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A Pensacola Culture Site in South Alabama
This is the first comprehensive study and analysis of the most important Mississippian mound site on the north-central Gulf coast. Consisting of 18 earthen mounds and numerous additional habitation areas dating to A.D. 1250-1550, the Bottle Creek site was first professionally investigated in 1932 when David L. DeJarnette of the Alabama Museum of Natural History began work there to determine if the site had a cultural relationship with Moundville, connected to the north by a river system. Although partially mapped in the 1880s, Bottle Creek's location in the vast Mobile-Tensaw Delta of Baldwin County completely surrounded by swamp made it inaccessible and protected it from most of the plunder experienced by similar sites in the Southeast. This volume builds on earlier investigations to present extensive recent data from major excavations conducted from 1991 to 1994 and supported in part by an NEH grant. Ten anthropologists examine various aspects of the site, including mound architecture, prehistoric diet, pottery classification, vessel forms, textiles used to make pottery impressions, a microlithic stone tool industry, water travel, the persistence of mound use into historic times, and the position of Bottle Creek in the protohistoric world. The site is concluded to be the best remaining example of Pensacola culture, an archaeological variant of the widespread Mississippian tradition identified by a shell-tempered pottery complex and by its geographic association with the north-central coast of the Gulf of Mexico. Occupied for three centuries by a thriving native culture, Bottle Creek is an important remnant of North American peoples and as such is designated a National Historic Landmark. This published compilation of the research data should establish a base for future scholarly investigation and interpretation. Ian W. Brown is Professor of Anthropology at The University of Alabama and Curator of Gulf Coast Archaeology at the Alabama Museum of Natural History. He has numerous publications, including Decorated Pottery of the Lower Mississippi Valley: A Sorting Manual. David S. Brose is Director of the Schiele Museum of Natural History in North Carolina and coeditor of The Northwest Florida Expeditions of Clarence Bloomfield Moore and Societies in Eclipse.
Macrobotanical Remains and the Oliver Phase of Central Indiana, A.D. 1200-1450
Prehistoric plant use in the Late Woodland of central Indiana.
This book explores the extent to which foodways, an important marker of group identity, can be recognized in charred macrobotanical remains from archaeological sites. From analysis of mere bits of burned plants we can discern what ancient people chose to eat, and how they cooked it, stored it, and preserved it.
Leslie Bush compares archaeobotanical remains from 13 Oliver Phase sites in Indiana to other late prehistoric sites through correspondence analysis. The Oliver area is adjacent to the territories of three of the largest and best-known archaeological cultures of the region—Mississippian, Fort Ancient, and Oneota—so findings about Oliver foodways have implications for studies of migration, ethnogenesis, social risk, and culture contact. Historical records of three Native American tribes (Shawnee, Miami, and Huron) are also examined for potential insights into Oliver foodways.
The study determines that people who inhabited central Indiana during late prehistoric times had a distinctive signature of plant use that separates them from other archaeological groups, not just in space and time but also in ideas about appropriate uses of plants. The uniqueness of the Oliver botanical pattern is found to lie in the choice of particular crops, the intensity of growing versus gathering, and the use of a large number of wild resources.
Winner of Ronald Sukenick Prize for Innovative Fiction
The Bruise is a prize-winning novel of imperative voice and raw sensation. In the sterile dormitories and on the quiet winter greens of an American university, a young woman named M— deals with the repercussions of a strange encounter with an angel, one that has left a large bruise on her forehead. Was the event real or imagined? The bruise does not disappear, forcing M— to confront her own existential fears and her wavering desire to tell the story of her imagination. As a writer, M— is breathless, desperate, and obsessive, questioning the mutations and directions of her words while writing with fevered immediacy. Using rhythmic language, suffused with allusions to literature and art, Magdalena Zurawski recasts the bildungsroman as a vibrant and moving form.
Human Possibility in the Age of Biotechnology
Chickasaw Museums and the Construction of History and Heritage
The Chickasaw Nation, an American Indian nation headquartered in southeastern Oklahoma, entered into a period of substantial growth in the late 1980s. Following its successful reorganization and expansion, which was enabled by federal policies for tribal self-determination, the Nation pursued gaming and other industries to affect economic growth. From 1987 to 2009 the Nation’s budget increased exponentially as tribal investments produced increasingly large revenues for a growing Chickasaw population. Coincident to this growth, the Chickasaw Nation began acquiring and creating museums and heritage properties to interpret their own history, heritage, and culture through diverse exhibitionary representations. By 2009, the Chickasaw Nation directed representation of itself at five museum and heritage properties throughout its historic boundaries.
Josh Gorman examines the history of these sites and argues that the Chickasaw Nation is using museums and heritage sites as places to define itself as a coherent and legitimate contemporary Indian nation. In doing so, they are necessarily engaging with the shifting historiographical paradigms as well as changing articulations of how museums function and what they represent. The roles of the Chickasaw Nation’s museums and heritage sites in defining and creating discursive representations of sovereignty are examined within their historicized local contexts. The work describes the museum exhibitions’ dialogue with the historiography of the Chickasaw Nation, the literature of new museum studies, and the indigenous exhibitionary grammars emerging from indigenous museums throughout the United States and the world.
