Designed by Apple in California” and its late founder. In Appletopia, media and culture critic Brett T. Robinson reconstructs Steve Jobs’ imagination for digital innovation in transcendent terms. Robinson portrays how the confluence of Jobs’ religious, philosophical, and technological thought was embodied in Apple’s most memorable advertising campaigns. From Zen Buddhism and Catholicism to dystopian and futurist thought, religion defined and branded Jobs’ design methodology. Appletopia navigates decades of marketing strategy and divines the clever and creative ways that Apple conveyed its purpose to the world: Apple products were to be known for their fantastically simple design and astonishing ease of use. In so doing, Robinson resurrects Jobs’ uncanny ability to integrate philosophical and religious thought with technological genius, laying the groundwork for Apple’s ubiquity today. As it turns out, culture was eager to find meaning in the burgeoning technological revolution, naming Jobs as its prophet and Apple the deliverer of his message.
A Theater of Civil Disobedience
Civil disobedience has a tattered history in the American story. Described by Martin Luther King Jr. as both moral reflection and political act, the performance of civil disobedience in the face of unjust laws is also, Patrice Rankine argues, a deeply artistic practice. Modern parallels to King’s civil disobedience can be found in black theater, where the black body challenges the normative assumptions of classical texts and modes of creation. This is a theater of civil disobedience.
Utilizing Aristotle’s Poetics, Rankine ably invokes the six aspects of Aristotelian drama—character, story, thought, spectacle, song, and diction. He demonstrates the re-appropriation and rejection of these themes by black playwrights August Wilson, Adrienne Kennedy, and Eugene O’Neill. Aristotle and Black Drama frames the theater of civil disobedience to challenge the hostility that still exists between theater and black identity.