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University of Arkansas Press

University of Arkansas Press

Website: http://www.uapress.com/

The University of Arkansas Press was founded in 1980 as the book publishing division of the University of Arkansas. A member of the Association of American University Presses, it publishes approximately twenty titles a year, about a third of which fall under the general heading of Arkansas and Regional Studies. The Press is charged by the Trustees of the University with the publication of books in service to the academic community and for the enrichment of the broader culture, especially works of value that are likely to be turned aside by commercial houses. This press, like all university presses, has as its central and continuing mission the dissemination of the fruits of research and creative activity.


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University of Arkansas Press

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Camp Nine Cover

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Camp Nine

A Novel

Vivienne Schiffer

On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066 authorizing the secretary of war to prescribe military zones “from which any or all persons may be excluded.” Eventually this order was applied to one-third of the land area in the United States, mostly in the West, clearing the way for the relocation of 120,000 people with “Foreign Enemy Ancestry,” in other words, those of Japanese descent. This time of fear and prejudice (the U.S. government formally apologized for the relocations in 1982 after determining they were not a military necessity) and the Arkansas Delta are the setting for Camp Nine. The novel’s narrator, Chess Morton, lives in Rook, a place that is rural Arkansas in the extreme, a town too tiny to have a bank, a library, a restaurant, or even a church. Chess’s days are quiet and secluded until the appearance of a relocation center built for what was in effect the imprisonment of thousands of Japanese Americans. Chess’s life becomes intertwined with those of two young internees, Henry and David Matsui, and that of an American soldier mysteriously connected to her mother’s past. As Chess watches the struggles and triumphs of these strangers and sees her mother seek justice for these people who came briefly and involuntarily to call the Arkansas Delta their home, she discovers surprising and disturbing truths about her family’s painful past.

Chord Box Cover

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Chord Box

Poems

Elizabeth Lindsey Rogers

In her first book, Chord Box, Elizabeth Lindsey Rogers envisions a world where each place is best known by its sound. Weaving complex junctions between music, speech, the body, and sexuality, these poems trace the arc of adolescence and early adulthood, rooting themselves in gritty landscapes of the South and Appalachia, China and its borderlands. Part narrative and part lyric, Rogers’s poems make use of the whole field of the page, assembling an innovative poetic vocabulary that includes word, character, and symbol. By calling on figures from the recent as well as the distant past, this coming-of-age collection asks us to consider history, both personal and political. Whether struggling to make vibrato on the guitar or stringing together her first sentences in Mandarin, the speaker of these poems assumes the role of the eager student, edging her way toward an understanding with both fierceness and a sense of humility. Chord Box is exquisitely crafted and rich with feeling, a dazzling debut collection.

Civil War Arkansas Cover

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Civil War Arkansas

Beyond Battles and Leaders

This collection of essays represents the best recent history written on Civil War activity in Arkansas. It illuminates the complexity of such issues as guerrilla warfare, Union army policies, and the struggles hetween white and black civilians and soldiers, and also shows that the war years were a time of great change and personal conflict for the citizens of the state, despite the absence of "great" battles or armies. All the essays, which have been previously published in scholarly journals, have been revised to reflect recent scholarship in the field. Each selection explores a military or social dimension of the war that has been largely ignored or which is unique to the war in Arkansas—gristmill destruction, military farm colonies, nitre mining operations, mountain clan skirmishes, federal plantation experiments, and racial atrocities and reprisals. Together, the essays provoke thought on the character and cost of the war away from the great battlefields and suggest the pervasive change wrought by its destructiveness. In the cogent introduction Daniel E. Sutherland and Anne J. Bailey set the historiographic record of the Civil War in Arkansas, tracing a line from the first writings through later publications to our current understanding. As a volume in The Civil War in the West series, Civil War Arkansas elucidates little-known but significant aspects of the war, encouraging new perspectives on them and focusing on the less studied western theater. As such, it will inform and challenge both students and teachers of the American Civil War.

The Coal Life Cover

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The Coal Life

Poems

Adam Vines

In many of the poems in The Coal Life, Adam Vines, an avid outdoorsman and former professional landscaper for nearly twenty years, explores the cultural landscape of Alabama coal-mining camps in the first half of the twentieth century and how the industry can shape and distort a cultural text similar to the way it contorts and upturns the physical landscape.

Confederate Guerrilla Cover

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Confederate Guerrilla

The Civil War Memoir of Joseph M. Bailey

Joseph M. Bailey’s memoir, Confederate Guerrilla, provides a unique perspective on the fighting that took place behind Union lines in Federal-occupied northwest Arkansas during and after the Civil War. This story—now published for the first time—will appeal to modern readers interested in the grassroots history of the Trans-Mississippi war.

