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Doubters and Dreamers Cover

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Doubters and Dreamers

Janice Gould

Doubters and Dreamers opens with a question from a young girl faced with the spectacle of Indian effigies lynched and burned “in jest” before UC Berkeley’s annual Big Game against Stanford: “What’s a debacle, Mom?” This innocent but telling question marks the girl’s entrée into the complicated knowledge of her heritage as a mixed-blood Native American of Koyangk’auwi (Concow) Maidu descent. The girl is a young Janice Gould, and the poems and narrations that follow constitute a remarkable work of sustained and courageous self-revelation, retracing the precarious emotional terrain of an adolescence shaped by a mother’s tough love and a growing consciousness of an ancestral and familial past.

In the first half of the book, “Tribal History,” Gould ingeniously repurposes the sonnet form to preserve the stories of her mother and aunt, who grew up when “muleback was the customary mode / of transport” and the “spirit world was present”—stories of “old ways” and places claimed in memory but lost in time. Elsewhere, she remembers her mother’s “ferocious, upright anger” and her unexpected tenderness (“Like a miracle, I was still her child”), culminating in the profound expression of loss that is the poem “Our Mother’s Death.”

In the second half of the book, “It Was Raining,” Gould tells of the years of lonely self-making and “unfulfilled dreams” as she comes to terms with what she has been told are her “crazy longings” as a lesbian: “It’s been hammered into me / that I’ll be spurned / by a ‘real woman,’ / the only kind I like.” The writing here commemorates old loves and relationships in language that mingles hope and despair, doubt and devotion, veering at times into dreamlike moments of consciousness. One poem and vignette at a time, Doubters and Dreamers explores what it means to be a mixed-blood Native American who grew up urban, lesbian, and middle class in the West.

Dry River Cover

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Dry River

By Ken Lamberton

Poet and writer Alison Deming once noted, “In the desert, one finds the way by tracing the aftermath of water . . . ”

Here, Ken Lamberton finds his way through a lifetime of exploring southern Arizona’s Santa Cruz River. This river—dry, still, and silent one moment, a thundering torrent of mud the next—serves as a reflection of the desert around it: a hint of water on parched sand, a path to redemption across a thirsty landscape.

With his latest book, Lamberton takes us on a trek across the land of three nations—the United States, Mexico, and the Tohono O’odham Nation—as he hikes the river’s path from its source and introduces us to people who draw identity from the river—dedicated professionals, hardworking locals, and the author’s own family. These people each have their own stories of the river and its effect on their lives, and their narratives add immeasurable richness and depth to Lamberton’s own astute observations and picturesque descriptions.

Unlike books that detail only the Santa Cruz’s decline, Dry River offers a more balanced, at times even optimistic, view of the river that ignites hope for reclamation and offers a call to action rather than indulging in despair and resignation. At once a fascinating cultural history lesson and an important reminder that learning from the past can help us fix what we have damaged, Dry River is both a story about the amazing complexity of this troubled desert waterway and a celebration of one man’s lifelong journey with the people and places touched by it.

Eating the Landscape Cover

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Eating the Landscape

American Indian Stories of Food, Identity, and Resilience

(by) Enrique Salmón

"Eating is not only a political act, it is also a cultural act that reaffirms one’s identity and worldview," Enrique Salmón writes in Eating the Landscape. Traversing a range of cultures, including the Tohono O’odham of the Sonoran Desert and the Rarámuri of the Sierra Tarahumara, the book is an illuminating journey through the southwest United States and northern Mexico. Salmón weaves his historical and cultural knowledge as a renowned indigenous ethnobotanist with stories American Indian farmers have shared with him to illustrate how traditional indigenous foodways—from the cultivation of crops to the preparation of meals—are rooted in a time-honored understanding of environmental stewardship.

In this fascinating personal narrative, Salmón focuses on an array of indigenous farmers who uphold traditional agricultural practices in the face of modern changes to food systems such as extensive industrialization and the genetic modification of food crops. Despite the vast cultural and geographic diversity of the region he explores, Salmón reveals common themes: the importance of participation in a reciprocal relationship with the land, the connection between each group’s cultural identity and their ecosystems, and the indispensible correlation of land consciousness and food consciousness. Salmón shows that these collective philosophies provide the foundation for indigenous resilience as the farmers contend with global climate change and other disruptions to long-established foodways. This resilience, along with the rich stores of traditional ecological knowledge maintained by indigenous agriculturalists, Salmón explains, may be the key to sustaining food sources for humans in years to come.

As many of us begin to question the origins and collateral costs of the food we consume, Salmón’s call for a return to more traditional food practices in this wide-ranging and insightful book is especially timely. Eating the Landscape is an essential resource for ethnobotanists, food sovereignty proponents, and advocates of the local food and slow food movements.

