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University of Arkansas Press

University of Arkansas Press

Website: http://www.uapress.com/

The University of Arkansas Press was founded in 1980 as the book publishing division of the University of Arkansas. A member of the Association of American University Presses, it publishes approximately twenty titles a year, about a third of which fall under the general heading of Arkansas and Regional Studies. The Press is charged by the Trustees of the University with the publication of books in service to the academic community and for the enrichment of the broader culture, especially works of value that are likely to be turned aside by commercial houses. This press, like all university presses, has as its central and continuing mission the dissemination of the fruits of research and creative activity.


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University of Arkansas Press

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Keeping Time with Blue Hyacinths Cover

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Keeping Time with Blue Hyacinths

Poems

Sholeh Wolpé

Keeping Time with Blue Hyacinths, Sholeh Wolpé’s third collection of poems, is a surreal journey of sorrows and sins, of love, ghosts, and Saudi princes, of banishment inside one’s own skin. Wild in its leaps and images, these poems explore personal and psychological exile from a marriage, lovers, expectations, and finally, country.

King Me Cover

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King Me

Three One-Act Plays Inspired by the Life and Legacy of Dr. Martin Luther King Jr.

Clinnesha D. Sibley

A trio of short dramas set in the South and spanning 1968 to the present, King Me features compelling characters and relevant themes that examine our ongoing understanding of Dr. Martin Luther King Jr. Bound by Blood, #communicate, and Paradox in the Parish richly dramatize three of King’s popular quotes, offering creative methods for teaching history and social studies and setting the stage for inspiring discussions for contemporary theater goers. Readers and audiences will also learn about current civil rights issues such as the Jena Six Case in Jena, Louisiana, while appreciating, or appreciating anew, how King impacted the lives of his own and future generations.

The Law of Falling Bodies Cover

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The Law of Falling Bodies

Poems

Elton Glaser

The hard center of The Law of Falling Bodies bears down on the twin enmities of pain and loss. But the book ranges over a broad field, with poems covering everything from the inundations of summer rain (“It’s like living in the spit valve of a big trombone”) to a lovesick drunk listening to Patsy Cline (“My drink’s on the rocks, and I am, too.”) Glaser begins with the quirks and revelations of nature, shifts to those difficult adjustments we make as the body breaks down, modulates to a series of scenes imbued with music, and ends on an elegiac note in memory of his late wife (“Grief follows me like a dog behind the butcher’s truck”). Along the way, the poems touch on a restless scale of tones, as light as the indignant comedy of “It Ain’t the Heat, It’s the Stupidity” and as heartbreakingly dark as “Autopsy.” At the core is the constant interplay of an agile mind and rich language—what Ezra Pound called “the dance of the intellect among words”—always feeling out what it is to be human.

Leading the Way Cover

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Leading the Way

Student Engagement and Nationally Competitive Awards

Here are eleven essays addressing various aspects of the application process: building an office, engaging students in research, connecting them to internships and other special opportunities, embracing diversity, defining leadership, involving faculty, and preparing for an interview.

Let Me Tell You Where I’ve Been Cover

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Let Me Tell You Where I’ve Been

New Writing by Women of the Iranian Diaspora

Let Me Tell You Where I've Been is an extensive collection of poetry, fiction, and nonfiction by women whose lives have been shaped and influenced by Iran's recent history, exile, immigration and the formation of new cultural identities in the United States and Europe.

Live Nude Girl Cover

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Live Nude Girl

My Life as an Object

Kathleen Rooney

Live Nude Girl is a lively meditation on the profession of nude modeling—that “spine-tingling combination of power and vulnerability, submission and dominance”—as it has been practiced in history and as it is practiced today. Kathleen Rooney draws on her own experiences working as an artist’s model, as well as on the stories of famous, notorious, and mysterious artists and models through the ages.

