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Sadie Walela's life is about to be turned upside down.
One morning Sadie unlocks the door at the Mercury Savings Bank and confronts a robber who's been lying in wait for her and her fellow employees. He flees after stealing money and killing her coworker. When a whirlwind of events leaves Sadie herself under suspicion, she sets out to clear her name.
This banker turned sleuth is suddenly plunged into an unfamiliar world in which people are not always as they appear-not her employer, not the homeless man she's befriended, not the police officer who takes an interest in the case, not the man she falls in love with. And, as she's beginning to imagine, not even herself.
Sadie is a blue-eyed Cherokee living in northeastern Oklahoma, a half-blood who finds she sometimes has to adapt to get by in the white man's world, much as her father's ancestors did. In this story of robbery, murder, love, and intrigue, she faces adversity at each bend in the road, but in the tradition of her people she adapts and moves forward—even if it means having to re-think her relationships and expectations.
Set against the backdrop of small-town Oklahoma and its Native culture, Deception on All Accounts draws readers into the real lives of contemporary American Indians as it shines a light on violence, corporate corruption, and prejudice in modern America. As Sadie Walela comes to terms with murder, romance, and her hopes for a career, she finds deception on all accounts.
Exploring Prehistoric/Colonial Transitions in Archaeology
Revitalizing and Reclaiming Navajo Thought
White Mountain and Cibecue Apache History Through 1881
Racial Tensions and Workplace Inequalities at a Community Clinic in El Nuevo South
Writing Tusán in Peru
Poet and writer Alison Deming once noted, “In the desert, one finds the way by tracing the aftermath of water . . . ”
Here, Ken Lamberton finds his way through a lifetime of exploring southern Arizona’s Santa Cruz River. This river—dry, still, and silent one moment, a thundering torrent of mud the next—serves as a reflection of the desert around it: a hint of water on parched sand, a path to redemption across a thirsty landscape.
With his latest book, Lamberton takes us on a trek across the land of three nations—the United States, Mexico, and the Tohono O’odham Nation—as he hikes the river’s path from its source and introduces us to people who draw identity from the river—dedicated professionals, hardworking locals, and the author’s own family. These people each have their own stories of the river and its effect on their lives, and their narratives add immeasurable richness and depth to Lamberton’s own astute observations and picturesque descriptions.
Unlike books that detail only the Santa Cruz’s decline, Dry River offers a more balanced, at times even optimistic, view of the river that ignites hope for reclamation and offers a call to action rather than indulging in despair and resignation. At once a fascinating cultural history lesson and an important reminder that learning from the past can help us fix what we have damaged, Dry River is both a story about the amazing complexity of this troubled desert waterway and a celebration of one man’s lifelong journey with the people and places touched by it.