At no other time in American history has our imagination been so engrossed with the Arab experience. An indispensable and historic volume, Inclined to Speak gathers together poems, from the most important contemporary Arab American poets, that shape and alter our understanding of this experience. These poems also challenge us to reconsider what it means to be American. Impressive in its scope, this book provides readers with an astonishing array of poetic sensibilities, touching on every aspect of the human condition. Whether about culture, politics, loss, art, or language itself, the poems here engage these themes with originality, dignity, and an unyielding need not only to speak, but also to be heard. Here are thirty-nine poets offering up 160 poems. Included in the anthology are Naomi Shihab Nye, Samuel Hazo, D. H. Melhem, Lawrence Joseph, Khaled Mattawa, Mohja Khaf, Matthew Shenoda, Kazim Ali, Nuar Alsadir, Fady Joudah, and Lisa Suhair Majaj. Charara has written a lengthy introduction about the state of Arab American poetry in the country today and short biographies of the poets and provided an extensive list of further readings.

The first anthology of its kind, Indivisible brings together forty-nine American poets who trace their roots to Bangladesh, India, Nepal, Pakistan, and Sri Lanka. Featuring award-winning poets including Meena Alexander, Agha Shahid Ali, Chitra Banerjee Divakaruni, and Vijay Seshadri, here are poets who share a long history of grappling with a multiplicity of languages, cultures, and faiths. The poems gathered here take us from basketball courts to Bollywood, from the Grand Canyon to sugar plantations, and from Hindu-Muslim riots in India to anti-immigrant attacks on the streets of post–9/11 America. Showcasing a diversity of forms, from traditional ghazals and sestinas to free verse, experimental writing, and slam poetry, Indivisible presents 141 poems by authors who are rewriting the cultural and literary landscape of their time and their place. Includes biographies of each poet.

Jelly Roll, a small community of African Americans living in company housing outside the Calion Lumber Company in Calion, Arkansas, is the subject of this ethnographic study written by Charles E. Thomas, an anthropologist whose family owned the mill. Originally published in 1986, Jelly Roll combines Thomas’s unique perspective as both an academician and the grandson of the sawmill’s founder. Thomas conducted extensive interviews covering three generations among the eighty-four households forming this community, illuminating the residents’ lives in an unusually thorough fashion. Now back in print and enhanced with later interviews revealing attitudes of growing restlessness over the slow movement toward racial equality and opportunity, Jelly Roll will be a welcome reference for anyone interested in African American studies, the South, or the history of sawmill towns.

This unique book provides readers with a wealth of primary source materials from 1828 to 1980 that reveal how the Jim Crow era affects how historians practice their craft. The book is chronologically organized into five sections, each of which focuses on a different historical period in the story of Jim Crow: inventing, building, living, resisting, and dismantling. Many of the fifty-six documents and eighteen images and cartoons, many of which have not been published before, reveal something significant about this subject or offer an unconventional or unexpected perspective on this era. Some of the historical figures whose words are included are Abraham Lincoln, Marcus Garvey, Booker T. Washington, Richard Wright, Paul Robeson, Langston Hughes, Adam Clayton Powell, and Marian Anderson. The book also has an annotated bibliography, a list of key players, a timeline, and key topics for consideration.

With America on the brink of the largest number of older adults and persons with disabilities in the country’s history, the deceleration in housing production during the first decade of the twenty-first century, and a continued reliance on conventional housing policies and practices, a perfect storm has emerged in the housing industry. The lack of fit between the existing housing stock and the needs of the U.S. population is growing pronounced. Just as housing needed to be retooled at the end of WWII, the American housing industry is in dire need of change today. The South—with its high rates of poverty, older residents, residents with disabilities, extensive rural areas, and out-of-date housing policies and practices—serves as a “canary in the coal mine” for the impending, nationwide housing crisis. Just Below the Line discusses how reworking the policies and practices of the housing industry in the South can serve as a model for the rest of the nation in meeting the physical and social needs of persons with disabilities and aging boomers. Policy makers, designers, builders, realtors, advocates, and housing consumers will be able to use this book to promote the production of equitable housing nationwide.

Here are eleven essays addressing various aspects of the application process: building an office, engaging students in research, connecting them to internships and other special opportunities, embracing diversity, defining leadership, involving faculty, and preparing for an interview.

Let Me Tell You Where I've Been is an extensive collection of poetry, fiction, and nonfiction by women whose lives have been shaped and influenced by Iran's recent history, exile, immigration and the formation of new cultural identities in the United States and Europe.

Live Nude Girl is a lively meditation on the profession of nude modeling—that “spine-tingling combination of power and vulnerability, submission and dominance”—as it has been practiced in history and as it is practiced today. Kathleen Rooney draws on her own experiences working as an artist’s model, as well as on the stories of famous, notorious, and mysterious artists and models through the ages.

Celebrating its one-hundredth anniversary in February 2009, the National Association for the Advancement of Colored People (NAACP) has been the leading and best-known African American civil rights organization in the United States. It has played a major, and at times decisive, role in most of the important developments in the twentieth century civil rights struggle. Drawing on original and previously unpublished scholarship from leading researchers in the United States, Britain, and Europe, this important collection of sixteen original essays offers new and invaluable insights into the work and achievements of the association. The first part of the book offers challenging reappraisals of two of the NAACP’s best-known national spokespersons, Walter White and Roy Wilkins. Other essays analyze the association’s cultural initiatives and the key role played by its public-relations campaigns in the mid 1950s to counter segregationist propaganda and win over the hearts and minds of American public opinion in the wake of the NAACP’s landmark legal victory in Brown v. Board of Education. Others provide thought-provoking accounts of the association’s complex and difficult relationship with Martin Luther King, the post–World War II Civil Rights movement, and Black Power radicals of the 1960s.

With a legendary beginning as a printing press floated up the Arkansas River in 1819, the Arkansas Gazette is inextricably linked with the state’s history, reporting on every major Arkansas event until the paper’s demise in 1991 after a long, bitter, and very public newspaper war. Looking Back at the Arkansas Gazette, knowledgeably and intimately edited by longtime Gazette reporter Roy Reed, comprises interviews from over a hundred former Gazette staffers recalling the stories they reported on and the people they worked with from the late forties to the paper’s end. The result is a nostalgic and justifiably admiring look back at a publication known for its progressive stance in a conservative Southern state, a newspaper that, after winning two Pulitzers for its brave rule-of-law stance during the Little Rock Central High Crisis, was considered one of the country’s greatest. The interviews, collected from archives at the David and Barbara Pryor Center for Arkansas Oral and Visual History at the University of Arkansas, provide fascinating details on renowned editors and reporters such as Harry Ashmore, Orville Henry, and Charles Portis, journalists who wrote daily on Arkansas’s always-colorful politicians, its tragic disasters and sensational crimes, its civil rights crises, Bill Clinton, the Razorbacks sports teams, and much more. Full of humor and little-known details, Looking Back at the Arkansas Gazette is a fascinating remembrance of a great newspaper.