Long Is the Way and Hard Cover

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Long Is the Way and Hard

One Hundred Years of the NAACP

Edited by Kevern Verney and Lee Sartain

Celebrating its one-hundredth anniversary in February 2009, the National Association for the Advancement of Colored People (NAACP) has been the leading and best-known African American civil rights organization in the United States. It has played a major, and at times decisive, role in most of the important developments in the twentieth century civil rights struggle. Drawing on original and previously unpublished scholarship from leading researchers in the United States, Britain, and Europe, this important collection of sixteen original essays offers new and invaluable insights into the work and achievements of the association. The first part of the book offers challenging reappraisals of two of the NAACP’s best-known national spokespersons, Walter White and Roy Wilkins. Other essays analyze the association’s cultural initiatives and the key role played by its public-relations campaigns in the mid 1950s to counter segregationist propaganda and win over the hearts and minds of American public opinion in the wake of the NAACP’s landmark legal victory in Brown v. Board of Education. Others provide thought-provoking accounts of the association’s complex and difficult relationship with Martin Luther King, the post–World War II Civil Rights movement, and Black Power radicals of the 1960s.

Looking Back at the Arkansas Gazette Cover

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Looking Back at the Arkansas Gazette

An Oral History

Edited by Roy Reed

With a legendary beginning as a printing press floated up the Arkansas River in 1819, the Arkansas Gazette is inextricably linked with the state’s history, reporting on every major Arkansas event until the paper’s demise in 1991 after a long, bitter, and very public newspaper war. Looking Back at the Arkansas Gazette, knowledgeably and intimately edited by longtime Gazette reporter Roy Reed, comprises interviews from over a hundred former Gazette staffers recalling the stories they reported on and the people they worked with from the late forties to the paper’s end. The result is a nostalgic and justifiably admiring look back at a publication known for its progressive stance in a conservative Southern state, a newspaper that, after winning two Pulitzers for its brave rule-of-law stance during the Little Rock Central High Crisis, was considered one of the country’s greatest. The interviews, collected from archives at the David and Barbara Pryor Center for Arkansas Oral and Visual History at the University of Arkansas, provide fascinating details on renowned editors and reporters such as Harry Ashmore, Orville Henry, and Charles Portis, journalists who wrote daily on Arkansas’s always-colorful politicians, its tragic disasters and sensational crimes, its civil rights crises, Bill Clinton, the Razorbacks sports teams, and much more. Full of humor and little-known details, Looking Back at the Arkansas Gazette is a fascinating remembrance of a great newspaper.

Looking Back to See Cover

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Looking Back to See

A Country Music Memoir

The Browns—Maxine, Bonnie, and Jim Ed—are a trio of siblings that had tremendous success in the 1950s and 60s. Following in the tradition of the best of such books, such as Loretta’s Lynn’s Coal Miner’s Daughter, this memoir, told in Maxine’s own plucky, spirited style, delves deeply into the Browns’ remarkable past, beginning with a Depression-era childhood in rural south Arkansas.

Lovely Asunder Cover

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Lovely Asunder

Poems

Danielle Cadena Deulen

Danielle Cadena Deulen's debut collection, Lovely Asunder, is filled with beautiful dangers. These poems, sharp and graceful, brutal and vulnerable, create from language a kind of chiaroscuro-both light and dark made more vivid by their juxtaposition. Throughout the collection, the poet appraises ancient myths through a feminine and feminist perspective, evincing the ways in which narratives transform personal experience and vice versa. The figure of the fruit, in all its implied and literal lushness, recurs like a chorus, and the speakers of these poems are haunted by the Fall-confined by the body, the mind, and the irrevocable past. Yet there is a certain abundance to Deulen's style that keeps darkness or mere cynicism from overwhelming-a distinctly maximalist aesthetic that echoes the lost paradisal opulence for which the speakers of the poems yearn. Worldly but never mundane, this collection exists in the boundary between the physical and metaphysical, revering both.

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