A Cry For Justice Cover

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A Cry For Justice

Daniel A. Rudd's Ecclesiologically-Centered Vision of Justice in "The American Catholic Tribune"

Gary Agee

Daniel Rudd, born a slave in Bardstown, Kentucky, grew up to achieve much in the years following the Civil War. His Catholic faith, passion for activism, and talent for writing led him to increasingly influential positions in many places. One of his important early accomplishments was the publication of the American Catholic Tribune, which Rudd referred to as “the only Catholic journal owned and published by colored men.” At its zenith, the Tribune, run out of Detroit and Cincinnati, where Rudd lived, had ten thousand subscribers, making it one of the most successful black newspapers in the country. Rudd was also active in the leadership of the Afro-American Press Association, and he was a founding member of the Catholic Press Association. By 1889, Rudd was one of the nation’s best-known black Catholics. His work was endorsed by a number of high-ranking church officials in Europe as well as in the United States, and he was one of the founders of the Lay Catholic Congress movement. Later, his travels took him to Bolivar County, Mississippi, and eventually on to Forrest City, Arkansas, where he worked for the well-known black farmer and businessperson, Scott Bond, and eventually co-wrote Bond’s biography.

Daddy’s Money Cover

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Daddy’s Money

A Memoir of Farm and Family

Jo McDougall

Jo McDougall brings a poet’s sensibility to memoir. Recounting five generations of Delta rice farmers, through family archives and oral histories, she traces how the clan made their way into the fabric of America, beginning with her Belgian-immigrant grandfather, a pioneer rice farmer on the Arkansas Delta at the turn of the twentieth century. As John Grisham has for a 1950s Arkansas cotton farm, McDougall illuminates an Arkansas rice farm in the 1930s and 1940s. The Garot family’s acreage near DeWitt and the town itself provide the stage for McDougall’s wry, compelling, and layered account of the day-to-day of rice growing on the farm that her father inherited. In that setting she discovers a rich “universe of words” in the Great Depression, comes of age during World War II, and finds her way alongside “that whole quirky, compelling cast of characters” that comprised her kin. In this conflicted, ironic, southern-but-universal account of betrayal, heartbreak, loss, and joy, “the vagaries and the grace” of the land join forces with the power of money as family bonds are both forged and dissolved. Deeply felt, unsentimental, and often humorous, Daddy’s Money presents McDougall’s life and the lives of her relatives in the way that all our lives are eventually framed—as stories. “When all else is lost,” the author maintains, “the stories remain.”

Day of the Border Guards Cover

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Day of the Border Guards

Poems

Katherine E. Young

“Katherine E. Young’s Day of the Border Guards is very much about crossing borders – those between reality and, in this case, Russia. Which is to say she offers us a Russia of direct experience and the transformed country of the imagination. Her text is dense with marvelous detail, dramatic intensity, and intentions that are unmistakable in their insight and judgment. Young chooses to represent both herself and the voices of various personae, sometimes, in fact, as one blended voice: hers and Akhmatova, hers and Mandelstam.” —Stanley Plumly, author of Orphan Hours: Poems Katherine E. Young is an award-winning translator of Russian poetry, as well as the author of two chapbooks of original poetry.

DC Sports Cover

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DC Sports

The Nation’s Capital at Play

Washington, DC, is best known for its politics and monuments, but sport has always been an integral part of the city, and Washingtonians are among the country’s most avid sports fans. DC Sports gathers seventeen essays examining the history of sport in the nation’s capital, from turn-of-the-century venues such as the White Lot, Griffith Stadium, and DC Memorial Stadium to Howard-Lincoln Thanksgiving Day football games of the roaring twenties; from the surprising season of the 1969 Washington Senators to the success of Georgetown basketball during the 1980s. This collection covers the field, including public recreation, high-school athletics, intercollegiate athletics, professional sports, sports journalism, and sports promotion.

A southern city at heart, Washington drew a strong color line in every facet of people’s lives. Race informed how sport was played, written about, and watched in the city. In 1962, the Redskins became the final National Football League team to integrate. That same year, a race riot marred the city’s high-school championship game in football. A generation later, race as an issue resurfaced after Georgetown’s African American head coach John Thompson Jr. led the Hoyas to national prominence in basketball.

DC Sports takes a hard look at how sports in one city has shaped culture and history, and how culture and history inform sports. This informative and engaging collection will appeal to fans and students of sports and those interested in the rich history of the nation’s capital.

Dearest Letty Cover

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Dearest Letty

The World War II Love Letters of Sgt. Leland Duvall

Leland Duvall

Leland Duvall was a now-and-again farm worker with a grade-school education when he received his World War II draft notice at his father’s farm near Moreland, Arkansas, in March 1942. He departed for training in California, where he began to write to Letty Jones, a Pottsville girl he’d had a crush on for several years. From the first correspondence through the end of the war, Leland sent Letty a torrent of letters, hundreds of careful and undeniably heartfelt missives—utterly tender but never sentimental, reliably charming and gently humorous—written daily from desert sands, pup tents, hospital beds, armored cars, and bombed-out buildings. That Duvall’s writing is a tour de force of wit, elegance, and erudition is all the more poignant because he was a man who was almost entirely self-taught. The letters, discovered by Duvall’s daughter after his death, are here enriched by his longtime friend and colleague Ernie Dumas, who provides facts about where Duvall was and the perils he endured while penning his epistles, information that was often missing in dispatches that were necessarily censored and always guided by Duvall’s effort not to bore or worry his “dearest Letty.” Duvall’s lively intelligence and obvious joy in writing come through on every page, joining the patina of the era and the bright shine of a timeless love affai.

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