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Using both lyrical and narrative forms, these concise verses explore a family history set against the larger backdrop of Mexican history, immigration, and landscapes of the Southwest. The poet’s delicate touch lends these poems an organic quality that allows her to address both the personal and the political with equal grace. Straightforward without being simplistic or reductive, these poems manage to be intimate without seeming self-important.
This distinctive collection ranges from the frighteningly whimsical image of Cortés dancing gleefully around a cannon to the haunting and poignant discovery of a dead refugee boy seemingly buried within the poet herself. The blending of styles works to blur the lines between subjects, creating a textured narrative full of both imagination and nuance.
Ultimately, Empire situates individual experience in the wider social context, highlighting the power of poetry as song, performance, testimony, and witness. Addressing themes such as war, family, poverty, gender, race, and migration, Candelaria gives us a dialogue between historical and personal narratives, as well as discreet “conversations” between content and form.
Ethical Foundations and Social Implications of Astrobiology
For the first time in human history, we know for certain the existence of planets around other stars. Now the fastest-growing field in space science, the time is right for this fundamental source book on the topic which will lay the foundation for its continued growth.
Exoplanets serves as both an introduction for the non-specialist and a foundation for the techniques and equations used in exoplanet observation by those dedicated to the field.
Funding to make this important volume an affordable addition to anyone's library was provided by the National Aeronautics and Space Administration.
Chronicles from a Decade of Discovery
The Red Planet has been a subject of fascination for humanity for thousands of years, becoming part of our folklore and popular culture. The most Earthlike of the planets in our solar system, Mars may have harbored some form of life in the past and may still possess an ecosystem in some underground refuge. The mysteries of this fourth planet from our Sun make it of central importance to NASA and its science goals for the twenty-first century.
In the wake of the very public failures of the Mars Polar Lander and the Mars Climate Orbiter in 1999, NASA embarked on a complete reassessment of the Mars Program. Scott Hubbard was asked to lead this restructuring in 2000, becoming known as the "Mars Czar." His team's efforts resulted in a very successful decade-long series of missions--each building on the accomplishments of those before it--that adhered to the science adage "follow the water" when debating how to proceed. Hubbard's work created the Mars Odyssey mission, the twin rovers Spirit and Opportunity, the Mars Reconnaissance Orbiter, the Phoenix mission, and most recently the planned launch of the Mars Science Laboratory.
Now for the first time Scott Hubbard tells the complete story of how he fashioned this program, describing both the technical and political forces involved and bringing to life the national and international cast of characters engaged in this monumental endeavor. Blending the exciting stories of the missions with the thrills of scientific discovery, Exploring Mars will intrigue anyone interested in the science, the engineering, or the policy of investigating other worlds.
“Duality” is at the center of Flamenco Hips and Red Mud Feet, a striking collection of poems both intimate and grand. The poet, Dixie Salazar, has spent a lifetime forging her own identity out of two cultures: “On one side was my father’s world: Spanish speaking from las montanas. On the other side was my mother’s world: a deep Southern drawl wafting from the magnolia and chinaberry trees.” As her poems reveal, she is a product of both cultures but not completely at home in either one.
In the two sections of the book—“Inside” and “Outside”—parallelism and symmetry interact with themes both public and private. Flamenco Hips and Red Mud Feet presents thirty-nine poems in free verse and traditional poetic forms, especially the sonnet and adaptations of the sonnet. The sonnet—usually consisting of the octet (eight lines) that sets up the main idea of the poem and the sestet (six lines) that resolves, answers or completes the poem—is a natural form for a poet whose identity is divided. Double sonnets and “double-linked sonnets doubled” reflect the duality the poet feels inside her skin. And the poems written to and for a “lost sister” reinforce the theme.
Throughout this provocative book, Salazar navigates the alienation of her cultural in-between-ness. By the end, she appears to become more comfortable with her status of “outsider,” deciding that she doesn’t need to give in to pressures to pick a side or to accept others’ ideas of where her own “borders” begin or end.
On Mexico’s northwestern frontier, judicial conflicts unfolded against a backdrop of armed resistance and ethnic violence. In the face of Apache raids in the north and Yaqui and Mayo revolts in the south, domestic disputes involving children, wives, and servants were easily conflated with ethnic rebellion and “barbarous” threats. A wife’s adulterous liaison, a daughter’s elopement, or a nephew’s enraged assault shook the very foundation of what it meant to be civilized at a time when communities saw themselves under siege.
Laura Shelton has plumbed the legal archives of early Sonora to reveal the extent to which both court officials and quarreling relatives imagined connections between gender hierarchies and civilized order. As she describes how the region’s nascent legal system became the institution through which spouses, parents, children, employers, and servants settled disputes over everything from custody to assault to debt, she reveals how these daily encounters between men and women in the local courts contributed to the formation of republican governance on Mexico’s northwestern frontier.
Through an analysis of some 700 civil and criminal trial records—along with census data, military reports, church records, and other sources—Shelton describes how courtroom encounters were conditioned by an Iberian legal legacy; brutal ethnic violence; emerging liberal ideas about trade, citizenship, and property rights; and a growing recognition that honor—buenas costumbres—was dependent more on conduct than on bloodline. For Tranquility and Order offers new insight into a legal system too often characterized as inept as it provides a unique gender analysis of family relations on the frontier.
Soldiers and Military Caciques in Modern Mexico
Mural Painting and Missionary Theater in New Spain
Pipeline Politics, Global Environmentalism, and Indigenous Rights in Bolivia