The Ecological Other Cover

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The Ecological Other

Environmental Exclusion in American Culture

Sarah Jaquette Ray

With roots in eugenics and other social-control programs, modern American environmentalism is not always as progressive as we would like to think. In The Ecological Other, Sarah Jaquette Ray examines the ways in which environmentalism can create social injustice through discourses of the body.
Ray investigates three categories of ecological otherness: people with disabilities, immigrants, and Native Americans. Extending recent work in environmental justice ecocriticism, Ray argues that the expression of environmental disgust toward certain kinds of bodies draws problematic lines between ecological “subjects”—those who are good for and belong in nature—and ecological “others”—those who are threats to or out of place in nature. Ultimately, The Ecological Other urges us to be more critical of how we use nature as a tool of social control and to be careful about the ways in which we construct our arguments to ensure its protection. 
The book challenges long-standing assumptions in environmentalism and will be of interest to those in environmental literature and history, American studies, disability studies, and Native American studies, as well as anyone concerned with issues of environmental justice.

With roots in eugenics and other social-control programs, modern American environmentalism is not always as progressive as we would like to think. In The Ecological Other, Sarah Jaquette Ray examines the ways in which environmentalism can create social injustice through discourses of the body.
Ray investigates three categories of ecological otherness: people with disabilities, immigrants, and Native Americans. Extending recent work in environmental justice ecocriticism, Ray argues that the expression of environmental disgust toward certain kinds of bodies draws problematic lines between ecological “subjects”—those who are good for and belong in nature—and ecological “others”—those who are threats to or out of place in nature. Ultimately, The Ecological Other urges us to be more critical of how we use nature as a tool of social control and to be careful about the ways in which we construct our arguments to ensure its protection. 
The book challenges long-standing assumptions in environmentalism and will be of interest to those in environmental literature and history, American studies, disability studies, and Native American studies, as well as anyone concerned with issues of environmental justice.

Empire Cover

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Empire

Poems by Xochiquetzal Candelaria

Using both lyrical and narrative forms, these concise verses explore a family history set against the larger backdrop of Mexican history, immigration, and landscapes of the Southwest. The poet’s delicate touch lends these poems an organic quality that allows her to address both the personal and the political with equal grace. Straightforward without being simplistic or reductive, these poems manage to be intimate without seeming self-important.

This distinctive collection ranges from the frighteningly whimsical image of Cortés dancing gleefully around a cannon to the haunting and poignant discovery of a dead refugee boy seemingly buried within the poet herself. The blending of styles works to blur the lines between subjects, creating a textured narrative full of both imagination and nuance.

Ultimately, Empire situates individual experience in the wider social context, highlighting the power of poetry as song, performance, testimony, and witness. Addressing themes such as war, family, poverty, gender, race, and migration, Candelaria gives us a dialogue between historical and personal narratives, as well as discreet “conversations” between content and form.

Encountering Life in the Universe Cover

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Encountering Life in the Universe

Ethical Foundations and Social Implications of Astrobiology

Edited by Chris Impey, Anna H. Spitz, and William Stoeger

Are we alone in the universe? Are the planets our playground to treat as we will, or do we have a responsibility to other creatures who may inhabit or use them? Do we have a right to dump trash in space or leave vehicles on Mars or the moon?  How should we interact with other life forms?

Encountering Life in the Universe examines the intersection of scientific research and society to further explore the ethics of how to behave in a universe where much is unknown. Taking contributions from notable experts in several fields, the editors skillfully introduce and develop a broad look at the moral questions facing humans on Earth and beyond.

Major advances in biology, biotechnology, and medicine create an urgency to ethical considerations in those fields. Astrobiology goes on to debate how we might behave as we explore new worlds, or create new life in the laboratory, or interact with extraterrestrial life forms. Stimulated by new technologies for scientific exploration on and off the Earth, astrobiology is establishing itself as a distinct scientific endeavor.

In what way can established philosophies provide guidance for the new frontiers opened by astrobiology research? Can the foundations of ethics and moral philosophy help answer questions about modifying other planets? Or about how to conduct experiments to create life in the lab or about? How to interact with organisms we might discover on another world?

While we wait for the first echo that might indicate life beyond Earth, astobiologists, along with  philosophers, theologians, artists, and the general public, are exploring how we might behave—even before we know for sure they are there. Encountering Life in the Universe is a remarkable resource for such philosophical challenges.

Exoplanets Cover

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Exoplanets

Edited by Sara Seager

For the first time in human history, we know for certain the existence of planets around other stars. Now the fastest-growing field in space science, the time is right for this fundamental source book on the topic which will lay the foundation for its continued growth.

Exoplanets serves as both an introduction for the non-specialist and a foundation for the techniques and equations used in exoplanet observation by those dedicated to the field.

Funding to make this important volume an affordable addition to anyone's library was provided by the National Aeronautics and Space Administration.