The Florida Brigade of the Army of Tennessee
Constructing a New Society after the Angel Chiefdom Collapse
An important case study of chiefdom collapse and societal reemergence. Caborn-Welborn, a late Mississippian (A.D. 1400?) farming society centered at the confluence of the Ohio and Wabash Rivers (in what is now southwestern Indiana, southeastern Illinois, and northwestern Kentucky), developed following the collapse of the Angel chiefdom (A.D. 1000?). Using ceramic and settlement data, David Pollack examines the ways in which that new society reconstructed social, political, and economic relationships from the remnants of the Angel chiefdom. Unlike most instances of the demise of a complex society led by elites, the Caborn-Welborn population did not become more inward-looking, as indicated by an increase in extraregional interaction, nor did they disperse to smaller more widely scattered settlements, as evidenced by a continuation of a hierarchy that included large villages. This book makes available for the first time detailed, well-illustrated descriptions of Caborn-Welborn ceramics, identifies ceramic types and attributes that reflect Caborn-Welborn interaction with Oneota tribal groups and central Mississippi valley Mississippian groups, and offers an internal regional chronology. Based on intraregional differences in ceramic decoration, the types of vessels interred with the dead, and cemetery location, Pollack suggests that in addition to the former Angel population, Caborn-Welborn society may have included households that relocated to the Ohio/Wabash confluence from nearby collapsing polities, and that Caborn-Welborn's sociopolitical organization could be better considered as a riverine confederacy. "A fine scholarly presentation of the data, resulting in a new interpretation of this culture. . . . Dr. Pollack has produced an excellent case study of the collapse of a Mississippian society and its subsequent reformation. Since the unfortunate looting of the Slack Farm site in the late 1980s, archaeologists have wanted to see information on this society. . . . The graphics are most impressive." â€”Marvin T. Smith, Valdosta State University David Pollack is Staff Archaeologist with the Kentucky Heritage Council and Director of the Kentucky Archaeological Survey.
The Web Spun by Taino Rulers Between Hispaniola and Puerto Rico
Cemís are both portable artifacts and embodiments of persons or spirit, which the Taínos and other natives of the Greater Antilles (ca. AD 1000-1550) regarded as numinous beings with supernatural or magic powers. This volume takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola. The relationships address the important questions of identity and personhood of the cemí icons and their human “owners” and the implications of cemí gift-giving and gift-taking that sustains a complex web of relationships between caciques (chiefs) of Puerto Rico and Hispaniola.
Oliver provides a careful analysis of the four major forms of cemís—three-pointed stones, large stone heads, stone collars, and elbow stones—as well as face masks, which provide an interesting contrast to the stone heads. He finds evidence for his interpretation of human and cemí interactions from a critical review of 16th-century Spanish ethnohistoric documents, especially the Relación Acerca de las Antigüedades de los Indios written by Friar Ramón Pané in 1497–1498 under orders from Christopher Columbus. Buttressed by examples of native resistance and syncretism, the volume discusses the iconoclastic conflicts and the relationship between the icons and the human beings. Focusing on this and on the various contexts in which the relationships were enacted, Oliver reveals how the cemís were central to the exercise of native political power. Such cemís were considered a direct threat to the hegemony of the Spanish conquerors, as these potent objects were seen as allies in the native resistance to the onslaught of Christendom with its icons of saints and virgins.
This dramatic and controversial new interpretation of Cahokian leadership strategies examines the authority a ruling elite exercised over the surrounding countryside through a complex of social, political, and religious symbolism.
This study uses the theoretical concepts of agency, power, and ideology to explore the development of cultural complexity within the hierarchically organized Cahokia Middle Mississippian society of the American Bottom from the 11th to the 13th centuries. By scrutinizing the available archaeological settlement and symbolic evidence, Emerson demonstrates that many sites previously identified as farmsteads were actually nodal centers with specialized political, religious, and economic functions integrated into a centralized administrative organization. These centers consolidated the symbolism of such 'artifacts of power' as figurines, ritual vessels, and sacred plants into a rural cult that marked the expropriation of the cosmos as part of the increasing power of the Cahokian rulers.
During the height of Cahokian centralized power, it is argued, the elites had convinced their subjects that they ruled both the physical and the
spiritual worlds. Emerson concludes that Cahokian complexity differs significantly in degree and form from previously studied Eastern Woodlands chiefdoms and opens new discussion about the role of rural support for the Cahokian ceremonial center.
A Dan Josselyn Memorial Publication
This edition of Moorehead's excavations at Cahokia provides a comprehensive collection of Moorehead's investigations of the nation's largest prehistoric mound center.
Covering almost fourteen square kilometers in Illinois, Cahokia Mounds State Historic Site is the largest prehistoric mound center in North America and has been designated a World Heritage Site by the United Nations. Built between A.D. 1050 and 1350, Cahokia originally contained the remains of over 100 earthen mounds that were used as places for Native American rituals, homes of chiefs, or elite tombs. Earlier scientists debated whether the mounds were part of the natural landscape, and many were destroyed by urban and industrial development
This book is a report of archaeological investigations conducted at Cahokia from 1921 to 1927 by Warren K. Moorehead, who confirmed that the mounds were built by indigenous peoples and who worked to assure preservation of the site. The volume includes Moorehead's final 1929 report along with portions of two preliminary reports, covering both Cahokia and several surrounding mound groups.
John Kelly's introduction to the book sets Moorehead's investigations in the context of other work conducted at Cahokia prior to the 1920s and afterwards. Kelly reviews Moorehead's work, which employed 19th-century excavation techniques combined with contemporary analytical methods, and explains how Moorehead contended with local social and political pressures.
Moorehead's work represented important excavations at a time when little other similar work was being done in the Midwest. The reissue of his findings gives us a glimpse into an important archaeological effort and helps us better appreciate the prehistoric legacy that he helped preserve.