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“Duality” is at the center of Flamenco Hips and Red Mud Feet, a striking collection of poems both intimate and grand. The poet, Dixie Salazar, has spent a lifetime forging her own identity out of two cultures: “On one side was my father’s world: Spanish speaking from las montanas. On the other side was my mother’s world: a deep Southern drawl wafting from the magnolia and chinaberry trees.” As her poems reveal, she is a product of both cultures but not completely at home in either one.
In the two sections of the book—“Inside” and “Outside”—parallelism and symmetry interact with themes both public and private. Flamenco Hips and Red Mud Feet presents thirty-nine poems in free verse and traditional poetic forms, especially the sonnet and adaptations of the sonnet. The sonnet—usually consisting of the octet (eight lines) that sets up the main idea of the poem and the sestet (six lines) that resolves, answers or completes the poem—is a natural form for a poet whose identity is divided. Double sonnets and “double-linked sonnets doubled” reflect the duality the poet feels inside her skin. And the poems written to and for a “lost sister” reinforce the theme.
Throughout this provocative book, Salazar navigates the alienation of her cultural in-between-ness. By the end, she appears to become more comfortable with her status of “outsider,” deciding that she doesn’t need to give in to pressures to pick a side or to accept others’ ideas of where her own “borders” begin or end.
Spirituality and Activism in Chicana, Latina, and Indigenous Women’s Lives
Norma E. Cantú
C. Alejandra Elenes
Alicia Enciso Litschi
Oliva M. Espín
Inés Hernández- Avila
Rosa María Hernández Juárez
Sarahi Nuñez- Mejia
Laura E. Pérez
A Fire Survey
Pesticides, Vegetables, and Agrarian Capitalism in Costa Rica
Mesoamerican and Colonial Medicine in Enlightenment Guatemala
On Mexico’s northwestern frontier, judicial conflicts unfolded against a backdrop of armed resistance and ethnic violence. In the face of Apache raids in the north and Yaqui and Mayo revolts in the south, domestic disputes involving children, wives, and servants were easily conflated with ethnic rebellion and “barbarous” threats. A wife’s adulterous liaison, a daughter’s elopement, or a nephew’s enraged assault shook the very foundation of what it meant to be civilized at a time when communities saw themselves under siege.
Laura Shelton has plumbed the legal archives of early Sonora to reveal the extent to which both court officials and quarreling relatives imagined connections between gender hierarchies and civilized order. As she describes how the region’s nascent legal system became the institution through which spouses, parents, children, employers, and servants settled disputes over everything from custody to assault to debt, she reveals how these daily encounters between men and women in the local courts contributed to the formation of republican governance on Mexico’s northwestern frontier.
Through an analysis of some 700 civil and criminal trial records—along with census data, military reports, church records, and other sources—Shelton describes how courtroom encounters were conditioned by an Iberian legal legacy; brutal ethnic violence; emerging liberal ideas about trade, citizenship, and property rights; and a growing recognition that honor—buenas costumbres—was dependent more on conduct than on bloodline. For Tranquility and Order offers new insight into a legal system too often characterized as inept as it provides a unique gender analysis of family relations on the frontier.
Soldiers and Military Caciques in Modern Mexico
Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes
Mural Painting and Missionary Theater in New Spain
Pipeline Politics, Global Environmentalism, and Indigenous Rights in Bolivia