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A Dan Josselyn Memorial Publication
This edition of Moorehead's excavations at Cahokia provides a comprehensive collection of Moorehead's investigations of the nation's largest prehistoric mound center.
Covering almost fourteen square kilometers in Illinois, Cahokia Mounds State Historic Site is the largest prehistoric mound center in North America and has been designated a World Heritage Site by the United Nations. Built between A.D. 1050 and 1350, Cahokia originally contained the remains of over 100 earthen mounds that were used as places for Native American rituals, homes of chiefs, or elite tombs. Earlier scientists debated whether the mounds were part of the natural landscape, and many were destroyed by urban and industrial development
This book is a report of archaeological investigations conducted at Cahokia from 1921 to 1927 by Warren K. Moorehead, who confirmed that the mounds were built by indigenous peoples and who worked to assure preservation of the site. The volume includes Moorehead's final 1929 report along with portions of two preliminary reports, covering both Cahokia and several surrounding mound groups.
John Kelly's introduction to the book sets Moorehead's investigations in the context of other work conducted at Cahokia prior to the 1920s and afterwards. Kelly reviews Moorehead's work, which employed 19th-century excavation techniques combined with contemporary analytical methods, and explains how Moorehead contended with local social and political pressures.
Moorehead's work represented important excavations at a time when little other similar work was being done in the Midwest. The reissue of his findings gives us a glimpse into an important archaeological effort and helps us better appreciate the prehistoric legacy that he helped preserve.
Calendar of Regrets is a wildly inventive and visually rich collage of twelve interconnected narratives, one for each month of the year, all pertaining to notions of travel—through time, space, narrative, and death.
Linguistic and Cultural Origins and Relationships
History, Diplomacy, and Black Catholic Marriage in Antebellum St. Augustine, Florida
Critical Trends and American Literature Anthologies
The first systematic analysis of American literature textbooks used by college instructors in the last century. Scholars have long noted the role that college literary anthologies play in the rising and falling reputations of American authors. Canons by Consensus examines this classroom fixture in detail to challenge and correct a number of assumptions about the development of the literary canon throughout the 20th century. Joseph Csicsila analyzes more than 80 anthologies published since 1919 and traces not only the critical fortunes of individual authors, but also the treatment of entire genres and groupings of authors by race, region, gender, and formal approach. In doing so, he calls into question accusations of deliberate or inadvertent sexism and racism. Selections by anthology editors, Csicsila demonstrates, have always been governed far more by prevailing trends in academic criticism than by personal bias. Academic anthologies are found to constitute a rich and often overlooked resource for studying American literature, as well as an irrefutable record of the academy's changing literary tastes throughout the last century. "[This] is an innovative piece of scholarshipâ€”provocative by implication, lucid in presentation, steady in judgment. What the author has done is to methodically drill test bores through strata of representations of American literature. . . . No one in the future ought to be able to make overarching claims about the American literary canon without first checking here the facts of the cases in question." â€”from the Foreword by Tom Quirk Joseph Csicsila is Assistant Professor of English at Eastern Michigan University where he was recognized with the 2002 Ronald W. Collins Distinguished Faculty Award for Teaching. Tom Quirk is Professor of English at the University of Missouri-Columbia and the author of Nothing Abstract: Investigations in the American Literary Imagination.
Nurse, Physician, and Patient Relationships
The Survival of a Folk Tradition
A comprehensive study that traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present. When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors. In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters factors such as clay selection, tool use, decoration, and firing techniques which influence their styles. In assessing the work, David G. Moore, of Warren Wilson College, states, "This book represents an enormous body of work concerned with a significant topic the persistence of the Catawba Indian pottery tradition. Using his extensive fieldwork and a narrative presentation, the author juxtaposes the evolving ceramic technology with a fascinating discussion of the role of pottery in changing Catawba economy from the 18th and continuing into the 21st century." Thomas John Blumer is a retired ethnohistorian and author of Bibliography of the Catawba. William Harris is a respected leader of the Catawba Indian Nation.
Ceramics, Chronology, and Cawtawba Indians
An excellent example of ethnohistory and archaeology working together, this model study reveals the origins of the Catawba Indians of North Carolina. By the 18th century, the modern Catawba Indians were living along the river and throughout the valley that bears their name near the present North Carolina-South Carolina border, but little was known of their history and origins. With this elegant study, David Moore proposes a model that bridges the archaeological record of the protohistoric Catawba Valley with written accounts of the Catawba Indians from the 17th, 18th, and 19th centuries, thus providing an ethnogenesis theory for these Native Americans. Because the Catawba Confederacy had a long tradition of pottery making, dating ceramics and using them for temporal control was central to establishing a regional cultural chronology. Moore accomplishes this with a careful, thorough review and analysis of disparate data from the whole valley. His archaeological discoveries support documentary evidence of 16th century Spaniards in the region interacting with the resident Indians. By tracking the Spanish routes through the Catawba River valley and comparing their reported interactions with the native population with known archaeological sites and artifacts, he provides a firm chronological and spatial framework for Catawba Indian prehistory. With excellent artifact photographs and data-rich appendixes, this book is a model study that induces us to contemplate a Catawba genesis and homeland more significant than traditionally supposed. It will appeal to professional archaeologists concerned with many topics-Mississippian, Lamar, early historic Indians, de Soto, Pardo, and chiefdom studies-as well as to the broader public interested in the archaeology of the Carolinas. David G. Moore is Assistant Professor of Archaeology at Warren Wilson College in Asheville, North Carolina.