Elizabeth Hadaway doesn’t just tell stories in her poems, she aims to delight as much as instruct, and her poems are scores for performance. Sparkling with shout-outs to Beowulf and Keats, varied meters, and surprising rhymes, she lifts centuries of hurt and anger into a contrary music. Her reach is vast, including everything from T. S. Eliot to the swans on her vinyl lace shower curtains. She warns us off from stereotypes and misconceptions about Appalachia and the South.

The Fire Landscape is a series of poem sequences that chronicle a wide variety of coming-of-age moments from childhood in the 1950s through the beginning of the 21st century. These deeply layered, complex narrative poems are connected by close personal observation of place and time but also by the politics of the Cold War and its aftermath, including a sequence driven by the May 4, 1970, shooting of students by the National Guard at Kent State where Gary Fincke was a student at the time.

Freebooters and Smugglers examines the tactics and strategies that the adherents of the foreign slave trade used to challenge the law. It reassesses the role that Americans played in the continuation of foreign slave transshipments into the country right up to the Civil War, shedding light on an important topic that has been largely overlooked in the historiography of the slave trade.

“A most useful guide to a subject that has long been neglected, and McGhee deserves high marks for the tremendous amount of research that obviously was required.” —Journal of America’s Military Past “Deeply researched, skillfully compiled and deftly organized, and remarkably complete . . . authoritative.” —Civil War Books and Authors “This well organized and authoritative reference work reflects years of painstaking research, verification of details, and extremely careful editing.” —T. Michael Parrish, Baylor University

“The past is a flame you must learn to hold / your hand above,” Eric Leigh writes in this first volume of poems, a poignant meditation on the harm that we can and cannot keep from those we love, and the harm that cannot be kept from us. Taking place in both the rural and the urban, in fields and on sidewalks, in gay bars and in laboratories, with topics as diverse and powerful as a father's suicide, a mother's resilience, coming out, lost love and the continuing plight of HIV, Leigh’s poems locate the heartbreaking music in these struggles.

In 1981, James F. Cherry embarked on what evolved into a passionate, personal quest to identify and document all the known headpots of Mississippian Indian culture from northeast Arkansas and the bootheel region of southeast Missouri. Produced by two groups the Spanish called the Casqui and Pacaha and dating circa AD 1400–1700, headpots occur, with few exceptions, only in a small region of Arkansas and Missouri. Relatively little is known about these headpots: did they portray kinsmen or enemies, the living or the dead or were they used in ceremonies, in everyday life, or exclusively for the sepulcher? Cherry’s decades of research have culminated in the lavishly illustrated The Headpots of Northeast Arkansas and Southern Pemiscot County, Missouri, a fascinating, comprehensive catalog of 138 identified classical style headpots and an invaluable resource for understanding the meaning of these remarkable ceramic vessels.

In 1864 Alida and Calvin Clark, two abolitionist members of the Religious Society of Friends from Indiana, went on a mission trip to Helena, Arkansas. The Clarks had come to render temporary relief to displaced war orphans but instead found a lifelong calling. During their time in Arkansas, they started the school that became Southland College, which was the first institution of higher education for blacks west of the Mississippi, and they set up the first predominately black monthly meeting of the Religious Society of Friends in North America. Their progressive racial vision was continued by a succession of midwestern Quakers willing to endure the primitive conditions and social isolation of their work and to overcome the persistent challenges of economic adversity, social strife, and natural disaster. Southland’s survival through six difficult and sometimes dangerous decades reflects both the continuing missionary zeal of the Clarks and their successors as well as the dedication of the black Arkansans who sought dignity and hope at a time when these were rare commodities for African Americans in Arkansas.

In Broken Latin explores in a series of deft, witty, sexy, and soulful poems the misunderstood, idealized, and marginalized life of a modern Roman Catholic nun. In these poems, set in the patriarchal institution of the convent, Annette Spaulding-Convy comments on the American woman’s struggle for spiritual identity in contemporary culture through the voice of an ex-nun now mother/wife creating a life for herself in the world, while searching for an ethical, spiritual meaning not dependent upon traditional religious dogma.

At no other time in American history has our imagination been so engrossed with the Arab experience. An indispensable and historic volume, Inclined to Speak gathers together poems, from the most important contemporary Arab American poets, that shape and alter our understanding of this experience. These poems also challenge us to reconsider what it means to be American. Impressive in its scope, this book provides readers with an astonishing array of poetic sensibilities, touching on every aspect of the human condition. Whether about culture, politics, loss, art, or language itself, the poems here engage these themes with originality, dignity, and an unyielding need not only to speak, but also to be heard. Here are thirty-nine poets offering up 160 poems. Included in the anthology are Naomi Shihab Nye, Samuel Hazo, D. H. Melhem, Lawrence Joseph, Khaled Mattawa, Mohja Khaf, Matthew Shenoda, Kazim Ali, Nuar Alsadir, Fady Joudah, and Lisa Suhair Majaj. Charara has written a lengthy introduction about the state of Arab American poetry in the country today and short biographies of the poets and provided an extensive list of further readings.

The first anthology of its kind, Indivisible brings together forty-nine American poets who trace their roots to Bangladesh, India, Nepal, Pakistan, and Sri Lanka. Featuring award-winning poets including Meena Alexander, Agha Shahid Ali, Chitra Banerjee Divakaruni, and Vijay Seshadri, here are poets who share a long history of grappling with a multiplicity of languages, cultures, and faiths. The poems gathered here take us from basketball courts to Bollywood, from the Grand Canyon to sugar plantations, and from Hindu-Muslim riots in India to anti-immigrant attacks on the streets of post–9/11 America. Showcasing a diversity of forms, from traditional ghazals and sestinas to free verse, experimental writing, and slam poetry, Indivisible presents 141 poems by authors who are rewriting the cultural and literary landscape of their time and their place. Includes biographies of each poet.