Exploring Mars Cover

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Exploring Mars

Chronicles from a Decade of Discovery

By Scott Hubbard; Foreword by Bill Nye

The Red Planet has been a subject of fascination for humanity for thousands of years, becoming part of our folklore and popular culture. The most Earthlike of the planets in our solar system, Mars may have harbored some form of life in the past and may still possess an ecosystem in some underground refuge. The mysteries of this fourth planet from our Sun make it of central importance to NASA and its science goals for the twenty-first century.  

In the wake of the very public failures of the Mars Polar Lander and the Mars Climate Orbiter in 1999, NASA embarked on a complete reassessment of the Mars Program. Scott Hubbard was asked to lead this restructuring in 2000, becoming known as the "Mars Czar." His team's efforts resulted in a very successful decade-long series of missions--each building on the accomplishments of those before it--that adhered to the science adage "follow the water" when debating how to proceed. Hubbard's work created the Mars Odyssey mission, the twin rovers Spirit and Opportunity, the Mars Reconnaissance Orbiter, the Phoenix mission, and most recently the planned launch of the Mars Science Laboratory

Now for the first time Scott Hubbard tells the complete story of how he fashioned this program, describing both the technical and political forces involved and bringing to life the national and international cast of characters engaged in this monumental endeavor.  Blending the exciting stories of the missions with the thrills of scientific discovery, Exploring Mars will intrigue anyone interested in the science, the engineering, or the policy of investigating other worlds.
 

Flamenco Hips and Red Mud Feet Cover

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Flamenco Hips and Red Mud Feet

Poems by Dixie Salazar

“Duality” is at the center of Flamenco Hips and Red Mud Feet, a striking collection of poems both intimate and grand. The poet, Dixie Salazar, has spent a lifetime forging her own identity out of two cultures: “On one side was my father’s world: Spanish speaking from las montanas. On the other side was my mother’s world: a deep Southern drawl wafting from the magnolia and chinaberry trees.” As her poems reveal, she is a product of both cultures but not completely at home in either one.

In the two sections of the book—“Inside” and “Outside”—parallelism and symmetry interact with themes both public and private. Flamenco Hips and Red Mud Feet presents thirty-nine poems in free verse and traditional poetic forms, especially the sonnet and adaptations of the sonnet. The sonnet—usually consisting of the octet (eight lines) that sets up the main idea of the poem and the sestet (six lines) that resolves, answers or completes the poem—is a natural form for a poet whose identity is divided. Double sonnets and “double-linked sonnets doubled” reflect the duality the poet feels inside her skin. And the poems written to and for a “lost sister” reinforce the theme.

Throughout this provocative book, Salazar navigates the alienation of her cultural in-between-ness. By the end, she appears to become more comfortable with her status of “outsider,” deciding that she doesn’t need to give in to pressures to pick a side or to accept others’ ideas of where her own “borders” begin or end.

Fleshing the Spirit Cover

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Fleshing the Spirit

Spirituality and Activism in Chicana, Latina, and Indigenous Women’s Lives

Edited by Elisa Facio and Irene Lara

Fleshing the Spirit brings together established and new writers exploring the relationships between the physical body, the spirit and spirituality, and social justice activism. Examining the complex and dynamic connections among these concepts, the writers emphasize the value of “flesh and blood experience” as a site of knowledge. They argue that spirituality—something quite different from institutional religious practice—can heal the mind/body split and set the stage for social change. Spirituality, they argue, is a necessary component of an alternative political agenda focused on equitable social and ecological change.

The anthology incorporates different genres of writing—such as poetry, testimonials, critical essays, and historical analysis—and stimulates the reader to engage spirituality in a critical, personal, and creative way. This interdisciplinary work is the first that attempts to theorize the radical interconnection between women of color, spirituality, and social activism. Before transformative political work can be done, the authors say in multiple ways, we must recognize that our spiritual need is a desire to more fully understand our relations with others. Conflict experienced on many levels sometimes severs those relations, separating us from others along racial, class, gender, sexual, national, or other socially constructed lines.

Fleshing the Spirit offers a spiritual journey of healing, health, and human revolution. The book’s open invitation to engage in critical dialogue and social activism—with the spirit and spirituality at the forefront—illuminates the way to social change and the ability to live in harmony with life’s universal energies.

Contributors

Volume Editors
Elisa Facio
Irene Lara
 
Chapter Authors
Angelita Borbón
Norma E. Cantú
Berenice Dimas
C. Alejandra Elenes
Alicia Enciso Litschi
Oliva M. Espín
Maria Figueroa
Patrisia Gonzales
Inés Hernández- Avila
Rosa María Hernández Juárez
Cinthya Martinez
Lara Medina
Felicia Montes
Sarahi Nuñez- Mejia
Laura E. Pérez
Brenda Sendejo
Inés Talamantez
Michelle Téllez
Beatriz Villegas

 

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